Phyllis Lambert is 90 years strong, and the impact she has made in architecture in the last six decades still resonates to this day. While her influence in architecture is well known, what is Lambert's perspective on her own career? In celebration of her 90th birthday that was on January 24, the CCA in Montreal is currently exhibiting “Phyllis Lambert: 75 Years at Work”. — Bustler
Mr. Rosen would not mind getting a little credit for maintaining the 59-year-old building, a landmark inside and outside, designed by Ludwig Mies van der Rohe and Philip Johnson. With its rich materials and exquisite detailing, the building demands scrupulous attention. And money.
RFR executives estimated that it cost about 20 percent more to maintain the seemingly spartan Seagram Building than it would a typical office tower of roughly the same size and age. Less is more. — nytimes.com
The one and only Phyllis Lambert continues to rake in architecture honors from around the globe. She received the American Academy's Brunner Memorial Prize this past April and was bestowed the Golden Lion for Lifetime Achievement during the 2014 Venice Biennale. Most recently, the former Canadian Centre for Architecture Director has been honored with the 2016 Wolf Prize in Israel. Past laureates include Eduardo Souto de Moura, David Chipperfield, and Peter Eisenman. — Bustler
The American Academy of Arts and Letters announced architect Phyllis Lambert as the 2016 recipient of the Arnold W. Brunner Memorial Prize [...]. Dubbed as the "Joan of Architecture", Lambert is widely recognized for founding the Canadian Centre for Architecture and her role as Director of Planning for the iconic Seagram Building (which she commissioned Mies van der Rohe to design), among her other initiatives that advocate for architecture's cultural value. — bustler.net
The interior of the Four Seasons restaurant, a vision of Modernist elegance with its French walnut paneling and white marble pool of bubbling water, should not be changed, New York City’s Landmarks Preservation Commission decided [...].
The decision was a setback to Aby J. Rosen, the owner of the Seagram Building, which is home to the restaurant. Mr. Rosen had proposed what he characterized as minor changes to the interior that was designed by Ludwig Mies van der Rohe and Philip Johnson in 1958. — nytimes.com
Phyllis Lambert, Founding Director Emeritus of the Canadian Centre for Architecture, has been announced as the 2014 recipient of the Golden Lion for Lifetime Achievement. The award comes from the upcoming Venice Biennale -- the 14th International Architecture Exhibition Fundamentals opening June 7 through Nov. 23, 2014.
Aside from founding the CCA, Lambert is also widely known for commissioning the historic Seagram Building in New York to Mies van der Rohe. — bustler.net
Audiotopie was awarded $10,000 from the 2013 Phyllis Lambert Design Montreal Grant in Montreal, Canada earlier this week.
Established in 2007, the annual grant distinguishes young, emerging Montreal designers who have shown excellence in their work and research study that can contribute to the city of Montreal. — bustler.net
Phyllis Lambert, 86, announced Wednesday she is retiring as chair of the board of trustees of the museum and research centre she founded in 1979.
A tireless defender of Montreal’s built heritage, Lambert has taken an active role in every major urban planning debate in the city in the last four decades, from redeveloping the Old Port to protecting Mount Royal. — Montreal Gazette
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
Reading this was for me an epiphany. I could see, almost in a flash, the unity of building and landscape developing throughout Mies’s building art, ultimately morphing into the podium that binds the Seagram tower to the urban landscape — plaza, platform, an oasis amid the chaos of New York. This led me to reevaluate the importance of surrounding context, in Mies’s architecture throughout his career and to understand in a new light some of his statements, drawings, and photomontages. — Places Journal
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