Citing a recent report from the Great Wall of China Society, the [Beijing Times] claims that more than 30% of the original structure has disappeared. Approximately 74.1% is poorly preserved, and only 8.2% is in good condition. While concerns about the wall’s condition have deepened in recent years, the study appears to be the first to actually quantify the problem. — Hyperallergic
More on Archinect:Paul Rudolph's Government Center won't be saved, despite preservationist pleasU.S. LGBTQ preservation group pushes to preserve more heritage sites at the national levelNew list of America's Most Endangered Historic Places keeps fragile memories alive
'Recently, people were more worried about preserving their jobs, not preserving their history...Now a new generation is aware there was a history that came before them...Not a lot of our history has been preserved. People without a history can be erased.' — Mark Meinke, co-founder of the Rainbow Heritage Network — Curbed
History was made today in American civil rights with the Supreme Court ruling that legalizes same-sex marriage across all 50 states. The ruling is a major push toward marriage equality in the U.S., but like several historically marginalized communities, one giant obstacle that the LGBTQ community...
This year’s list of America’s 11 Most Endangered Historic Places is our most diverse list ever. Several of the places on the 2015 list focus on chapters in our history that have sometimes been overlooked, reinforcing the message that preserving the full American experience means everyone has a seat at the table and that all voices are heard. — preservationnation.org
The 2015 List of America's Most Endangered Historic Places, compiled by the National Trust for Historic Preservation, comprises:A.G. Gaston Motel, AlabamaCarrollton Courthouse, LouisianaChautauqua Amphitheater, New YorkEast Point Historic Civic Block, GeorgiaFort Worth Stockyards...
When Lord Rogers launched a campaign to save one of London’s most notorious housing estates from demolition, he was adamant that it was a desirable place to live. [...]
It is a claim he may regret. Unhappy residents of the estate have challenged the peer to be true to his word and swap his £12 million Chelsea townhouse for a few nights in one of their blighted flats. — telegraph.co.uk
"The river was part of its immediate environment. To move it to higher ground where it never floods would be ridiculous. You would ask: 'Why is it on stilts?' It makes no sense to me." — chicagotribune.com
All along, Mies van der Rohe's iconic design for the retreat of Dr. Edith Farnsworth was intended to withstand floodwaters, but in the past 19 years, the house has flooded three times, causing hundreds of thousands of dollars in damages. These incidents were partially blamed on rapid suburban...
The Hotel Okura, built in 1962 in time for the 1964 Olympics, is slated to be torn down in September to make way for a bigger, fancier Okura, in time for the 2020 Olympics. (The less-good, less-famous southern wing of the old Okura, added in 1973, will be allowed to stay.) [...]
There will never be this particular hush again in the middle of Tokyo. You will have to have been there to know what you will soon miss. — nytimes.com
The New York-based World Monuments Fund announced [...] that Joshua David, the co-founder of New York’s High Line—a major urban regeneration project that has inspired similar initiatives in places such as Paris and Philadelphia—will succeed Bonnie Burnham as president of the non-profit heritage preservation organisation. Burnham is to retire in November after 30 years in the post. [...]
David announced in late January that he was stepping down as president of the Friends of the High Line. — The Art Newspaper
The Frick Collection has yielded.
Facing a groundswell of opposition to a proposed renovation that would have eliminated a gated garden to make way for a six-story addition, the museum — long admired for its intimate scale — has decided to abandon those plans and start over from scratch. [...]
With the proposed renovation, designed by Davis Brody Bond, the Frick, on East 70th Street in Manhattan, had sought to increase its exhibition space [...]. — nytimes.com
Axel Bering and Michael Jacobi, the main investors behind the Prora project, claim they could not care less about a building once being dedicated to Hitler. [...]
He and his partner, Michael Jacobi, both confess that because they had to comply with German regulations, their investment carries some Third Reich architecture qualities. They did, however, add a balcony, but otherwise they see Prora as a nice beach town and a solid investment. — thedailybeast.com
During the [1964-65 World's Fair], the elliptical Tent of Tomorrow was used as a versatile performance space...But not much has been done to preserve the structure since the fair ended in 1965...At the moment, there are no formal proposals, and ['Modern Ruin' film director Matthew Silva] admits it’ll be hard to raise funds without one. But he hopes the film, as well as his advocacy group, will get people thinking about what can be done. — New York Magazine
Related:The NY Mets Are Trying to Save the 'Tent of Tomorrow'Vandals break into the historic New York State Pavilion and set fire to a stolen van, damaging the 50-year-old terrazzo map"Modern Ruin" documents the rise, fall, and revival efforts of historic New York State PavilionKickstart this!...
The interior of the Four Seasons restaurant, a vision of Modernist elegance with its French walnut paneling and white marble pool of bubbling water, should not be changed, New York City’s Landmarks Preservation Commission decided [...].
The decision was a setback to Aby J. Rosen, the owner of the Seagram Building, which is home to the restaurant. Mr. Rosen had proposed what he characterized as minor changes to the interior that was designed by Ludwig Mies van der Rohe and Philip Johnson in 1958. — nytimes.com
Phyllis Lambert — part of the group of architects passionately opposing Rosen's revamp plans and personally interwoven with the history of the Seagram Building like no one else — penned this Op-Ed in the New York Times last week: Save New York's Four Seasons.
Amanda Burden often said that, thanks to Bloomberg, "we are building and rezoning today once again like Moses on an unprecedented scale, but with Jane Jacobs in mind." That's oxymoronic. You can't do both. As for who's winning the future of New York, it's clearly the followers of Moses. The preservationists are the underdogs here. — nymag.com
While the museum describes the 42,000-square-foot addition as something that would “further fulfill Henry Clay Frick’s long-standing vision to offer public access to its works of art," others, including a group of 51 prominent artists and architects — Jeff Koons, Cindy Sherman [...] among them — think it would undermine exactly what they love about the place.
Under the banner of Unite to Save the Frick, this group sent a letter to the city, copied to the museum, expressing their displeasure. — vulture.com
Here's the letter that Unite to Save the Frick sent to NYC leaders today:May 6, 2015Dear Mayor de Blasio and Chair Srinivasan:The residential scale of the Frick Collection exerts a special power over those who walk its halls. To have visitors experience the feeling of living with art was the...
It's been over 50 years, but for many, the destruction of Charles Follen McKim's original Pennsylvania Station still stings (hey, even Mad Men mourned its passing). But now, there is a hopeful (if improbable) plan from Richard W. Cameron—principal designer at Atelier & Co—to bring back the civic jewel of a long-gone New York.
According to Traditional Building's's Clem Labine, Cameron's plan has three main goals [...]." — ny.curbed.com
This modernist villa on the Côte d’Azur, designed by Irish architect Eileen Gray, has witnessed wartime shootings, murder and vandalism by Le Corbusier. Now, at last, it has been brought back to life [...]
Le Corbusier visited and, apparently outraged that a woman could have made such a significant work in a style he considered his own, assaulted it with a series of garish and ugly wall paintings, which he chose to execute completely naked. — theguardian.com
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