Archinect - Features2024-12-22T09:06:19-05:00https://archinect.com/features/article/143690626/playing-to-the-house-architecture-s-unconventional-performance-in-film-and-theatre
Playing to the House: architecture's unconventional performance in film and theatre Robert Urquhart2015-12-23T02:59:00-05:00>2018-10-06T02:19:18-04:00
<img src="https://archinect.gumlet.io/uploads/dx/dxtx4hkevfbuprhx.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>During the <a href="http://archinect.com/features/article/139482631/in-tempestuous-london-design-leads-the-evolution-archinect-s-report-from-the-front-lines-of-the-london-design-festival" target="_blank">2015 London Design Festival</a>, Groves Natcheva Architects exhibited a short film they'd made, entitled <em>Black Ice</em>. Written by Adriana Natcheva's brother and shot entirely in his house – which the architects had designed, and located across the balcony from where Groves Natcheva is based – the film is a powerful study in dark, brooding suspense. Indeed, so much was made of the “psychotic” plot of <em>Black Ice</em> by certain elements of the design press, that perhaps the real essence of the film was missed.</p>