In 2010, the Fondazione di Venezia—a well-endowed and entrepreneurial foundation with its historic roots in Italy’s regional banking system—launched an architectural competition for a cluster of buildings in the centre of Mestre, one of the mainland urban areas of Venice. [...]
The three accompanying essays, by Marco De Michelis, Aaron Betsky and M9 architect Matthias Sauerbruch, are less granular. They provide an overview of and perspectives on the museum-building boom [...]. — theartnewspaper.com
This year's Venice Biennale of Architecture, curated by Rem Koolhaas, officially opened on June 7, under the theme "Fundamentals". The deluge of criticism and reporting coming out of the Biennale will surely continue until it closes November 23, but so far reactions from the architectural...
Last Tuesday's book launch for L.A. [TEN]: Interviews on Los Angeles Architecture 1970s-1990s at the A+D Museum brought author Stephen Phillips in conversation with the book’s publisher, Lars Müller, and architecture critics (among other things) Aaron Betsky and Sylvia Lavin. The book...
This fall, I co-taught such a studio (with Eli Meiners) at the University of Cincinnati. The project was a real one: the conversion of a former Kroger supermarket building into an open storage facility for the Cincinnati Art Museum, a Montessori school, and studios and display space for artists. The rules of the studio were a bit different: you could do anything you wanted, as long as it was begged, borrowed or stolen; your design did not have to be efficient or buildable... — Aaron Betsky, architectmagazine.com
I know I have been on a Dutch rag as of late, but where else can you buy postage stamps that honor not just architects, but architecture, and not just timeworn monuments, but experimental work that has not even been built? As a kicker, the stamps are designed so that, if you hold them up to a Web cam, they turn into 3D models floating in front of your screen. — Aaron Betsky, Architect Magazine
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