The first images of Bjarke Ingels Group's public square [officially titled Malaysia Square] for the £8 billion Battersea Power Station redevelopment in London have been revealed just a few weeks after BIG was appointed as the competition-winning designer. The public square, which will be BIG's first U.K. project, is only a part of the Battersea Power Station's redevelopment plan. — bustler.net
[...] British architect Sir David Chipperfield has said that he regards private investment’s hold over new architecture in London as an “absolutely terrible” means of building a city.
In Berlin, where he employs an office of 90, “there is still an idea of the public realm. We have given that up in London. We have declared the public realm dead; the question is how to get stuff out of the private sector. We are unbelievably sophisticated at that.” — theguardian.com
Landscape architect Kathryn Gustafson of Seattle-based Gustafson Guthrie Nichol and London's Gustafson Porter recently received the eighth annual Obayashi Prize in Tokyo. Established by the Obayashi Foundation, the prize is awarded to a recipient whose work is in tune with the Foundation's mission of supporting interdisciplinary design research in relation to cities and urbanism. — bustler.net
Smithsonian American Art Museum and National Portrait Gallery in Washington, DC by GUSTAFSON GUTHRIE NICHOLDiana, Princess of Wales Memorial in Hyde Park, London UK by GUSTAFSON PORTERFind out more on Bustler.
A newly completed 125 ft high mural painted by Stik on a condemned council owned tower block in Acton, West London is the tallest street artwork in the UK.
The artwork depicts a mother and child looking forlornly from their condemned council block at the luxury apartment complexes being built around them. [...]
Charles Hocking House was built for low income families in 1967 and is earmarked to be torn down in 2016. — streetartnews.net
[...] the bridge will be closed at night, won't allow entry to cyclists or groups of 8 or more without prior booking, and will ocassionally be closed off for fundraising events. Right. So less a public bridge than a privately-managed tourist attraction, then. [...]
The east of London, on the other hand, could actually use another crossing, with or without limits to access — citymetric.com
“I am excited by being an architect now,” she says. “We are in a world where ideas are shared and migrate. There is no going back, so let’s go beyond. Let’s look at what really are the differences between, for example, two housing projects that both have curved balconies. Architecture makes a difference. Let’s discuss what difference it makes.” — theguardian.com
BIG is about to make its debut in the UK. The Architects' Journal reported that the Danish firm was selected in an international competition to design the public square in the £8 billion redevelopment of the historic Battersea Power Station, a decommissioned coal-fired power station in southwest London. A formal announcement is yet to be made. — bustler.net
Situated within the Rafael Viñoly-designed masterplan, BIG's public square is described as becoming the gateway to the revamped power station.BIG, who is working alongside the Malaysian-backed Battersea Power Station Development in overseeing the design of the public square, is set to join the...
No-one was injured but an area around the 47-storey Leadenhall Building in the city has been cordoned off.
It fell from the fifth floor to the ground at the side of the building - another bolt also broke off but was contained within the skyscraper.
It is understood the bolts are about the size of an arm and the piece that fell was about the size of a hand. — bbc.com
Thirty years ago, the Italian photographer Luigi Ghirri complained that pictures of well-known buildings were often as conventional and flat as mediocre still-life paintings "but executed out of doors." [...]
The new architectural photography exhibition at the Barbican, "Constructing Worlds," sets out, as Ghirri himself did in shooting buildings by the architect Aldo Rossi, to explore another approach [...]. Something very different, in other words, from "maximum clarity." — latimes.com
For as long as digital technology continues to creep into every part of our daily lives, so will the discussion regarding its impact on everyday reality. Over at London's Hayward Gallery, the MIRRORCITY exhibition features the multimedia works of London-based emerging and established artists that address the dilemmas, consequences, and experiences of living in the digital revolution. MIRRORCITY will be at the Hayward Gallery until January 4, 2015. — bustler.net
One of the MIRRORCITY artists is Emma McNally whose Choral Fields (1-6) graphite drawings are featured in the exhibition. If McNally's name sounds familiar, she exhibited her beautiful cosmos-inspired drawing/space body of work in the Drawing Room's "Abstract Drawing" last year. Similar to...
10x10 Drawing the City London is an annual fundraising event established by British architect Tim Makower and organized by charity group Article 25 that gets its name from the 100-square grid that captures one particular area in the city of London.Each square of the grid is assigned to...
Archinect's Architecture School Lecture Guide for Fall 2014Say hello to another edition of Archinect's Get Lectured! As a refresher, we'll be featuring a school's lecture series—and their snazzy posters—for the current term. If you're not doing so already, be sure to keep track of any upcoming...
Haworth Tompkins architects spent nine years transforming the rundown historic Everyman Theatre in Liverpool into the building it is today. Those nine years were well worth it, as Haworth Tompkins just won the prestigious RIBA Stirling Prize 2014 for the UK's best new building of the year. — bustler.net
This post is brought to you by 100%DESIGN:In case you forgot to register earlier this summer, the 100%DESIGN trade event is coming up next week -- so now is the time to do it! As one of the key events at the London Design Festival, 100%DESIGN 2014 will take place at Earls Court Exhibition Centre...
Someone has told the bouncers to be nice. It is now standard for architectural anoraks like myself to find ourselves challenged by smile-less security as we go about our blameless business – no loitering, no photography, no looking, as if al-Qaida scouts would do their dastardly work in this way or as if, years after the invention of the camera phone, photography can be controlled as it could in the age of the tripod. But not at the base of the Cheesegrater. — theguardian.com
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