For all its dynamism, precision and intelligence, there has always been something a bit antiseptic about Denari's work, as if it were hermetically sealed against emotion as well as imperfection. The New York building, with its fluid, digitally derived profile and facade of glass and panels of embossed stainless steel, won't dramatically change that impression. Its design personality is closer to robotic than balletic. — Christopher Hawthorne, Los Angeles Times
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