[Diller] had great respect for the Folk Art Museum, calling it a “bespoke” design tailored to the needs of the museum. She went through several scenarios on how to integrate the museum in the expanded footprint. [...]
Adapting the Folk Art Museum building, however, would basically compromise the building’s interior beyond recognition. [...]
The architects would have had to destroy the Folk Art Museum building in order to save it. — Architect Magazing
In what looks like the kiss of death for the #folkMoMA movement, Diller Scofidio + Renfro's design for MoMA's expansion will necessitate the destruction of the neighboring American Folk Art Museum, as proposed today in a MoMA press conference. The initial threat to the Folk Museum was made last...
Conceived as low-cost, mass-produced shelters that could comfortably accommodate a family of four, the units, known as D.D.U.s, were manufactured in the early 1940s and distributed to military bases around the world. [...]
Several institutions and individuals have expressed interest in acquiring Camp Evans D.D.U.s. “They’re important artifacts,” said Marc Greuther, chief curator of the Henry Ford Museum in Dearborn, Mich., who hopes to exhibit one of the units with Fuller’s Wichita House. — New York Times
Although superlative residential architectural works are elegant mirrors of their times and an important aspect of the city’s cultural heritage, the pressures of property values, changed styles of living (the craze for open kitchens and great rooms have doomed many period homes), and property owners’ rights often outweigh the glories of the past. The demolition of amazing, one-of-a-kind architectural homes is an all too frequent occurrence in LA, despite epic efforts by preservationists. — la-confidential-magazine.com
Many of the contested demolitions in 2013 involved structures that were once considered innovative, but just a few decades later, have been labeled "obsolete." This fact heats up some food for thought: Just how future-proof are the "futuristic" buildings that are being proposed and built now? — theatlanticcities.com
In the summer of 2011, photographer Victoria Cohen heard that the Chelsea Hotel would undergo drastic renovations to the structure, which was built in 1884. She spent three weeks documenting every nook and cranny of the building and the result is Hotel Chelsea, a collection of photographs of the interior in its authentic, untouched state, as so many knew and loved it. — Fast Company
Its style is “brutalist,” which looks exactly like it sounds: big, blockish, hulking. Basically, a fortress of concrete... But what if these homely structures are actually tomorrow’s historic architecture? What if we just don’t appreciate them yet, and later generations will embrace them even though we think they’re monstrosities? — radioboston.wbur.org
There’s a reason it’s a struggle to save buildings like the Astrodome. They were built less than 50 years ago, the usual cutoff for inclusion on the government’s National Register of Historic Places... it’s relatively young buildings like these, from the 1960s, ’70s, and even ’80s, that preservationists are fighting to save. And in doing so, they are having to confront a tough question: What does tomorrow’s historic architecture look like? — bostonglobe.com
The Buffalo Planning Board will be reviewing plans to construct 48 apartments in eight new buildings next week. The complex at 270 Niagara Street sits in the shadow of City Hall. It currently contains 472 units on 9.5 acres and was completed in 1972. — Buffalo Rising
On Nov 6, 2013 in Buffalo the City Planning Board will meet to review plans submitted by Norstar Development that will demolish five buildings of the Paul Rudolph-designed Shoreline Apartments to make room for eight new residential buildings. The is being described as "Phase 1,"...
Modern architecture, and the fight for its value in the world, is brought into sharp focus in this documentary examining the battle over the preservation of former Prentice Women’s Hospital in downtown Chicago, designed by master modern architect Betrand Goldberg.
The owner of the building is Chicago institution Northwestern University, which intends to demolish the unique brutalist building, composed of a nine-story concrete cloverleaf tower cantilevered over a rectangular five-story podium. The stage is set for what some preservationists believe will be...
This week, as Goldberg’s famous work is pulled apart by wreckers, nothing about its loss seems symmetrical or graceful. Within 40 years, the building transitioned from a proud symbol of civic renewal and design innovation to the victim of old-fashioned Chicago politics. The controversy surrounding the demolition of Prentice, however, injected the preservation movement into an urban design discussion with a presence not seen in a long time. — nextcity.org
A yellow-roofed warehouse that featured in a James Bond film has been given listed status.
The Spectrum building, formally the Renault Distribution Centre, in Swindon, was designed by Sir Norman Foster and features yellow steel 'umbrella masts' and a yellow roof around the single-storey glass-walled warehouse.
Built in 1980, the building featured as the backdrop to scenes in the 1984 James Bond film, A View to a Kill. It has been given Grade II* listing. — dailymail.co.uk
the Communist deputies will convene beneath weighty chandeliers and a newly gold-coated dome. They will step through marble-floored halls, lined with giant shining bronze candelabras from Tiffany's..."I believe it will be a jewel of Havana," argues Mr Leal, unfazed by the oddity. — BBC News
The Eero Saarinen-designed terminal will be transformed into a hotel and conference center, along with food and beverage offerings, retail space, a spa and fitness center, meeting facilities and a flight museum.
“It is a great honor to be entrusted with the preservation and revitalization of this masterpiece by my personal architectural hero,” said Balazs. He added that he’s looking forward to the approval of his final proposal by the PA board, but didn’t comment on a specific time frame. — pagesix.com
Fröbe says she has developed an affection for good Bausünden, and is excited whenever she comes across them. The buildings are products of ingenuity, determination and courage...According to Fröbe, there's a fine line dividing good Bausünden from good architecture. — Der Spiegel
Kristin Haug recently spoke with architectural historian Turit Fröbe, who has compiled a photo collection celebrating the Germany's ugliest edifice. The most beautiful examples of Bausündens, have been published in a new book titled "Die Kunst der Bausünde" (The Art of...
“An economic downturn is always a good thing for preservation,” says Regina O’Brien, chairperson of the Modern Committee of the Los Angeles Conservancy. “A lot fewer developers are making a lot less money, and therefore they have a lot less motivation to pursue these profit-oriented flips. But the problem is that the opposite is true when the market picks back up.” — thedailybeast.com
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