Archinect - News

Preserving the legacy of William Sidney Pittman, the 'first Black architect of Texas'

2024-02-28T12:23:00-05:00

Many of his designs sit within historic Black neighborhoods with African American historical and cultural institutions. At the Glen Oaks Cemetery in South Dallas, Pittman’s grave marker reminds visitors why his buildings are significant points of interest—after all, he was the “first Black architect of Texas.”

The building legacy of William Sidney Pittman, who arrived in Dallas from Washington, D.C., right before World War I, stands at only seven surviving structures. UT Austin School of Architecture assistant professor Tara A. Dudley says: “His arrival provided African Americans in Texas access to a professional architect within the race — as opposed to relying on white architects as most did — and who, as a Black man, understood the needs and requirements of the African American community.”

Pittman, who was also a tremendously incisive polemic writer and early inspiration for Paul Revere Williams, died in March of 1958 with a portfolio of fifteen completed buildings in the state. Dudley and others are now ardently at work preserving his legacy there and in D.C. (where his 1912 Anthony Bowen YMCA design still stands). As she tells Texas Highways, “[His] work needs to be preserved for future generations as a testament to his significance in the profession of architecture in the U.S. in th...

Historic civil rights-era church in Memphis to undergo $25 million renovation

2024-02-19T12:02:00-05:00

Memphis’ Clayborn Temple, a historic civil rights landmark, is set to undergo a $25 million renovation. The five-year-long project hopes to “not only preserve its historic significance but also usher in a new era of vitality for this cultural gem and the surrounding community,” as seen in new renderings by Self+Tucker Architects.

Image credit: Self+Tucker Architects

The building was originally constructed in 1892 as Second Presbyterian Church, where it served an all-white congregation. In 1949, the building was sold to an African Methodist Episcopal congregation for $100,000 and renamed Clayborn Temple.

Image credit: Self+Tucker Architects

Throughout the Civil Rights Movement of the 1960s, the church served as an important node for social, cultural, spiritual, and political expressions for the city’s African American communities, ultimately becoming the organizing headquarters for The Sanitation Workers’ Strike of 1968, Dr. Martin Luther King Jr.’s last campaign.

Image credit: Self+Tu...

New digital guide documents African American cultural landscapes

2024-02-07T15:19:00-05:00

The Cultural Landscape Foundation (TCLF) just launched a brand new initiative called the What’s Out There Guide to African American Cultural Landscapes. So far, the digital guide documents over 140 sites associated with African American culture lifeways as well as nearly 30 biographies and is part of the foundation's four-year-old Race and Space program.

The TCLF says the production of the guide required some rethinking of its four existing categorizations of cultural landscapes. Nine themes (Enslavement, Impacts of African Cultures on the American Landscape, The Underground Railroad, Reconstruction, The Civil Rights Movement, Education, Public Accommodations, Commemoration and Healing, and Elevating Designers and Shapers) were created to reconstrue them into their proper contexts.

This will be of value to future research endeavors, the TCLF says, while equally helpful in promoting the stewardship of the sites, both of which are related to its organizational mission to "connect peop...

Paul Revere Williams-designed Blind Children's Center is getting remodeled for a new century of service in Los Angeles

2024-02-06T15:02:00-05:00

A renovation of the historic Paul Revere Williams-designed Blind Children’s Center (BCC) is underway in Los Angeles. The 80-year-old structure that preceded Williams’s seminal St. Jude Children’s Research Hospital in Memphis and other hospital designs in Southern California by twenty years is now being remodeled and modernized to match the expanded needs of the BCC community for a new century.

Williams had been living in his now landmarked first residence in Jefferson Park at the time of his commissioning for the project. His design gave the nonprofit its first permanent home during a period of rampant discrimination, thus serving as a built testament to inclusivity.

The facility in July 2022. Image courtesy of the Blind Children's Center (BCC)

Now, with support from the Ahmanson, W. M. Keck and Rose Hills Foundations, the BCC’s b...

African American Cultural Heritage Action Fund: Another $4 million will go toward preserving Black churches

2024-02-02T12:20:00-05:00

The African American Cultural Heritage Action Fund of the National Trust for Historic Preservation has announced another round of funding totaling $4 million that will be put towards preserving Black churches in 22 states across the country.

The program’s second round of funding for the two-year-old Preserving Black Churches initiative will help maintain the legacies of 31 churches.

Black churches in the United States are at the center of the country's lifelong fight for democratic reforms and are a key character in the story of African American's survival and resilience in America. As the historian and advisor to the Action Fund, Dr. Henry Louis Gates, Jr., explained, “Black churches have been at the forefront of meaningful democratic reform since this nation’s founding. They’re a living testament to the resilience of our ancestors in the face of unimaginably daunting challenges.”

“The heart of our spiritual world is the Black church. These places of worship, these sacred cultural ...

Four design teams shortlisted for former KKK site reclamation project in Texas

2023-10-11T17:51:00-04:00

A four-finalist shortlist for Transform 1012 N. Main Street’s adaptive reuse and racial equity project has been announced as part of a multiphase selection process that will eventually deliver the new Fred Rouse Center for Arts and Community Healing to Fort Worth, Texas.

The chance at redesigning what was once the Ku Klux Klan Klavern No. 101 Auditorium will fall on a proposal that best expresses and reflects the group’s reclamatory mission while “[prioritizing] community, equity, and collective healing in the design of the space” above all other considerations of site and material.

“The exceptional quality of the submissions prompted us to expand the initially envisioned shortlist from three to four teams and to extend our selection deadline for a few days,” Ben Crawford, the Chair of Transform 1012’s Design Architect Selection Committee, added. “We are thrilled to welcome these architects to Fort Worth to see how they could be a partner in reimagining the processes for enacting th...

BIG-designed National Juneteenth Museum receives $1 million grant

2023-08-09T13:45:00-04:00

Bank of America has awarded a $1 million grant towards the development of the National Juneteenth Museum, designed by BIG. The money will contribute to the project’s estimated $70 million price tag. Located in Fort Worth’s Historic Southside neighborhood, the museum will serve as an epicenter for awareness and preservation of Juneteenth’s history. It also aims to revitalize the surrounding area by acting as an economic catalyst.

The 50,000-square-foot museum takes on a handcrafted design, utilizing materials such as heavy timber. It also draws on the local architecture of gabled rooftops. The structure’s undulating roof results in a series of peaks and valleys that combine to form a star-shaped courtyard in the middle of the museum. In addition, the building will feature 10,000 square feet of exhibit galleries, a 250-seat theater to host lectures, a speaker series, performances, and more, a black box, a business incubator for local entrepreneurs, and a food hall featuring local vend...

Selection process detailed for historic reuse of former KKK site as a cultural arts center in Fort Worth

2023-06-29T19:56:00-04:00

Transform 1012 N. Main Street, the non-profit coalition responsible for a new reclamation project targeting a former Ku Klux Klan auditorium in Fort Worth, Texas, has just announced the next phases of the selection process for an architect who will eventually deliver The Fred Rouse Center for Arts and Community Healing in what is being pitched as an "act of reparative justice" for the community.

Eight months after the process began, work will now continue towards the ultimate goal of creating a unifying cultural hub replete with state-of-the-art performance spaces, arts educational offerings, room for social service organizations that work with LGBTQ+ youth, a maker space, and exhibition areas dedicated toward social justice programming.

The Fred Rouse Center for Arts and Community Healing Exterior. Concept rendering by MASS Design Group. Courtesy of Transform 1012 N. Main Street.

The space is named in honor of Fred Rouse, a local Black man who was lynched by a white mob in 1921, t...

Take a look inside the new International African American Museum ahead of its opening

2023-06-05T17:41:00-04:00

One of the most anticipated projects of the summer is ready to make its official public debut later this month as the finishing touches are being put in place for the new Moody Nolan and Pei Cobb Freed-designed International African American Museum in Charleston, South Carolina.

Sited along the city’s historic harbor that was, in its heyday, the “ground zero” of the slave trade in the southern United States, the museum seeks to educate visitors using a series of nine thematic galleries and the “power of place” present in its location at Gadsden’s Wharf.

The project is the culmination of over two decades of planning, advocacy, and design consultations between both firms, varied stakeholders, historians, politicians, and residents whose collaborations, in the end, beget what ought to become a transformative testament to the power of storytelling for Americans of every background.

Credit: © Sahar Coston-Hardy/Esto. All rights res...

David Adjaye previews his Asaase III earthwork installation for COUNTERPUBLIC in St. Louis

2023-06-02T13:51:00-04:00

It’s very significant. In terms of personal meaning, I have approached it as a kind of meditation and reflection on the idea of deep time—planetary and galaxy time that is beyond the human timeline. Asaase III is, in a way, a representation of how I imagine an ideal city—a city that is in symbiosis with the Earth, acknowledging it and honoring it in a very deep way, but also absolutely transforming it and creating new features.

The new (permanent) addition to the Griot Museum of Black History is Adjaye’s second foray into rammed earth sculpture, following a 2021 installation at the Gagosian Gallery in New York. COUNTERPUBLIC curator Allison Glenn says the commission was born of her desire to connect the museum to the history of land use and the story of architecture in the community — in addition to Adjaye’s previous U.S. museum designs.

Adjaye says he was motivated to use materials as a means of invoking historical reference in light and also breaking us from our lost sense of place in universal spacetime, adding his concern that "Artifice has taken over our sense of reverence for the Earth."

The three-month COUNTERPUBLIC exhibition is on view in St. Louis until July 15th.

Davidson College unveils plans for a new memorial to enslaved and exploited people, led by Hank Willis Thomas and Perkins&Will

2023-06-01T12:17:00-04:00

Davidson College has unveiled its plans for a new memorial to the enslaved and exploited people whose hands built the 186-year-old liberal arts institution. The design effort of the sculpture titled “With These Hands: A Memorial to the Enslaved and Exploited” will be led by Perkins&Will in collaboration with Hank Willis Thomas.

The artist of Boston's new commemoration of Dr. Martin Luther King Jr. and Coretta Scott King will deliver a similar monumental bronze sculpture that emerges prominently from a refuge-like space nearby the campus’s original Oak and Elm buildings.

Thomas was selected for the commission following a two-year search process led by alumni that reflects similar reconciliation efforts at Brown University, The College of William & Mary, UNC Chapel Hill, and perhaps most notably, the Höweler+Yoon project at the University of Virginia spearheaded by alumna Mabel O. Wilson.

Hood Century's solitary quest to preserve Black modernist heritage is spurring social media users to action

2023-01-18T13:20:00-05:00

Jerald Cooper, who lives in Cincinnati, wants to recognize and help preserve modern architecture and interior design that have added to the aesthetic and culture of many Black communities. His aim is to make architecture and design more accessible by using layman’s language to break down barriers typically set up by white academics with advanced degrees, and educate more people who are now empowered through social media to comment on the structural beauty of a modernist tower.

The music industry marketing consultant started the passion project after a treasured local West End church was demolished in order to make room for Populous’ $250 million new Cincinnati F.C. stadium in 2019, an act which he calls “infrastructural trauma.” Since then, he has grown an online audience of more than 83,000 followers with his Instagram account Hood Century, offering analysis that breaks down Black modernism into three categories: made for, handed down, and claimed.

The effort places him in line with others, such as the newly-funded Conserving Black Modernism project from the Getty and National Trust for Historic Preservation. Jerald Cooper represents the potential for social media adept architecture aficionados to combat what he called a “lack of knowing” in their own communities. As the former USC architecture dean Milton Curry says, “the complex story of Modernism cannot be fully revealed without new research on its impacts in and on the Black communities that it has t...

Adjaye announces new rammed earth commission for The Griot Museum of Black History in St. Louis

2022-11-28T12:03:00-05:00

The Griot Museum of Black History will soon be home to a public art installation from the designer of the Smithsonian National Museum of African American History and Culture. Architect David Adjaye will design Asaase III, a monument that surrounds the museum. The structure will be built of rammed earth, a process using soil and other natural materials from the St. Louis region to make solid structures.

The rammed earth installation is the new Order of Merit appointee’s second such following his well-profiled commission for Antwaun Sargent’s Social Works show at the Gagosian Gallery in New York. Adjaye had also incorporated earthwork into his commission for the 2019 Venice Biennale and design for the Thabo Mbeki Presidential Library and has referred to it beyond materiality as “another creature” that will join 30 other designs in the three-month public art installation COUNTERPUBLIC, which debuts this Spring.

“Since it’s outdoors and it's intended to be a community of public peace, we really wanted it to be reflective of that,” the museum’s founder Lois Conley said of the deeper inspiration behind the project. “Some of the soils will be coming from various areas that had relevantly large African American populations, whether they exist anymore or not. We still wanted to have some of that material.”

New map highlights architectural contributions of LA’s Black community

2022-02-03T17:34:00-05:00

The “Black History Is LA History” map includes the Calvary Baptist Church of Pacoima, which was founded in 1955 by civil rights activists Rev. Hillery T. and Rosa L. Broadus, who moved from Arkansas to the San Fernando Valley. The two were involved in the local fair housing movement and helped organize the NAACP’s San Fernando Valley chapter.

The map, launched by Los Angeles Controller Ron Galperin, highlights key infrastructure like the Paul Revere Williams-designed Theme Building at LAX as well as cultural landmarks like Watts Towers Arts Center and the restored Crenshaw Wall.

The focus on sites that are publicly-owned and designated by Los Angeles as Historic-Cultural Monuments means that the list is not entirely exhaustive, according to the Controller’s office. Notably missing are some key flashpoints in the racist history of development schemes within the city such as the disputed Bruce’s Beach in Manhattan Beach. Other absences include almost all of the myriad Williams buildings that have managed to avoid demolition, Norma Merrick Sklarek’s contribution to the beautiful blue Pacific Design Center building in West Hollywood, and several contemporary designs like BASE Architecture’s new Dollarhide Community Center in Crenshaw.

More than a meeting space: Moody Nolan to lead the renovation of Greenwood Cultural Center

2021-04-13T20:19:00-04:00

The importance of rebuilding and reclaiming America's Black communities is essential to honoring and understanding how social justice and design reform can improve the systemic and racial histories of cities across the nation. The Greenwood District in Tulsa, Oklahoma, is no exception.

On June 1, 1921, the deadly and destructive events of the 1921 Tulsa Race Massacre is still to date a tragic example of racial violence and domestic terrorism in U.S. history. While the tragedy and loss should not be forgotten and the lives lost continue to be honored, the Greenwood District persevered and rebuilt its community. Now, in 2021 the historic district announces its plans for the renovation of the Greenwood Cultural Center.

On April 12, 2021, the City of Tulsa announced the selection of award-winning architecture firm Moody Nolan to lead the Greenwood Cultural Center's renovation. If you visit the Center's website, it's the following statement that amplifies...