Archinect - News 2024-05-02T18:46:57-04:00 https://archinect.com/news/article/150073992/this-beautiful-short-film-celebrates-ukraine-s-soviet-era-brutalist-heritage This beautiful short film celebrates Ukraine’s Soviet-era Brutalist heritage Alexander Walter 2018-07-18T17:27:00-04:00 >2024-03-15T01:45:58-04:00 <img src="https://archinect.gumlet.io/uploads/51/519ca759d597bc63cb83ddc878d55504.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><em><p>Kiev is a city of eclectic beauty, with modernist landmarks that dot the skyline. But as the capital grows and evolves, many of these Soviet-era gems are falling out of favour and into disrepair, with many already cleared away to make room for newer projects.</p></em><br /><br /><p>The short&nbsp;<em>Soviet Modernism, Brutalism, Post-Modernism: Buildings and Projects in Ukraine from 1960 &ndash; 1990</em>&nbsp;was recently released in support of the <a href="https://osnovypublishing.com/en/index.php?route=blog/blog&amp;blog_id=27" rel="nofollow" target="_blank">upcoming book</a> of the same title, examining some of Kiev's remarkable concrete architecture heritage.&nbsp;</p> <figure><p><a href="https://archinect.gumlet.io/uploads/31/314718a2379549e2bbe33aba0805f64a.jpg?auto=compress%2Cformat&amp;w=1028" rel="nofollow" target="_blank"><img src="https://archinect.gumlet.io/uploads/31/314718a2379549e2bbe33aba0805f64a.jpg?auto=compress%2Cformat&amp;w=514"></a></p><figcaption>Still from Soviet Modernism, Brutalism, Post-Modernism.</figcaption></figure><figure><p><a href="https://archinect.gumlet.io/uploads/c0/c052378096f559c8743fb1dc70875412.jpg?auto=compress%2Cformat&amp;w=1028" rel="nofollow" target="_blank"><img src="https://archinect.gumlet.io/uploads/c0/c052378096f559c8743fb1dc70875412.jpg?auto=compress%2Cformat&amp;w=514"></a></p><figcaption>Still from Soviet Modernism, Brutalism, Post-Modernism.</figcaption></figure><p>While focusing on Ukraine, director Roman Blazhan reflects on the universal conflict of each generation's ever changing appreciation and rejection of the&nbsp;previous generation's understanding of architecture.</p> <figure><p><a href="https://archinect.gumlet.io/uploads/1b/1b2b5d3ad04c427df219a7d5a80a4933.jpg?auto=compress%2Cformat&amp;w=1028" rel="nofollow" target="_blank"><img src="https://archinect.gumlet.io/uploads/1b/1b2b5d3ad04c427df219a7d5a80a4933.jpg?auto=compress%2Cformat&amp;w=514"></a></p><figcaption>Still from Soviet Modernism, Brutalism, Post-Modernism.</figcaption></figure><figure><p><a href="https://archinect.gumlet.io/uploads/56/56e55c0db59d06880df543de8cd715ba.jpg?auto=compress%2Cformat&amp;w=1028" rel="nofollow" target="_blank"><img src="https://archinect.gumlet.io/uploads/56/56e55c0db59d06880df543de8cd715ba.jpg?auto=compress%2Cformat&amp;w=514"></a></p><figcaption>Still from Soviet Modernism, Brutalism, Post-Modernism.</figcaption></figure><p>"Director of Photography Mikhail Volkov used a vintage lens (made in beginning of the 70s in the Soviet Union) in combination with a Japanese vintage anamorphic lense," reads the film description. "This setup made the picture not very sharp, very light, with warm anamorphic flares. And the fixed focal length of 75 mm enc...</p>