Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. — NOWNESS.com
In 1972, Massimo Vignelli designed a diagrammatic map for the New York City subway. It was a radical departure. He replaced the serpentine maze of geographically accurate train routes with simple, bold bands of color that turned at 45- and 90-degree angles. [...] Its abstract representation of the routes was elegant but flawed. To make the map function effectively, a few geographic liberties were taken, something that didn’t sit well with New Yorkers. — tmagazine.blogs.nytimes.com
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