Yesterday, March 19, Horace Havemeyer III, Metropolis’s founding publisher passed away peacefully at his home in New York City. Death released him from the suffering brought on by complications from CIDP, a chronic neurological disorder that rendered him quadriplegic in mid-2011. He was 72. — metropolismag.com
100 Years of Architectural Drawing—a recently published book by Neil Bingham, a design and architecture historian who is the consulting curator of architectural drawings at the Royal Academy of Arts, London—highlights 300 architectural drawings from the 20th century that illustrate the evolution of the form. — slate.com
A new book, “The Houses of Louis Kahn” (Yale University Press, $65), provides an architectural bridge between the personal and the professional stories, focusing on the nine houses Kahn completed, and designs for two dozen more. The story told by the authors, George H. Marcus and William Whitaker, is one of warm client relations, attention to the smallest domestic detail and a philosophical search for the best arrangement of rooms to call home. — nytimes.com
Could geography, by which we mean the physical geography and in particular the natural geographical features such as landforms, terrain types, or bodies of water that are largely defined by their surface form and location in the landscape, be the last hope of the planet's ever expanding, continuously transforming, and increasingly identical and indefinable urban territories to remain distinguishable and to gain a particular identity in the future? — Bernd Upmeyer, Editor-in-Chief, November 2013
It appears that cities of today, and especially big cities, all around the world, are all struggling with similar problems, as they all have developed huge territories - their metropolitan or "greater" areas - during the twentieth century that cannot be properly understood by anyone in terms of their form, but that now need to be recognized as something that truly exists, because it is a form that is in perpetual transformation and without limits. — http://www.monu-magazine.com
Young Frank sees creative possibilities everywhere, and likes to use anything he can get his hands on—macaroni, old boxes, spoons, and sometimes even his dog, Eddie—to create things like chairs out of toilet paper rolls and twisting skyscrapers made up of his grandfather’s books. But Old Frank is skeptical; he doesn’t think that’s how REAL architects make things. — Inside/Out
The foundation of architecture lies in the creative process. And for many architects, the beginning of that process involves none other than simple pencil and paper for jotting down those ideas, notes, and sketches to inspire the next project. Inspiration and Process in Architecture, published by...
Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X – 197X takes stock of seventy little magazines from this period, which were published in over a dozen cities. Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals. —
This month the boundary has been finally crossed. It is because the exhibition and ongoing research project Clip/Stamp/Fold has landed in the south hemisphere by this month until July 2013. Santiago has had the chance for this first landing. The local version of the project became real due to the...
The unbending axis of architectural apologetics made for Speer is a double one...This defense, of course, is exculpatory only if it fails to make any distinction within the field of this expression or to consider any integral relationship between form and function. The more outré defense of Speer insists that he is not simply tarred with modernism’s anti-classical brush but that he was an excellent architect, full stop. — The Nation
Are cities becoming "greater" these days?
(Bernd Upmeyer, Editor-in-Chief, May 2013) — monu-magazine.com
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
What actions are prompted by revolution in the space of the city? Which publics take part in this struggle, and who are the agents that mobilize it? And after a revolution has subsided, how is it remembered, represented and memorialized? thresholds 41: REVOLUTION! turns to the history, design, and cultural production of the public realm as a site of dissensus... — thresholds.mit.edu
The shrinkage of daily newspapers and news and culture magazines has thinned the already slim ranks of architecture critics. While blogs and social media proliferate debate about architecture and design, many have fretted about the lack of a common dialogue around architecture and urbanism as defined by the work of leading critics. It turns out that architecture criticism is far from dead, however, as three established voices are finding new outlets with newspapers and national magazines. — archpaper.com
SUBMIT NEWS: submit in 60 seconds!