...Mussolini, at least for his first decade in power, wasn’t quite as interested in architecture as his fellow dictators. While enthusiastically censoring film-makers, writers, academics and journalists, he let architects do as they please [...]
The resulting architectural output, between Mussolini’s rise to power in 1922 and the late 1930s, when he began to exert more control, embodies an accidentally healthy pluralism. — The Guardian
"While Hitler rejoiced in the traditional völkisch kitsch of his imaginary master race, and Stalin revelled in over-iced baroque confections, Mussolini sat back and let historicist revivalism compete with the crisp forms of forward-looking modernism."For more on the architecture of...
A cash shortage in Rome could see the city’s fascist-era Square Colosseum sold to the fashion house Fendi, despite calls in the Italian capital to keep the building in state hands.
More than 70 years after the Palazzo della Civiltà del Lavoro was built under the orders of Benito Mussolini it could soon be reinvented as a home for luxury goods. — theguardian.com
The Holocaust museum planned for Rome since 2005 could open next year in a new, bigger location at EUR, named after the Esposizione Universale Roma, in time to mark the 70th anniversary of the liberation of Auschwitz.
After almost a decade of delay and €15m spent to acquire a plot of land, the first Museo della Shoah quietly stalled before construction even started. — theartnewspaper.com
Over at the LA Times, Christopher Hawthorne reported on LACMA Director Michael Govan’s plan’s for $650-million new building by Swiss architect Peter Zumthor...Eric Chavkin commented "New construction has always been fundraising tail that wags the museum dog. Big names to draw bigger money...Now that AMPAS is leveraging it's Oscar prestige to be a part of LACMA, a new name to entice donor dollars is Zumthor, a name that means absolutely nothing to most.
NewsMichael Z Wise reviewed the newest edition of Albert Speer, Architecture by Léon Krier for the Wall Street Journal. Mr. Wise concluded his review "Though he is again bemoaning a contemporary inability to regard classicism in a detached manner, it is Léon Krier who is in a...
Vintage 1983... Based on real and virtual quotes, the debate is fictitiously edited by KATARXIS. Peter Eisenman: "Leon, come on, you cannot build this way anymore today!" Leon Krier: " You can't, but I can! "elseplace
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