Archinect - Features2024-11-21T11:16:01-05:00https://archinect.com/features/article/150113309/brooklyn-s-frederick-tang-discusses-what-it-means-to-find-opportunities-in-design-by-learning-to-say-yes-and-no
Brooklyn's Frederick Tang Discusses What It Means to Find Opportunities in Design by Learning to Say Yes and No Katherine Guimapang2019-01-07T14:49:00-05:00>2019-04-03T20:16:03-04:00
<img src="https://archinect.gumlet.io/uploads/09/091d3979fe3145e607e12b0f8f8be451.jpeg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>For Frederick Tang, running a practice starts with remembering where opportunities for design freedom can occur. Channeling advice given to him during the early part of his career, the Brooklyn-based architect is reminded to never forget "architecture is a service profession." An attitude that Tang has carried throughout the growth of his practice, he focuses on fostering a team that encourages design humility while prioritizing collaboration.</p>
<p>For this week's <a href="https://archinect.com/features/tag/845829/small-studio-snapshots" target="_blank">Studio Snapshot</a>, Tang discusses how making big decisions for his growing firm requires understanding what it means to say "yes" or "no." As his design practice <a href="https://archinect.com/fredericktang" target="_blank">Frederick Tang Architecture</a> evolves, so does the opportunity for exploration.</p>
https://archinect.com/features/article/148351233/screen-print-40-alexandra-lange-s-power-positions-from-dirty-furniture-issue-2
Screen/Print #40: Alexandra Lange's "Power Positions" from Dirty Furniture, issue #2 Nicholas Korody2016-02-17T17:43:00-05:00>2017-10-13T00:16:03-04:00
<img src="https://archinect.gumlet.io/uploads/jo/jomojq0es6bj2v4l.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>In the high-gloss landscape of design magazines, all tables have been wiped clean. But in practice, things get messy: our desks are cluttered, our kitchens are flecked with sauce, our careers take form or falter as we finger the seams in the Formica. In this issue of <a href="http://dirty-furniture.com/" target="_blank"><em>Dirty Furniture</em></a>, the second in a finite series of six, an object usually shrouded by its ubiquity is illuminated by a series of essays that considers the table not just as a formal object, but also as an architecture and convention that structures our familial, social, political, and spiritual relationships.</p>