Phyllis Lambert, Founding Director Emeritus of the Canadian Centre for Architecture, has been announced as the 2014 recipient of the Golden Lion for Lifetime Achievement. The award comes from the upcoming Venice Biennale -- the 14th International Architecture Exhibition Fundamentals opening June 7 through Nov. 23, 2014.
Aside from founding the CCA, Lambert is also widely known for commissioning the historic Seagram Building in New York to Mies van der Rohe. — bustler.net
Lambert was selected by the Board of la Biennale di Venezia, chaired by Paolo Baratta, under Director Rem Koolhaas. She will formally accept the Golden Lion award on June 7 at 11 a.m. in the Giardini of la Biennale, during the 14th International Architecture Exhibition opening and award...
Audiotopie was awarded $10,000 from the 2013 Phyllis Lambert Design Montreal Grant in Montreal, Canada earlier this week.
Established in 2007, the annual grant distinguishes young, emerging Montreal designers who have shown excellence in their work and research study that can contribute to the city of Montreal. — bustler.net
"The $10,000 grant will enable the Audiotopie team, which designs immersive sound works closely connected to physical spaces through creation of sensory experiences, to go on a study trip during which its members will compare sound environments in the underground spaces of three Asian cities."
Phyllis Lambert, 86, announced Wednesday she is retiring as chair of the board of trustees of the museum and research centre she founded in 1979.
A tireless defender of Montreal’s built heritage, Lambert has taken an active role in every major urban planning debate in the city in the last four decades, from redeveloping the Old Port to protecting Mount Royal. — Montreal Gazette
Phyllis Lambert, founder of the Canadian Centre for Architecture, is stepping down as chairperson. She had also served as Director of the CCA until 1999. Toronto architect Bruce Kuwabara will succeed her as chair of the world-renowned museum and research center. Before becoming an architect in...
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
Reading this was for me an epiphany. I could see, almost in a flash, the unity of building and landscape developing throughout Mies’s building art, ultimately morphing into the podium that binds the Seagram tower to the urban landscape — plaza, platform, an oasis amid the chaos of New York. This led me to reevaluate the importance of surrounding context, in Mies’s architecture throughout his career and to understand in a new light some of his statements, drawings, and photomontages. — Places Journal
"What led Mies to create the union of skyscraper and plaza on Park Avenue, a binding together so profoundly important in his oeuvre?" On Places, in an excerpt from the new book Building Seagram, Phyllis Lambert recounts the evolution of Ludwig Mies van der Rohe's architectural philosophy, from...
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