The New Museum will be opening an incubator for art, technology, and design next summer in the institution's adjacent building at 231 Bowery in New York. SO-IL architects in collaboration with Gensler will design the new 11,000 sq.foot facility, which will be located inside a 19th-century...
Archinect's Architecture School Lecture Guide for Fall 2013 Here on Archinect we recently launched "Get Lectured", where we'll feature a school's lecture series--along with their snazzy posters--for the current season. (UPDATE: We've begun adding international schools!) Check back regularly to...
The Eternal Space will visually recreate the marvel of the former Pennsylvania Station using the actual photographs that documented the station’s demise. [...] Using the latest in projection technology these arresting photographs will speak to the tragic demolition of an American architectural masterpiece [...] On the 50th anniversary of that great loss, The Eternal Space will pay tribute to the station and the gifted photographers who worked to immortalize it. — theeternalspaceplay.com
Architects, historians, and all urban enthusiasts are invited to a free evening event that will acknowledge the 50th anniversary of the demolition of NYC's Pennsylvania Station on Nov. 6 at the AIA | NY Center for Architecture. Hosted by AIA | NY, the program will begin with a live reading of...
“To the people of New Jersey, to the people of New York, to the people of the world — welcome back,” Port Authority Deputy Director Bill Baroni said at the formal ribbon cutting.
The 600-foot passage, known as the Western Concourse, is the first part of Spanish starchitect Santiago Calatrava's soaring PATH station to be opened to the public. — nydailynews.com
It isn't clear what the artwork will look like, though a person familiar with the matter said it would have a "gathering" theme. But it will be expensive: Mr. Ross, chairman of builder Related Cos., has told friends and associates the company intends to spend as much as $75 million on the centerpiece and surrounding public space. — online.wsj.com
Today’s piece was going to be an op-ed column in the New York Times.
But they declined to publish what I supplied. Which was this... - Banksy — Better Out than In
After years of witnessing the ravaging effects of China's rapid transformation from a rural to an urban society, the Tsao brothers decided to devise an alternative. It's no easy feat in a country that has been destroying evidence of its past at an unprecedented rate. At a lecture at the Architectural League last April, Wang Shu, China's most prominent architect, bemoaned the "crazy change" sweeping his homeland, noting that 90 percent of traditional buildings have been destroyed in recent years. — online.wsj.com
Breaking news from New York City today: the team of Swedish firm White Arkitekter has won the two-phase "For a Resilient Rockaway" (FAR ROC) design competition at the Arverne East site in the Rockaways. [...] The winning team also included members from ARUP and Gensler. — bustler.net
In his 12-year tenure, Bloomberg built a gleaming Oz of new parks and plazas, skyscrapers and bike lanes. This didn’t stop plenty of terrible buildings from going up. But a focus on streets and architecture redrew whole swaths of the city: Brownstone Brooklyn boomed, the High Line opened, industrial wastelands became waterfront playgrounds. Urban living became a cause, a public good. Design, down to the curbside and the public bench, was no longer an afterthought... — nytimes.com
The tower would have only been 697 feet until the developers bought Steinway Hall — a deal that allowed for the building’s height to double, but also gave the Landmarks Preservation Commission the final say.
The approval was a no brainer, members said.
“It represents the best of both worlds of new construction and design and historic preservation,” Commission Chairman Robert Tierney said Tuesday.
Fellow commissioner Fred Bland called the combo “daring and smart.” — nydailynews.com
For the latest in their inventive visual mockery of Cooper Union president and unalloyed economic realist Jamshed Bharucha, the student activists of Free Cooper Union satirically reconfigured a Banksy work that popped up near the school’s campus over the weekend. — hyperallergic.com
The Plaza hotel is suing the city and Citibank — complaining in scorching court papers that the block-long bike rack outside the landmark building is a traffic-clogging, advertising-festooned “eyesore.”
The row of bright-blue Citi Bikes that now stands across from the hotel along Grand Army Plaza is an affront to both architecture and city drivers, according to the suit. — nypost.com
New York City’s Department of Buildings issues more than 4,400 violations a year for illegally converted basements, cellars and attics that cannot be occupied because of health and safety hazards, like poor ventilation or a lack of multiple exits.
But with the scarcity of affordable housing in the city and with many New Yorkers already living in makeshift apartments, some housing advocates are calling for a new approach. — nytimes.com
The winners of the "Designing Recovery" competition were announced earlier this month. Hosted by the AIA in partnership with Make It Right, St. Bernard Project, Architecture for Humanity and Dow Building Solutions, participants designed disaster-relief houses to aid survivors of recent natural disasters in New York City, New Orleans, and Joplin, MO.
Although there were only three competition winners, all entries that can be easily constructed will be built in these three communities. — bustler.net
I step out into the street but realize that I’d better not — there’s a current — and as my hallway fills, I remember the electrical panel in the basement. It shorts out, and I hear the breakers fall. Then there is an explosion outside, and the neighborhood goes dark. — Places Journal
In October 2012, as Hurricane Sandy approached New York, Alexandros Washburn defied evacuation orders and stayed fast in his home in Red Hook, watching as his street flooded and became a "full-fledged river." But he had good reason; the city's chief urban designer wanted to observe first-hand...
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