Philip Michael Wolfson is an architect from Philadelphia. He was Zaha Hadid's head of design for ten years and now runs his own studio where he works on sculptural pieces and interior architecture. In this episode of Art Talk, we visit Philip in his London studio and he discusses his creative process and shows us a recent piece called "Tsukumogami." — vice.com
We often see our homes as sanctuaries from the outside world. We try to leave our problems at the door and just make our dwellings a neat and comfortable place. Dutch Artist Frank Halmans’ was obviously bored by this syndrome thus he created the ‘Hoover Buildings’. The machines literally suck up dirt into the interior of a dollhouse. Halman has created functioning vacuum cleaners and dust busters in the shape of buildings in an attempt to show how ‘dirt and debris’ clutters our personal space. — ignant.de
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place, or where concentration camps stood (like Jasenovac and Niš). They were designed by different sculptors (Dušan Džamonja, Vojin Bakić, Miodrag Živković, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanović, Gradimir Medaković…), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. — feeldesain.com
Lexington, KY-based Design Office Takebayashi Scroggin (D.O.T.S.) has sent us images of its installation "Rainbow Massimal", one of the attractions at Lexington's 2012 Beaux Arts Ball and winner of a 2011-12 A' Design Award. — bustler.net
Curtain, a new sculptural project by young architects Jerome Haferd and K. Brandt Knapp, will open this Saturday afternoon with a picnic at Socrates Sculpture Park in Long Island City, Queens. Curtain is the winning entry in Folly, a recent competition hosted by the Architectural League and Socrates Sculpture Park that invited emerging architects and designers to propose contemporary interpretations of the architectural folly. — bustler.net
Eleven years ago I made a modest proposal to create a series of three massively flat and empty superblocks (two in New York and one in Washington DC). I last showed these proposals as three large architectural site models, just six months before September 11th attacks. Because my proposals seemed to foreshadow the 16 acre gap left in Manhattan’s grid, I was urged to revisit the project. — rhizome.org
An ongoing series of sculptures exploring the notions of trophy and information, Trophy appropriates the Brunswick 'Black Beauty' bowling ball. Each ball is meticulously hand carved into the seminal architectural 'Big game' trophy, i.e., the 'super books' of Mau, Koolhaus, Corbu etc. — archidose.blogspot.com
Craft practices are at once defined and restrained by their connections to tradition. Viewing woodworking in the context of objects made with wood; housing, particularly stick frame construction, emerges as possibly the most widespread use of the material throughout the modern world. Utilizing these techniques in a studio based practice, it is my hope to further the conversation on how notions of craft fit into the modern world.
Northern Ireland artist Brendan Jamison has claimed a special niche in the UK corridors of power.
The craftsman is a cubist of a different kind - he is known for carving thousands of sugar lumps into intricate buildings. — bbc.co.uk
Mr. Chamberlain spoke of his work with reluctance and often humility, deriding the over-intellectualizing tendencies of his questioners. “Everyone always wanted to know what it meant, you know: ‘What does it mean, jellybean?’ ” he told Julie Sylvester, adding: “Even if I knew, I could only know what I thought it meant.” — New York Times
The name of the ArcelorMittal Orbit tower is a real mouthful, a hybrid title for a mongrel artwork. The contorted steel “sculpture-cum-tower-cum-engineering feat,” in the inelegant phrase of Tate director Nicholas Serota, is the totem of our Olympic games, rising more than 375 feet out of the central plaza of the park, on former light industrial land equidistant between Stratford and Hackney Wick in east London. — architectmagazine.com
Before the German photographer even snaps a single shot, he is in his studio, creating 3D model subjects—usually industrial grey constructs in still, almost poetic, settings—out of deco boards, plasticine, and paint. It could take weeks, even months, before Frank is fully satisfied that each model is indeed flawless. — trendland.net
The series Broken houses is based on photographs of abandoned structures neglected by man and destroyed by the weather. The photos are found in the web while pursuing an amateur photographer from North Dakota who obsessively documents the decaying process of these houses. His photographs are used to create small scale models. Afterward, in the studio, the models are photographed again, omitted from their background and placed in gray. — acidolatte.blogspot.com
His ‘Multiscape’ sculptures are city scenes literally carried by preserved dead animals or other objects found along the side of the road. With this subject matter, Pim Palsgraaf shows us contradictions between culture and nature. The urban city is seen to overtake nature. One gets the feeling that urbanism is a process which grows like a tumor. — acidolatte.blogspot.com
The kinetic sculpture ‘Chimecco’ is a large interactive wind chime by artist Mark Nixon. It is currently being exhibited at Sculpture by the Sea in Aarhus, Denmark: one of the most popular outdoor sculpture exhibitions in the world. The design was selected as one of the winners of an open competition from over 350 submissions. — bustler.net
If you're in Denmark this week, visit the exhibition which opened June 2 and still runs until July 3, 2011 along the spectacular three-kilometer long coast line from Tangkrogen to Ballehage in Aarhus.
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