“We looked at Frank Gehry designs and a lot of modern architecture with folded planes and fractalized surfaces and kind of riffed on all of that. It looks like it fell from the sky onto this field.” Looking at Gehry’s Guggenheim Museum in Bilbao the influence is clear.
Two other architects immediately come to mind as possible influences. Daniel Libeskind and Greg Lynn are leaders in the field of “folded planes and fractalized surfaces.” — smithsonianmag.com
Beavercreek, Ohio, nabbed its own infamous place in civil rights history last year, when the Federal Highway Administration ruled that the suburb had violated anti-discrimination laws by blocking bus service from nearby Dayton. [...]
The Beavercreek case illustrates larger, more widespread problems with America’s transportation system [...]. The Kirwan Institute is producing a one-hour documentary exploring the Beavercreek case and how racism can influence transportation decision making. — usa.streetsblog.org
Depicting the Sancaklar Mosque, commissioned by Sancaklar Foundation and designed by EAA -- Emre Arolat Architects, this film is a semi-documentary salute to this distinguished example of modern architecture, which stands out among Turkey's Islamic places of worship dominated by historicist building typologies.
SGMStudio (Sarraf | Galeyan | Mekanik) has filmed a short documentary on EAA – Emre Arolat Architects’ Sancaklar Mosque -a building that stands out as one of the rare examples of modern architecture among Turkey's Islamic places of worship. SGMStudio’s “Sancaklar Mosque” premiered at...
The full-length version of "Architecture and the Unspeakable", directed by John Szot and produced by Brooklyn Digital Foundry, is now officially released to the public. The film features three architecture proposals by John Szot Studio, who visualized three fictional buildings in SoHo, Tokyo, and...
The Henning Larsen Foundation just launched their international Architecture + Film Competition, which aims to revive the use of architecture on film and garner new innovation in the unique genre. Based on the similarities between architecture and film, the competition focuses on the experience of architectural space over time. — bustler.net
Entrants must create a film sequence of 1-5 minutes that animates architecture by embracing time as the primary dimension. Submissions can be uploaded starting Feb. 1, 2015 until the deadline on March 12. Competition results will be announced on the foundation's website on August 20.Evaluation...
Wim Wenders and a team of directors attempt to show ‘the soul of buildings’, from the Pompidou Centre to the most humane prison in the world, in 3D. But their sickly-sweet results feel more like a series of vapid promo videos — theguardian.com
Movies can be great. Art can be great. But put them together in a museum exhibition, and the combination can be not-so-great. [...]
A new exhibition of early 20th-century cinema at the L.A. County Museum of Art (LACMA), however, rethinks that equation. [...]
Designed by Amy Murphy, a professor of architecture at USC, and Michael Maltzan of Michael Maltzan Architecture, the exhibition design is the antithesis of the traditional framed-stuff-on-a-wall model. — latimes.com
There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. — nowness.com
John Szot will be presenting the short film "Architecture and the Unspeakable" at Jai & Jai Gallery in Los Angeles on September 18th at 7:00pm and at the Woodbury University School of Architecture on September 19th at 6:30pm. Both evenings will include a brief presentation of the architectural...
Weizman has also made a name for himself as the chief proponent of “forensic architecture”, by which he analyses the impacts of urban warfare for clues about the crimes that were perpetrated there. To Weizman, buildings are weapons. When he looks out across the landscape of the occupied Palestinian West Bank [...] he sees a battlefield. “The weapons and ammunitions are very simple elements: they are trees, they are terraces, they are houses. They are barriers.” — theguardian.com
Materials & Applications in Los Angeles has some fun social Saturday night events lined up for the entire month of August! The four-part VIS-Á-VIS performance series will include dance, music, a video and sound installations, and a film screening. — bustler.net
Starting August 9, all events will take place in the Materials & Applications space at the La Cage aux Folles, a 346-piece metal pipe temporary playground installation designed by Warren Techentin Architecture.August 9: LA Fort Presents: Daedelus (DJ set), Lawrence Lindell, Matt McGuire and...
Hardcore Wes Anderson fan and Lego model designer Ryan Ziegelbauer, in reverence to the director's most recent film, The Grand Budapest Hotel, has made a miniature replica of the Hotel completely out of Legos.Over the course of 575 hours, Ryan and a team of eight model builders designed and built...
Daniel Libeskind preaches the importance of drawings for creating architecture, in the latest short film from Chicago-based creative agency, Spirit of Space. Shot at Libeskind's "Sonnets of Babylon" pavilion for the 2014 Venice Biennale, the quick interview reflects on Libeskind's attention to...
For most of the 20th century, Atlanta was known for its public housing. The city had pioneered the concept in the 1930s [...]
Two decades later, that proportion has fallen all the way to zero. [...]
Looking at these two decades of rapid residential change, Atlanta native and filmmaker King Williams is looking for an answer to a seemingly obvious question. With his in-production documentary The Atlanta Way, Williams asks: Where did all of these people end up? — theatlanticcities.com
Silicon Valley is a meticulously researched show [...] and the work spaces that appear on screen are no exception. Production designer Richard Toyon, the man responsible for the visual storytelling, called up friends all over Silicon Valley to get a peek inside the offices of Facebook, Google, Zynga, and others. Security often prevented Toyon from taking pictures inside the buildings, so he made due with mental notes. — fastcodesign.com
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