Decimated by manufacturing losses, some smaller cities are turning for help to an unlikely group of people: typeface designers. Can new fonts really breathe life into the postindustrial city? [...]
Type has a lot of effect on the atmosphere of a place, he says, calling it “the voice of the city”: “I think cities that don’t have this very dynamic energy, they don’t feel the need to change their identity.” — theguardian.com
Ruedi Baur will discuss, based on examples, the necessary synergy between designers, architects, landscape architects and lighting designers to create a city that goes beyond functionality to improve the quality of life for everyone. — newschool.edu
The Type Directors Club and Parsons The New School for Design present Ruedi Baur: Architectural and Urban Inscriptions, a presentation by this leading European designer on the occasion of his first major U.S. commission, a wayfinding system for The New School’s University Center, a new...
When asked, the German-born “Father of Fonts” insists that there is nothing similar about designing a typeface and designing a house. “They’re totally different,” he says, in excellent English peppered with correctly implemented expletives. “With a typeface, you design a space. A letter is defined by the inside space, more than it is by the outside. You design for shape, but also for function.”... “In either case,” he concedes, “the design is as much about function as it is about aesthetics.” — dwell.com
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