Archinect - News2024-11-24T02:09:49-05:00https://archinect.com/news/article/150315121/peter-marino-looks-back-on-some-harsh-influences-and-early-lessons
Peter Marino looks back on some harsh influences and early lessons Josh Niland2022-06-29T11:59:00-04:00>2024-10-25T04:07:38-04:00
<img src="https://archinect.gumlet.io/uploads/49/496fb2e393591dec4ecab0db499489ed.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>Marino spoke to artist Rashid Johnson for <em><a href="https://www.interviewmagazine.com/art/leather-daddy-peter-marino-on-pop-art-and-garbage-architecture" target="_blank">Interview</a></em> at length about his early client, the magazine's founder Andy Warhol, as well as a host of other topics, including his art collection, time at <a href="https://archinect.com/schools/cover/1544387/cornell-university" target="_blank">Cornell</a>, and what he sees as the gradual evolution of pop art’s influence into the works of contemporaries like <a href="https://archinect.com/news/tag/61116/michael-graves" target="_blank">Michael Graves</a>. </p>
<p>“I think some of Graves’s work is very good, but as an architectural movement, it’s very mannerist. It’s one person’s interpretation. Pop art shaded him, and I was always a bit terrified of the postmodern movement. I thought Venturi, Scott Brown [and Associates] did good work, but I think it’s fair to describe it as a niche section in the field.”</p>
<figure><p><a href="https://archinect.gumlet.io/uploads/b0/b0fa4d570b8d61ee6b281fa62c76a254.jpg?auto=compress%2Cformat&enlarge=true&w=1028" target="_blank"><img src="https://archinect.gumlet.io/uploads/b0/b0fa4d570b8d61ee6b281fa62c76a254.jpg?auto=compress%2Cformat&enlarge=true&w=514"></a></p><figcaption>Previously on Archinect: <a href="https://archinect.com/news/article/150001342/check-out-these-quotes-from-peter-marino-s-60-minutes-episode" target="_blank">Check out these quotes from Peter Marino's '60 Minutes' episode</a></figcaption></figure><p>The famed retail designer also recalled his early days in the offices of Nelson and <a href="https://archinect.com/skidmoreowingsmerrill" target="_blank">SOM</a>, reacting to changes in the city’s architectural palette that he found aberrant and blamed squarely on dramatic post-war shifts in design education ...</p>