Archinect - News 2024-11-21T11:21:28-05:00 https://archinect.com/news/article/150184075/director-alysa-nahmias-on-l-szl-moholy-nagy-and-the-new-bauhaus Director Alysa Nahmias on László Moholy-Nagy and The New Bauhaus Paul Petrunia 2020-02-13T13:43:00-05:00 >2024-10-25T04:07:38-04:00 <img src="https://archinect.gumlet.io/uploads/c4/c43ddc3d6117c2ccf34ad8db489b844b.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>On this episode of Archinect Sessions, we&rsquo;re sharing a conversation I had with <a href="http://ajnafilms.com/" target="_blank">Alysa Nahmias</a>, the director and producer of the documentary film &ldquo;<a href="https://www.thenewbauhaus.com/" target="_blank">The New Bauhaus</a>.&rdquo; We recorded this conversation last month, poolside, a few hours before the film premiered to a packed house in the <a href="https://www.psmuseum.org/events/venue/annenberg-theater" target="_blank">Annenberg Theater</a> at the <a href="https://www.psfilmfest.org/" target="_blank">Palm Springs International Film Festival</a>.</p> <figure><p><a href="https://archinect.gumlet.io/uploads/dd/dd0ee387cfdd083d0642c4fc98e1c125.jpg?auto=compress%2Cformat&amp;enlarge=true&amp;w=1028" target="_blank"><img src="https://archinect.gumlet.io/uploads/dd/dd0ee387cfdd083d0642c4fc98e1c125.jpg?auto=compress%2Cformat&amp;enlarge=true&amp;w=514"></a></p><figcaption>Panel discussion following the screening at the Palm Springs International Film Festival, photo by Paul Petrunia. From L-R: Alysa Nahmias (director/producer), Miranda Yousef (editor), Ashley Lukasik (co-producer), &amp; Erin Wright (producer) </figcaption></figure><p>Alysa, a trained architect-turned-filmmaker, made her directorial debut in 2011 with <a href="https://archinect.com/news/article/59098906/unfinished-spaces-premieres-tomorrow-night-on-pbs-archinect-talks-to-the-filmmaker" target="_blank">Unfinished Spaces</a>, a critically acclaimed documentary about the unfinished National Art School in Cuba.&nbsp;</p> <figure><p><a href="https://archinect.gumlet.io/uploads/14/1457bd4f05be169c8296220f93fa829c.jpg?auto=compress%2Cformat&amp;enlarge=true&amp;w=1028" target="_blank"><img src="https://archinect.gumlet.io/uploads/14/1457bd4f05be169c8296220f93fa829c.jpg?auto=compress%2Cformat&amp;enlarge=true&amp;w=514"></a></p><figcaption>Light-Space Modulator, L&aacute;szl&oacute; Moholy-Nagy, 1922&ndash;1930. Photographed at the Art Institute of Chicago. Image from The New Bauhaus courtesy of Opendox. Art courtesy of the Moholy-Nagy Foundation. Director: Alysa Nahmias. Photog...</figcaption></figure> https://archinect.com/news/article/59387816/editor-s-picks-286 Editor's Picks #286 Nam Henderson 2012-10-16T00:11:00-04:00 >2016-06-15T19:02:01-04:00 <img src="https://archinect.gumlet.io/uploads/x4/x4xogi7dv8y7os2q.jpeg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p><a href="http://archinect.com/people/cover/1972948/alex-maymind" rel="nofollow" target="_blank">Alex Maymind</a>&nbsp;highlighted the work of Cornell studio "<strong>Ungers vs. Rowe</strong>"&nbsp;in a piece titled <a href="http://archinect.com/features/article/58887387/archipelagos-ungers-vs-rowe" rel="nofollow" target="_blank">ARCHIPELAGOS: Ungers vs. Rowe.</a>&nbsp;Both the studio and feature, articulate "<em>a theoretical argument about two divergent Cornell legacies: one, O.M. Ungers and the other, Colin Rowe as exemplary urban design positions that after some forty years remain still operative in today&rsquo;s context</em>". Mr. Maymind further argues that "<em>Both Ungers and Rowe share an overwhelming concern for the deployment and manipulation of precedent (with all of the baggage the term implies) as the basis for making and conceptualizing form</em>". The studio featured two groups of two students, each assigned either Ungers or Rowe, as source material.&nbsp;<a href="http://archinect.com/stevenward" rel="nofollow" target="_blank">Steven Ward</a>&nbsp;commented "<em>beautiful work. man, i would have loved this studio</em>"&nbsp;and even <strong>Thayer-D</strong> agreed "<em>Ultimately, the main source of apprehension in dealing with these two figures comes from the fact that they both sought to criticize the status quo, which is still very much alive</em>"</p><p><img alt="" title="" src="http://cdn.archinect.net/images/514x/nk/nk8czfhh95n8a164.jpg"></p><p><br><strong>News</strong><br><a href="http://archinect.com/news/article/59239435/brutalist-architect-ulrich-franzen-dies-at-91" rel="nofollow" target="_blank">The Mod...</a></p>