The Architectural League calls on the Museum of Modern Art to reconsider its decision to demolish the American Folk Art Museum. The Museum of Modern Art—the first museum with a permanent curatorial department of architecture and design—should provide more information about why it...
Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture. — archpaper.com
In an effort to foster the creative debate on urban recovery after Hurricane Sandy, MoMA PS1 and MoMA’s Department of Architecture and Design are calling out for ideas to create a sustainable waterfront.
Artists, architects, designers, and others are welcome to present ideas for alternative housing models, creation of social spaces, urban interventions, new uses of public space, the rebuilding of the boardwalk, protection of the shoreline, and actions to engage local communities. — momaps1.org
[FLW's] entire archive is moving permanently to New York in an unusual joint partnership between the Museum of Modern Art and Columbia University’s Avery Architectural & Fine Arts Library, where it will become more accessible to the public for viewing and scholarship.
The collection includes more than 23,000 architectural drawings, about 40 large-scale, architectural models, some 44,000 photographs, 600 manuscripts and more than 300,000 pieces of office and personal correspondence. — nytimes.com
"Hammertone is created from a fabric of woven LED strips and paper squares, networked through a series of sensors which read the aural vibrations created by the artists - responding through light, shadow and geometry." — MocoLoco
On Saturday August 4, 2012, Brooklyn-based design firm The Principals present from 2pm until 9pm, Hammertone will be performing in collaboration with the musicians Lemonade, Pearson Sound and Jamie XX at MoMA PS 1's Summer Warm Up series.
Being a successful collector or dealer does not qualify one to make substantial decisions towards our collective cultural patrimony. — art&education
art&education publishes an excellent paper by Nizan Shaked. As the title suggests, it discusses and exposes the forces and conditions behind this billion dollar industry that created by power brokers and billionaire businessman and their art advisers, museum directors and...
Though the panelists agreed that the foreclosure crisis will lead to major changes in suburban development, they all thought new patterns are less likely to be brought about by a revised American dream than by economic and demographic factors. And all said it would be very difficult to change zoning laws to permit denser new development patterns, especially in existing “inner-ring” suburbs. — archrecord.construction.com
one driving idea of the show holds firm, Bergdoll’s binder notwithstanding: Suburbs are generally an architect-free zone. Insofar as such creatures are spied at all, they’re employed to rubber-stamp a builder’s plans. Beyond that, they’re not wanted. Suburbanites are conservative, wherever they might lie on the political spectrum: There’s a good reason why builders have kept on churning out houses which have remained essentially the same for decades, even as they have grown steadily in size. — architectmagazine.com
Foreclosed, a new exhibit at the Museum of Modern Art, shows ways of radically rethinking suburbia, homeownership and housing. But are such drastic measures what the suburbs really need? — Next American City
Who needs a fancy designer when builders all over the country know how to construct a peaked-roof single-family house?
The Museum of Modern Art’s small but magnificently ambitious new show “Foreclosed: Rehousing the American Dream” makes an overwhelming case that the two camps need each other now. Today’s suburb has little to do with the outwardly tidy, seething, monochrome world of Updike or Revolutionary Road. — nymag.com
Pedro Gadanho, a 43-year-old Portuguese architect, may represent the future of the profession, in that he doesn’t do much actual building. Instead, he has fashioned a gadfly-like career as a curator, writer, blogger and teacher, while finding time to squeeze in an architecture project or two each year, like Baltasar House, a boldly colored residence he designed in 2007 in Porto, Portugal, and the Torres Vedras house, which he designed in 2010 outside Lisbon. — nytimes.com
As for the appearance of the building, compared to earlier drawings and renderings, it does look a little bit squatter, but not by much, and the articulation of the tower has changed slightly. Viewed from Brooklyn, across the East River, it would not be invisible, either, appearing somewhere in the lee between One Bryant Park and the old CitiCorp Center. Still, it will not tower over these buildings, either. — Observer
Because MoMA is looking to expand, speculation is rife that the 30,000-square-foot folk museum on West 53rd St. is targeted for demolition. — archrecord.construction.com
The folk art museum’s building was designed by Tod Williams Billie Tsien Architects and opened in 2001. It was not clear whether it would be torn down. The folk art museum took on $32 million of debt to construct the 53rd Street building. But attendance never met expectations, and after sustaining investment losses in the financial crisis, the museum defaulted on its debt. — NYTimes.com
SUBMIT NEWS: submit in 60 seconds!