Mr. Shelton and his longtime design partner, Lee Mindel, were known for a distinctive modernist aesthetic that blended clean lines with references to classical periods to create opulent settings. Their less-is-more sensibility became a hallmark for apartments ringing Central Park.
“Truly they were leaders in their field,” said Margaret Russell, the editor in chief of Architectural Digest. “They won pretty much every award a firm could win.
— nytimes.com
[FLW's] entire archive is moving permanently to New York in an unusual joint partnership between the Museum of Modern Art and Columbia University’s Avery Architectural & Fine Arts Library, where it will become more accessible to the public for viewing and scholarship.
The collection includes more than 23,000 architectural drawings, about 40 large-scale, architectural models, some 44,000 photographs, 600 manuscripts and more than 300,000 pieces of office and personal correspondence.
— nytimes.com
While the park began as a grass-roots endeavor — albeit a well-heeled one — it quickly became a tool for the Bloomberg administration’s creation of a new, upscale, corporatized stretch along the West Side. — NYT
Jeremiah Moss ( the pen name of the author of the blog Vanishing New York) penned an editorial on the High Line. Therein he argues the High Line "has become a tourist-clogged catwalk and a catalyst for some of the most rapid gentrification in the city’s history". View full entry »
Among facets that critics may seize upon — and, this being N.Y.U., there will certainly be critics — is that the screens express technology’s new primacy, all but obscuring traditional forms of scholarship behind a cascade of random data. Critics may also discern a feeling of defeat in having to undertake such a fundamental alteration in the hope of saving students’ lives. — cityroom.blogs.nytimes.com
"Hammertone is created from a fabric of woven LED strips and paper squares, networked through a series of sensors which read the aural vibrations created by the artists - responding through light, shadow and geometry." — MocoLoco
On Saturday August 4, 2012, Brooklyn-based design firm The Principals present from 2pm until 9pm, Hammertone will be performing in collaboration with the musicians Lemonade, Pearson Sound and Jamie XX at MoMA PS 1's Summer Warm Up series. View full entry »
The architects Peter Samton and Diana Goldstein can tell you exactly where they were a half century ago, at 5 p.m. on Aug. 2, 1962: out on Seventh Avenue, tilting at windmills.
Pennsylvania Station, the McKim, Mead & White masterpiece, was doomed. They knew it. But they weren’t going to let it go down undefended.
— cityroom.blogs.nytimes.com
On October 22, 1953, Sixty Years of Living Architecture: The Work of Frank Lloyd Wright opened in New York on the site where the Solomon R. Guggenheim Museum would eventually be built. Two Frank Lloyd Wright-designed buildings were constructed specifically to house the exhibition: a temporary pavilion made of glass, fiberboard, and pipe columns; and a 1,700-square-foot, fully furnished, two-bedroom, model Usonian house representing Wright’s organic solution for modest, middle-class dwellings. — bustler.net
The developer David W. Levinson could have set for himself the simple task of commissioning a better-designed tower for 425 Park Avenue than the one that’s been there since 1957.
But that would have been a very low bar.
He has engaged four of the world’s leading architects to compete for the job: Norman Foster of Foster & Partners, Zaha Hadid of Zaha Hadid Architects, Rem Koolhaas of OMA, and Richard Rogers of Rogers Stirk Harbour & Partners.
— cityroom.blogs.nytimes.com
Curtain, a new sculptural project by young architects Jerome Haferd and K. Brandt Knapp, will open this Saturday afternoon with a picnic at Socrates Sculpture Park in Long Island City, Queens. Curtain is the winning entry in Folly, a recent competition hosted by the Architectural League and Socrates Sculpture Park that invited emerging architects and designers to propose contemporary interpretations of the architectural folly. — bustler.net
The winning projects have been rvealed in the New York CityVision Competition. Goal of CityVision Mag's latest design competition was to imagine New York City in the future if the manipulation of the urban context and its architectural objects, joined with its inhabitants, is influenced by SPACE and TIME. — bustler.net
Mayor Michael R. Bloomberg, Deputy Mayor for Economic Development Robert K. Steel and Department of Housing Preservation and Development Commissioner Mathew M. Wambua today launched the adAPT NYC Competition, a pilot program to develop a new housing model for the City’s growing small-household population. adAPT NYC seeks to create additional choices within New York City’s housing market to accommodate the city’s changing demographics. — NYC.gov
The design competition involves a Request for Proposals for a rental building composed primarily, or completely, of micro-units -- apartments smaller than what is allowed under current regulations. New York City's housing codes have not kept up with its changing population, and currently do not... View full entry »
The hottest cultural controversy of this already hot summer concerns the New York Public Library (NYPL), and a plan to disembowel its main building – a plan that will slice open the stacks and "replace books with people", in the words of the NYPL system's CEO, Tony Marx. It's enraged writers and professors, demoralized a staff already coping with layoffs, and called the entire purpose of the system into question. — guardian.co.uk
After being takent to the precinct in Greenpoint, Takeshi used his one telephone call to contact, not a lawyer, but the office of Rafael Vinoly, as he was working on a project for them. But at 7AM, the only person around to answer the phone was a security guard. Takeshi proceeded to calmly dispense instructions for a project that was supposed to occur later that day. After jotting everything down, the guard – presumably confused and slightly bewildered – asked if Takeshi needed any help. — spoon-tamago.com
Takeshi Miyakawa, as you may recall, was recently arrested for his art installation that was mistaken as a planted bomb in NYC. Spoon & Tamago visits him in his studio to discuss his 5 days in jail, Milton Glaser, some new works as well as his current feelings about NY. View full entry »
People love the New York Public Library, and yet there’s a general agreement that it cannot survive in its current state. [...] While strong points have been made on all sides of the debate over the NYPL's future as a center of research, a real conversation about its future as an architectural treasure is just now emerging — and thankfully so, for the fate of the institution is also the fate of one of New York's most iconic landmarks. — artinfo.com
If you're in New York City these days, make sure to check out the exhibition Desired Sync: Global Crisis & Design ver.1.5. Organized by the Korean Cultural Service New York and presented by the Institute of Multidisciplinarity for Art, Architecture and Design (I:M), Desired Sync is the second of a series of exhibitions honorable selected from the official ‘2012 Call for Artists’ program organized by the Korean Cultural Service NY. — bustler.net
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