Archinect - Features2024-11-16T10:33:29-05:00https://archinect.com/features/article/123300660/ghosts-of-schindler-s-past-haunt-renee-green-s-mak-center-exhibition
Ghosts of Schindler's past haunt Renee Green's MAK Center exhibition Nicholas Korody2015-03-24T12:10:00-04:00>2015-04-02T22:51:17-04:00
<img src="https://archinect.gumlet.io/uploads/s3/s3kevaek4bddrgdb.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>Where does an encounter with a work of architecture begin? There is the building as it first emerges on the horizon. Then the series of connected moments as you approach, that, like in a film, change according to variables of speed and distance, of the position of the subject in relation to the object. There is also the moment of crossing the threshold, the ambiguous line that demarcates inside from outside.</p>
https://archinect.com/features/article/97664287/interview-jos-oubrerie
Interview: José Oubrerie Orhan Ayyüce2014-04-11T12:16:00-04:00>2024-03-11T14:35:28-04:00
<img src="https://archinect.gumlet.io/uploads/gr/gr4vwgq7tvkm8482.JPG?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>I met with José Oubrerie in February at the Standard Hotel in downtown Los Angeles, and later we drove to the Schindler House on Kings Road. He was in town for the book launch of <em><a href="http://www.amazon.com/Et-Suburbia-Ego-Oubreries-Miller/dp/1881390527" target="_blank">Et in Suburbia Ego: José Oubrerie’s Miller House</a> edited by Todd Gannon</em>. The following is our conversation.</p>