"The tradition I’m coming from is not pleasure. It’s a certain shamanistic excess" — NYT
At first glimpse, the House of Mirrors looks like a misplaced stack of wiry boxes randomly cast away along the Australian coast. Up close, the cubical structure further engages passersby as its steel frame draws them right to its mirrory middle, which appears to float inside as it reflects its coastal surroundings. — bustler.net
“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”
Heizer's mammoth masterpiece in the desert is called "City."
“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com
The conceptual storefront Prada Marfa, 2005, by Elmgreen & Dragset, has a new lease on life. The Texas Department of Transportation reached an agreement last week with the foundation Ballroom Marfa to preserve the sculpture after nearly one year of negotiations. The government threatened to shut down the work because it could be considered an illegal roadside advertisement under state law. [...] the foundation plans to lease the land underneath Prada Marfa and register it as an art museum. — theartnewspaper.com
On Friday afternoon, a young American in Tübingen had to be rescued by 22 firefighters after getting trapped inside a giant sculpture of a vagina. The Chacán-Pi (Making Love) artwork by the Peruvian artist Fernando de la Jara has been outside Tübingen University's institute for microbiology and virology since 2001 and had previously mainly attracted juvenile sniggers rather than adventurous explorers. — theguardian.com
Practitioners create visually dazzling and unexpected forms that’re seemingly unrelated to anything as prosaic as function or context. They exploit advances in design and construction technology to build ever more visually arresting and extraordinary buildings.
The future of this movement is likely to be limited because the law of diminishing returns inevitably applies to the search for ever-newer and ever-more unexpected architectural forms. — INDAILY
[...] Dutton and Piper have traced a path, broadly following the Meridian, extending from the 02 Arena in Greenwich across the Thames by cable car to the Olympic Park in Stratford: a largely flat and buggy-friendly three-hour meander through an extraordinarily varied and little-known urban landscape that will be punctuated by striking pieces of modern sculpture. They’re calling it the Line, and the hope is that it will be up and running by midsummer. — telegraph.co.uk
Alice Aycock, the sculptor, was holding her breath.
[...] a massive crane, blocking traffic, lifted one-half of “Cyclone Twist,” a swirling series of white aluminum bands, into place, precisely connecting with its other half already standing on the avenue’s slim median. [...]
Called “Park Avenue Paper Chase,” and stretching from 52nd Street to 66th, they are inspired variously by tornadoes, dance movements and drapery folds, and will be up until July 20. — nytimes.com
How about we start the week with a heart-warming project right on time for Valentine's Day! "Match Maker," the winning sculpture of the 2014 Times Square Valentine Heart Design competition, was unveiled in New York's Times Square today.
Designed by Brooklyn-based Young Projects in collaboration with Kammetal, "Match Maker" is an interactive heart-shaped sculpture that matches individuals based on their zodiac sign. — bustler.net
Have a glimpse of the winning and finalist installations:Winner: Young Projects - Match MakerHaiko Cornelissen Architecten - TWEET HEART NYPernilla Ohrstedt Studio - O HeartSchaum/Shieh Architects - My Fuzzy ValentineSOFTlab - Sweet HeartThe Living - Vapor ValentineLearn more about each project at...
If you haven’t quite wrapped your head around the concept of 3-D printing, or haven’t yet had a digital scanner wrap itself around you, now you can do both in “Out of Hand: Materializing the Postdigital,” at the Museum of Arts and Design. [...]
And while visionary design shows like that of MoMA are entrancing, there’s something to be said for a more down-to-earth, production-focused exhibition. — nytimes.com
On the Portal of Paradise on the western façade of the Cathedral of St. John the Divine in Manhattan are sculptures of the end of modern New York. The Brooklyn Bridge is breaking in two, a bus plummeting from it into the water while waves rise up over the toppling skyline. People run in a panic below the Stock Exchange, and next to them a scorpion, snake, and other signs of pestilence swarm a skeleton. — hyperallergic.com
"Erratic" is an installation piece by Swedish architects Norell/Rodhe that shows a lot of personality. Daniel Norell and Einar Rodhe recently completed the project, which was featured in Helsinki Design Week this past September.
Made from a thick custom-made sack restricted at hundreds of points, the massive 3 x 3 x 3 meter piece illustrates the tension between meticulous design and temperamental materials. — bustler.net
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