[Ralph Simons'] portrait is the earliest known example of what became the conventional manner of depicting an architect by having him holding one of these instruments of his profession. [...]
Needless to say, this tradition is dying – and not just because architects don’t use compasses, or draw, any more (how do you represent computer-aided design software in a painting?). — apollo-magazine.com
Many films ― even great ones ― have used occupations as shorthand for personalities or ‘types.’ [...]
male movie-architects are assumed to personify the perfect romantic lead: they are “creative, but not as grubby as musicians; fiscally sturdy, but not as stodgy as bankers; dreamers with briefcases; visionaries of the tangible.” [...]
Narrative tensions emerge in the perceived misfit between the image — or stereotype — of a profession and the celluloid figure who embodies it. — placesjournal.org
The Architecture Lobby is an organization of architectural workers advocating for the value of architecture in the general public and for architectural work within the discipline. […]
The Architecture Lobby survey that is being distributed here gathers information that provides evidence for ourselves and for the public about the nature of our work and where we do and do not place value; where we could and should demand respect. — The Architecture Lobby
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