Departing with the familiar tradition of producing a hefty physical volume, GSAPP offered its most recent Abstract in the form of an iPad app. In addition to (or on cover-like behalf of) this app, students received an object: It looks like a book, but turns out to be a book-shaped plastic box, and its contents consist of a URL, where the app can be downloaded. This object, as you can see, has not been universally embraced. — observatory.designobserver.com
Bracket [Goes Soft] Toronto book launch will be hosted by creatures:collective on March 1st, starting at 7pm. Editors Lola Sheppard and Neeraj Bhatia will launch the book, which will be available for purchase.
Edited by Neeraj Bhatia and Lola Sheppard of Infranet Lab, this second volume in the impressive [bracket] series “examines the use and implications of soft today – from the scale of material innovation to territorial networks.”
Free and open to the public, no RSVP is required. — InfraNet Lab
Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” is the result. — nytimes.com
In a cross-disciplinary research collaboration between The Technical University of Denmark (DTU), among others, Henning Larsen Architects has developed a knowledge-based design approach. The research has continuously been tested on real projects. By means of a number of articles and cases, the book presents the results, analyses and methods which make it possible to work with sustainability as a design parameter. — issuu.com
This Friday: Bracket [Goes Soft] NEW YORK Book Launch and Discussion with Neeraj Bhatia, Fionn Byrne, Michael Chen, Leigha Dennis, Sergio Lopez-Pineiro, Geoff Manaugh and Chris Perry. February 8th @ Studio-X NYC
Making a mess of the built environment and the politics of space, one issue at a time. — SOILED
With the arrival of a new year, SOILED has big plans. Building on our first three issues, Groundscrapers, Skinscrapers, and Platescrapers, we aspire to elevate our forthcoming issue No. 4 Windowscrapers: more dynamic, more tactilely pleasurable, and filled with more ephemera for you to soil...
When I first heard of Paju Bookcity, I imagined a bibliophilic paradise of human-scaled buildings with legible facades nestled side-by-side like volumes on a shelf. When I traveled to the real Paju Bookcity, I found an industrial estate created by companies related to all aspects of book manufacturing, sited north of Seoul in the marshes near the Demilitarized Zone. But if Bookcity is not the fairy tale I envisioned, it is a kind of Cinderella story: this is the industrial park remade. — Places Journal
"As the city becomes more technological, architecture will become more essential. Technologies are growing as part of the functioning of cities, and as a result, the design of the urban environment will take on central importance. But this shift won’t occur as we might think.&rdquo...
The budding industrial designer also gave his top picks from the fair, which unsurprisingly all feature bright swaths of primary colors: a Charlotte Perriand bookshelf from Galerie Downtown accented with yellow squares; a Pierre Guariche chair from Demisch Danant, a Riteveld chair from Galerie Vivid; and a desk from Galleria Rossella Colombari by Gio Ponti, whom he was so delighted to have discovered: “He tried to make the office fun!” — blogs.artinfo.com
In 1954, a young Hungarian went to work with Eero Saarinen in Bloomfield Hills, Michigan. As his then colleague, Cesar Pelli, describes him: “[He] was a small sensation: he had a fur-trimmed coat, a homburg, and a Van Dyke beard.”... He had been a distinguished architectural student at the Ecole des Beaux Arts, in Paris, and a draftsman under Le Corbusier... he was quickly tapped as the in-house photographer, creating pictures that became indelible symbols of the Mad Men age of Modernism. — fastcodesign.com
University presses will endure as long as they are in a position to offer significant value to academic authors and their readers, and as long as they have the support of their home institutions. In the present and near future, we will see new models for the university press including funded open access models, collaborative publishing models, and global partnerships to develop and disseminate high quality scholarship worldwide. — chronicle.com
The hottest cultural controversy of this already hot summer concerns the New York Public Library (NYPL), and a plan to disembowel its main building – a plan that will slice open the stacks and "replace books with people", in the words of the NYPL system's CEO, Tony Marx. It's enraged writers and professors, demoralized a staff already coping with layoffs, and called the entire purpose of the system into question. — guardian.co.uk
A UK friend is writing "a little book" on architectural losers. Such a British idea. He's collecting the under-talented and the under-appreciated, the beaverers-away in an unappreciated style. To which my predictable response is: how many volumes can you run to? How, from the myriad, will you choose? — theage.com.au
The fact that one of Britain’s most exciting new design practices is named after a social research organization formed in the 1930s is not a coincidence. The photographer Theo Simpson and the graphic designer Ben Mclaughlin founded their London studio, Mass Observation, last year with a mission to examine everyday experiences and surroundings. Their expanding portfolio of self-published books and print editions investigates contemporary social, political and economical issues... — tmagazine.blogs.nytimes.com
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