Arctic Architecture: Svalbard is the first book in a series that will explore the inevitability of northward human migration, its impact on the landscape, and the possibility that sustainable architecture can accommodate human expansion while minimizing environmental damage. Additional volumes focusing on other Arctic locations are also planned. But your support for this first volume is critical. — Kickstarter
I'm using Kickstarter to raise funds for participation in The Arctic Circle, a residency for artists, architects, and scientists that takes place in the Norwegian territory of Svalbard. During the residency, I plan to explore the landscape and existing settlements and use that research as the...
It is possible to say without too much exaggeration that we now inhabit a version of the future William Gibson first described 25 years ago.... an accumulation of smaller changes, the consequences of which are subtle and all-pervasive as technology has increasingly lodged in unanticipated aspects of our lives. As Gibson has observed, the actual future is often more nuanced and unexpected than the imagined future. — Places Journal
In a chapter from the new book Architecture School (MIT Press), edited by Joan Ockman, Princeton School of Architecture Dean Stan Allen traces the history of architecture education over the past two decades — as he says, a volatile period during which "rapid technological and...
In this uniformity, I see a tendency among architects to respect and maintain the status quo, and a consensus about what architecture is and can do for our society. That’s the expression of a decorative understanding of architecture, even if it expresses itself in a subtle, modernist language. (Jacques Herzog) — Places Journal
Passage across a border wrenches us from a space of citizenship — where our individual being is cloaked in layers of legal protection — to a space where we experience at once freedom and nothingness. As architects and planners, we lack the language for describing this shift in the perception and socio-political dimension of place; for distinguishing between the place of the citizen and the place of the stranger within the space of the state. — Places Journal
In an essay on Places titled "Hospitality Begins at Home," architect and Pratt Institute professor Deborah Gans explores the spatial and political dimensions of being a stranger, particularly an immigrant or refugee. She reviews Maya Zack's Living Room exhibition at the Jewish Museum in New York...
Academic institutions have a mandate to contribute to public knowledge, but the structures that support the transfer and dissemination of research, and the application of research within urban design practice, are often weak. There is a widening gap between what happens within the academy and what happens on the ground in cities — often a retrograde, generic and ad hoc agglomeration of politically or financially motivated initiatives. — Places Journal
Places interviews Ila Berman, director of architecture at the California College of the Arts, and Mona El Khafif, project coordinator of URBANlab, about research + design initiatives at the lab. The feature includes a slideshow of faculty and student work, including design proposals for...
Following last year’s nuclear disaster in Fukushima, there has been a great deal of public concern over the contamination of local food sources and water and now, newly constructed buildings can be added to the list of radiation fears in Japan. A three-month long survey of students in Nihonmatsu City turned city officials onto the presence of high levels of radiation in one recently built three-story apartment complex. — Inhabitat
In the last decade, much has been written about architecture for the greater good, and it would seem that the field, as a whole, is invested in bringing design to underserved communities. Yet all of this talk — at conferences, in the press, at universities — has focused hardly at all on how to put together a career in social design. — Places Journal
On Places, Virginia Tech graduate Will Holman gives an honest report of his experiences volunteering, studying and working at Arcosanti, Rural Studio, and Youth Build. Does the architecture profession need to do more to support young architects who take this path?
A Michigan native who as a boy played with Legos and wrote a fifth-grade essay titled "Why I Want to Be an Architect," Ronan wears the black-on-black palette that is a modernist uniform and goes well with his fluffy gray hair. The recognition for the Poetry Foundation headquarters is his second national Honor Award from the AIA. The first, given in 2009, was for the brightly colored Gary Comer Youth Center in the South Side's Greater Grand Crossing neighborhood. — Blair Kamin, Chicago Tribune
People are searching for something more authentic, says Kenneth Frampton, a British architect and critic and professor of architecture at Columbia University, who helped define this movement as "critical regionalism." Mr. Frampton says these houses are a reaction to the past couple decades of "compulsive uniformity," whether it's McMansions or the proliferation of "white box" modern houses. — Nancy Keates
We were able to meet the Grimms’ strict design requirements by employing a slender tower design of vertical cylindrical stems that are joined by intermittent outrigger beams with a reinforced space at the very top for Rapunzel’s long captivity. — Places Journal
This week, Places has a holiday series on fairy tale architecture. Participating firms — Bernheimer Architecture, Leven Betts, and Guy Nordenson and Associates — have selected favorite tales and produced works exploring the intimate relationship between the domestic structures of...
In landscape, legible intent is different for forms we perceive to be buildings than for forms we perceive to be sculptures, since in most cases (Gehry is the exception) before we ask, what is the architect’s purpose, we ask, what is the building’s purpose? This may be the single most profound difference between architectural and sculptural presence in landscape. — Places Journal
David Heymann analyzes the very different ways in which works of sculpture and works of architecture occupy the landscape. And he looks closely at a grain elevator, and shows how a form which we usually experience as a familiar and even neighborly presence can come to seem evil. The final...
For if there is one abiding historical certainty it is that, eventually, things change. And they can be made to change. There is no such thing, however, as a revolutionary architecture. Nor does history ever simply start from scratch. Instead, post-revolutionary questions can be posed in advance to infrastructures that already exist.... to reinvent what used to be called housing, schools, hospitals, factories, and farms in a way that asks: What else must change for these changes to be possible? — Places Journal
What about revisiting the hardcore shapes of the avant-garde? It has been almost a century since the air was heavily saturated with the combustible gas of ideology. Almost a hundred years have passed since everything from film, through art and architecture, to urbanism was susceptible to the...
A concise representation of Architecture in pie chart form — Coffee with an Architect
Despite a handful of genuinely sustainable developments taking place in Dubai, the Emirate has an embarrassing reputation for realizing some of the world's most absurd "green" projects. Inhabitat has compiled a list of our favorite to poke fun at, including the world's tallest tennis court. — Inhabitat
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