Archinect - Features2024-11-24T00:11:43-05:00https://archinect.com/features/article/150277201/reyner-banham-is-los-angeles-the-architecture-of-four-ecologies-at-50
Reyner Banham Is Los Angeles: The Architecture of Four Ecologies at 50 Colin Marshall2021-08-19T07:59:00-04:00>2024-07-20T06:01:10-04:00
<img src="https://archinect.gumlet.io/uploads/f2/f26513fe7cb5a14ba94de54e59e681ea.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>If you have an interest in <a href="https://archinect.com/features/tag/19263/los-angeles" target="_blank">Los Angeles</a>, you also have a copy of <a href="https://archinect.com/news/tag/102848/reyner-banham" target="_blank">Reyner Banham</a>'s <em><a href="https://amzn.to/3fNlOg5" target="_blank">Los Angeles: The Architecture of Four Ecologies</a></em>. My own is a mid-1980s Pelican paperback, which I chose because it had the dumbest cover of all the editions. Though it shares with previous printings the image of David Hockney's <em>A Bigger Splash</em>, an unimpeachable representation of a certain midcentury vision of the city's hauntingly good life, its title replaces their elegant Helvetica with letterforms better suited to a post-apocalyptic action movie gone straight to video. "Angeles" is spelled out in forward-slanting, shadow-casting, bright yellow capitals but for the red initial "A," rendered as if hastily spray-painted and set inside a circle to form the 1970s anarchy symbol. Right, Los Angeles — that's the zone of semi-controlled urban chaos obedient to no conventional rules or order, architectural or otherwise, isn't it?</p>