Rem Koolhaas, curator of this year’s Venice Architecture Biennale, tells Jonathan Glancey why the uniformity of modern cities drives him up the wall — telegraph.co.uk
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
EMG set up EMGdotART Foundation [in 2012] – the first art and culture foundation established by a Chinese enterprise, to have a permanent gallery and headquarters in the heart of Venice, Italy."More than roofs, doors, courtyards or staircases, adaptation is fundamental for the understanding of...
The Korea pavilion has been a part of the Venice Architecture Biennale since 1993, when the optimism of the post-Berlin Wall era made reunification between North and South Korea seem plausible. But getting equal representation from both Northern and Southern architects in 2014 has proved nearly...
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