To many designers, the manual became an exemplar of the form—and a design classic in its own right. [...] When Hamish Smyth and Jesse Reed, who work at the New York design firm Pentagram, stumbled across a copy a few years ago, it was buried under old gym clothes in a locker.
They digitized the manual, and now they’re reprinting it with the blessing of the MTA. A complete reissue, which includes a new essay on the manual’s history, is being sold on Kickstarter starting today [...]. — qz.com
I saw him a week ago [Tuesday], and he was sitting at his desk going through some of the thousands of letters and notes that people have sent to him wishing him well. He just had this incredible spirit about him, this attitude that everything was going to be all right. He was amazing.” — Artinfo
Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. — NOWNESS.com
In 1972, Massimo Vignelli designed a diagrammatic map for the New York City subway. It was a radical departure. He replaced the serpentine maze of geographically accurate train routes with simple, bold bands of color that turned at 45- and 90-degree angles. [...] Its abstract representation of the routes was elegant but flawed. To make the map function effectively, a few geographic liberties were taken, something that didn’t sit well with New Yorkers. — tmagazine.blogs.nytimes.com
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