As last week's episode was taken up by Pritzker-hooplah, this episode takes a look back at the major news items of the last week(ish) and gets you caught up with what's been happening in Archinect news.We discuss: the recent photo exhibition on homelessness at USC (which closes tomorrow!); the...
“In the design, I would like to say there are no similarities at all,” Kuma told reporters when asked about Hadid’s claims. [...]
“The conditions set for the competition mean that automatically some similarities emerge ... the concept is completely different, so it is absolutely a different building, despite the similarities”. [...]
Hadid’s office is reportedly consulting lawyers, and said it would “take legal action if our concerns are not promptly addressed to our satisfaction”. — theguardian.com
For more on the contentious issue of architectural copyright and intellectual property, make sure to check out:"Never the Same River Twice" – Experimental preservation and architectural authorship with Jorge Otero-Pailos, on Archinect Sessions #47Should architecture strive for originality? Can...
The organisers of the 2020 Tokyo Olympic Games are refusing to pay a British architect for her designs for its main stadium unless she gives up the copyright and signs what amounts to a gagging order, it has been claimed.
Zaha Hadid Architects, which won the original contract to build a state-of-the-art national stadium in the Japanese capital, has reacted angrily to the attempt by the Japan Sports Council to effectively seize ownership of the copyrighted designs. — the Telegraph
New details continue to emerge from the dispute between Zaha Hadid Architects and the organizers of the 2020 Tokyo Olympics, which is rapidly shaping up as one of the most acrimonious conflicts that the profession has witnessed in decades.According to the Telegraph, the Japan Sports Council (JSC)...
Unlike Lego bricks, which are plastic, Tsumiki pieces are made of Japanese cedar (and manufactured using wood certified by the Forest Stewardship). And unlike the brick-shaped Lego blocks, each Tsumiki block is shaped like an inverted “V.” Triangular notches in the legs let the Tsumiki blocks wedge together, making them versatile like Lego bricks, albeit not as sturdy; some of the assembly models shown in Kuma’s Tsumiki brochure look about as solid as a house of cards. — wired.com
More related news:Kengo Kuma selected for new Tokyo Olympic StadiumLego to ditch oil-based plasticKengo Kuma: "Architecture can initiate communication among people."Could Lego Architecture Studio actually be useful for architects?Knowing Kuma
Next Wednesday, January 13, the 2016 Laureate of the Pritzker Architecture Prize will be announced. The winner will receive the Pritzker's bronze medal, $100,000, and an avalanche of "what does this mean for architecture" media attention.Check back here for the winner announcement first thing...
Now that the cat is out of the bag and the Japanese government has officially announced Kengo Kuma's stadium proposal as the new winning design for the 2020 Tokyo Olympics, all eyes are on Zaha Hadid Architects, design firm of the voluptuous initial winning stadium spaceship which was ultimately...
The government on Tuesday picked a design by architect Kengo Kuma for the new National Stadium, a building that is expected to become the centerpiece of the 2020 Tokyo Olympics.
One of two short-listed entries and identified until now only as design A, Kuma’s plan was a joint submission in partnership with construction giant Taisei Corp.
The competing design, identified as design B, was by architect Toyo Ito [...]. — japantimes.co.jp
Last week's rumors turned out to be true - the winning Design A was indeed developed by Kengo Kuma & Associates, beating out Toyo Ito's less successful Design B.UPDATE: Zaha Hadid issues disappointed statement on Tokyo Olympic Stadium decisionPreviously in the Archinect news:Kengo Kuma &...
Wood latticework, green shrubbery, sunken sports fields and temple-like touches can be seen in the two final design proposals for Tokyo’s controversial new Olympic Stadium. [...] The new proposals [...] are more understated in style and also smaller in physical form compared to the originally commissioned design. [...]
The agency has not named the firms behind the two final designs, although unconfirmed local media reports stated that they were Kengo Kuma and Toyo Ito [...]. — telegraph.co.uk
Design A - rumored to be by the office of Kengo Kuma.Design B - believed to come from Toyo Ito's firm.Which design is your immediate favorite? Who is going to finally build the Japan National Stadium? Let us know in the comment section.UPDATE: Kengo Kuma selected for new Tokyo Olympic...
A slew of innovative new condo towers are being proposed for Vancouver, as the city aims to take its arguably boring architecture to the next level. [...]
Vancouver's move into adventurous architecture arguably began back in 2013, when Danish architect Bjarke Ingels revealed his design for twisting tower Vancouver House, which is now under construction. — cbc.ca
Related on Archinect:BIG’s 490-foot-tall Beach and Howe Tower for VancouverAnother case of "poor door" for proposed Vancouver high-riseInterview with Vancouver Art Gallery's director: how will Herzog & de Meuron's new museum impact Canadian architecture?
Tokyo is known for its mix of modern and traditional architecture, but for long-term residents it is easy to feel like the concrete is winning out. [...]
The buildings done by acclaimed Tokyo-based architect Kengo Kuma are different. [...]
Kuma’s campaign to bring Japanese-ness back to architecture has had fascinating results. — qz.com
“They don’t want a foreigner to build in Tokyo for a national stadium. On the other hand, they all have work abroad. Whether it’s Sejima, Toyo Ito, or Maki or Isozaki or Kengo Kuma.”
Last month Isozaki, 83, wrote an open letter to the Japan Sports Council, the government body in charge of plans for the 2020 Games, in which he attacked the “distorted” process that has led to “a dull, slow form”. — theguardian.com
"Starting from small things", motto of Japanese architect Kengo Kuma, we begin to grasp the view of a man's goal to "recover the traditional Japanese building." From philosophy of nature and materiality to personal taste in film and music, Kuma travels to San Diego to share his influences and insight on the world of architecture with design students from Woodbury School of Architecture.
The great disaster of March 11, 2011 differed from any other catastrophe since the 1755 Lisbon Earthquake. In the age of advanced technology and "strong" buildings, the tsunami flattened Tohoku coastline in seconds. The nuclear accident that followed further revealed the vulnerability of "big and strong" architecture. In the face of radiation, materials such as concrete and steel were insufficient, even though nuclear energy had been a solution for our drive to be bigger, stronger... — youtube.com
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