“I’ve seen Kelly Ripa there. Two little kids were playing with Legos on the treadmill next to her, and there was nobody else.” — NYT
If you thought China or Dubai are the only places where you enter a multi million dollar condominium just purchased for that unruly son / daughter or a mistress, or laundering money.., hold on... Why is that all sold out prime luxury condo building in New York only...
"The changes to the plans...were not enough to assuage the doubts the Commission had the first time around (although most of the commissioners did agree that significant improvements had been made). The alternations to the plans included stretching the double hung windows vertically in order to give the building less of a squat look, raising the base by six feet...and moving the tower forward slightly." — Curbed NY
The Windows of New York project is a weekly illustrated fix for an obsession that has increasingly grown in me since chance put me in this town. A product of countless steps of journey through the city streets, this is a collection of windows that somehow have caught my restless eye out from the never-ending buzz of the city. This project is part an ode to architecture and part a self-challenge to never stop looking up. — windowsofnewyork.com
Designed by Diller Scofidio + Renfro and Rockewell Group, the building is envisioned as a kuntshalle, essentially a museum with no permanent collection, that would accommodate shows from local and international cultural establishments. Its most dramatic feature will be a 140-foot retractable structure that when rolled into place will double the size of the ground-floor gallery. — Crain's
The cultural anchor for the 26-acre Hudson Yards project, the Culture Shed is set to open in 2017, nestled within an apartment tower also designed by DS+R, abutting the DS+R-designed High Line. (These guys are taking over Manhattan!)
This Friday: Bracket [Goes Soft] NEW YORK Book Launch and Discussion with Neeraj Bhatia, Fionn Byrne, Michael Chen, Leigha Dennis, Sergio Lopez-Pineiro, Geoff Manaugh and Chris Perry. February 8th @ Studio-X NYC
The value of an institution isn’t measured in public square feet. But its value can be devalued by bad architecture...The designs have all the elegance and distinction of a suburban mall. I was reminded that Mr. Foster is also responsible for the canopied enclosure of the inner court at the British Museum, a pompous waste of public space that inserts a shopping gallery into the heart of a sublime cultural institution. — New York Times
The redevelopment of the Richardson Olmsted Complex will...transform the former Buffalo State Hospital from a place of healing to one of hospitality.
The design builds upon Olmsted's original intent while conserving existing resources, preserving the fabric of the space, and creating connections and purpose. — Buffalo Rising
When you walk in, you encounter what is, at first glance, a small studio apartment. Within that cube are actually 8 functional spaces. The living room and office become the bedroom with a tug of a bookshelf. Open one of the closets and you'll find 10 stackable chairs that go around a telescopic dining table for large dinner parties. An entire guest room with bunk-beds and a closet is revealed behind a wall that slides out on tracks. And of course, a well-equipped kitchen and bathroom await. — gizmodo.com
... calling the Lowline a "park" isn't totally accurate. It would be a culture park that hosts art shows, performances, and events, and it would be tied to the neighborhood gallery scene. Preliminary designs call for a densely planted "ramble," but this would be accompanied by a gallery, plaza, and connecting grassy common. The whole site is currently dotted with support columns, and the design would remove ten of these to created a 5,000-square-foot column-free plaza. — ny.curbed.com
Brooklyn-based design firm Situ Studio is the winner of this year's annual Times Square Valentine Heart Design. Over the last five years, the Times Square Alliance has invited architecture and design firms to submit proposals for a romantic public art installation celebrating Valentine's Day in Times Square.
This year's winning design, Situ Studio's Heartwalk, will be unveiled on Tuesday, February 12, 2013, and remain on view until March 8, 2013. — bustler.net
People tend to like churches and synagogues with intricate detail, like the lacy Gothicism of Grace Church at Broadway and 10th Street. But I am drawn to the austere Church of the Heavenly Rest, at Fifth Avenue and 90th Street. Designed by Mayers, Murray and Phillip and completed in 1929 ...wait, that’s not right, it has never been completed. — nytimes.com
The Park Avenue tower rises from a monumental covered plaza to two setbacks, where the 42-foot-high garden levels expose those massive, dramatic building supports. The top two floors of the tower, tentatively planned to rise 49 stories, form a glass- roofed garden. Elevator shafts morph into glowing blades that slice the sky above the roof. — bloomberg.com
“Our approval will facilitate development of a significant new building with a distinctive pyramid-like shaped design and thoughtful site plan that integrates the full block site into the evolving residential, institutional, and commercial neighborhood surrounding it,” Ms. Burden said before voting in favor of the project. — observer.com
Hopes rose when the Norman Foster firm was hired to overhaul the 2,700-seat hall on the north side of New York’s Lincoln Center. That was in 2005, and nothing came of it.
Is there a future for the jinxed hall? Perhaps. The success of Lincoln Center’s $1.2 billion remodeling -- from the jauntily tilting lawn and the space-age fountain, to the electronic come- ons that zip across the outside stairs -- can only be inspirational. — bloomberg.com
Since the husband-and-wife team of Mr. Alesch and Ms. Standefer founded the architectural and interior design concern Roman & Williams in 2002, their aesthetic of a rugged Americana lifted from a make-believe past has gained dominion over swaths of New York, especially downtown Manhattan and Brooklyn. — nytimes.com
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