Certainly, it's a minor miracle that Epiphany wasn't gutted at some point in its long life to make way for late 20th-century design nightmares such as drop ceilings and wood paneling. But more significantly the church represents an interesting period in Southern California history. — latimes.com
The Church of the Epiphany was an iconic meeting spot for activist groups throughout the 20th century -- including Cesar Chavez, who gave talks there -- and continues to be a valuable community space today. After a 2011 art auction to preserve the aging church, a second benefit auction is...
News of the planned destruction of the Hotel Okura building in Tokyo to make way for a larger 38-story glass tower has brought cries of protest in Japan and elsewhere in the world. Monocle, the wide-ranging global magazine, has started a petition to save the old Okura on behalf of “all lovers of modern Japanese architecture.” — nytimes.com
The march of London's skyscrapers looks set to continue unchecked after the UN watchdog charged with protecting sites of international importance delayed a move to place parliament – which is being obscured by a rash of new towers – on its endangered heritage list.
Unesco was due to put Westminster on its List of World Heritage in Danger when it met recently in Doha, Qatar. — theguardian.com
“People are more comfortable...with something that feels authentic." - Toby Moskovits, president of Heritage Equity Partners — NYT
Earlier this summer, C. J. Hughes took note of a trend in NYC real-estate, the conversion of unusual buildings into apartments and condos. But, it isn't only your typical post-industrial loft, the conversions include; phone company buildings (like 140 West Street designed by Ralph Walker, a...
With change in Queens arriving rapidly, the Mets can preserve a piece of team history—and public good will—by helping to restore a part of the World's Fair from 50 years ago. — CityLab
Leading British archaeologist and member of the House of Lords, Colin Renfrew, says the destruction of historic mosques in Mosul, northern Iraq, by Islamic state militants (Isis) “is a disaster for the cultural heritage of Iraq, and indeed of Islam”. The Prophet Jirjis mosque and shrine in Mosul was destroyed on 27 July, according to unconfirmed press reports. The 14th-century mosque was the latest in a series of holy sites targeted by the jihadist group. — theartnewspaper.com
More than 50 leading figures from the worlds of art, film, fashion and architecture have signed a petition calling for a ban on giant cruise ships sailing through Venice. [...]
Nicholas Penny, the director of the National Gallery in London, Richard Armstrong, the director of the Guggenheim Foundation, the architect Norman Foster and his wife Elena also endorse the appeal which has been launched by the Association of the International Private Committees for the Safeguarding of Venice [...]. — theartnewspaper.com
New to Archinect, Julia Ingalls penned an essay, titled Material Witness: Insanity in the walls of '"True Detective" and "Twin Peaks". Olaf Design Ninja_ offered a complement "A good visceral read like a true detective watch...This would almost suggest the inert quality of this line between...
US museums are teaming up with the Syrian Interim Government’s Heritage Task Force to help protect Syrian museum collections and stem the loss of cultural heritage amid the country’s ongoing civil war.
Late last month, experts from the Smithsonian Institution in Washington, DC, and the Pennsylvania Museum’s Penn Cultural Heritage Center quietly organised a three-day training session for curators, heritage experts and civilians in an undisclosed location outside of Syria. — theartnewspaper.com
Istanbul is the city of transformation and contradiction. As an urbanist, I am trying to keep record and make sense of this transformation and am especially interested in its winners and losers. At the moment we live in a giant construction site, where skyscrapers, mega projects and urban renewal projects are taking place all around. There is a gold rush to real-estate development. — theguardian.com
Some obvious reasons are deducible from the graphic elegance of his structures and their seductive saturated “Mexican” colors. Perhaps, though, new generations are also drawn by instinct to the deep humanism expressed in the work of this undervalued genius, a man who cited as his personal pole stars ideals like amazement, enchantment, serenity, silence and intimacy. — NYT
Back in June, Guy Trebay penned a essay 'Finding Mexico City, and Luis Barragán, Again'. Therein, he relates how after a long absence from Mexico City, he was inspired to rediscover both the city and the houses of the great Mexican architect.He also draws attention to the fact that many of these...
The practice of using corporate largess to finance restoration projects for public antiquities was once fairly rare here. But with the nation struggling with a stagnant economy and crushing public debt — Rome is flirting off and on with bankruptcy — politicians are now looking to private companies and international sources to help preserve Italy’s cultural heritage. — nytimes.com
[...] the Crystal Bridges acquisition reflects an increasingly popular attitude toward architecturally significant homes among private collectors. Such buyers now see that historic homes can be collected, preserved, and appreciated much like fine art. — blouinartinfo.com
“Words like ‘holocaust’ have been used in reference to the idea that our house could inspire a rash of tear-downs which could then be replaced with modern homes. I designed my house specifically within the design guidelines of this historic district and to be compatible, a good neighbor. But the term ‘modernism’ just clicks a switch in people’s brain and they can’t see the house for what it is.” — nytimes.com
Nicholas Korody penned a review - The Trouble with a Bird’s Eye View. The piece dissects a summer exhibition of the Los Angeles Forum for Architecture and Design. He concludes the pairing of aerial photographs by Los Angeles-based Lane Barden with a geo-mapping project by the German-American...
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