Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
"Time Space Existence" tells the story behind La Fabrica, the well-known headquarters of Ricardo Bofill Taller de Arquitectura that is located in a repurposed cement factory in Barcelona...By reimagining La Fabrica in new locations -- particularly in Venice -- the exhibition serves as a case study that goes beyond the structure's physical presence and explores its timelessness throughout the last century. — bustler.net
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
Check out the projects in their current and original states.(Pictured above) Dom RevolucijeArchitect: Marko Mušić Kayak Club “Galeb” Architect: Vukota Tupa Vukotić Hotel FjordArchitect: Zlatko Ugljen Spomen Dom Architect: Marko Mušić To learn more, head over to Bustler.
For Catalonia's second year exhibiting at the 2014 Venice Biennale as a Collateral Event, they will showcase the evolving state of local contemporary Catalan architecture in "Grafting Architecture: Catalonia at Venice." The proposal won in a juried competition hosted by the Institut Ramon Llull. The exhibition examines pivotal projects that blend the traditional and the contemporary throughout the last century of Catalonia's architectural history. — bustler.net
Cyprus took an allegorical approach with their 2014 Venice Biennale pavilion, titled the "Anatomy of the Wallpaper". Curated by architects Michael Hadjistyllis and Stefanos Roimpas, the Wallpaper symbolizes the reconstruction of the island's complex national identity that has been affected by outside influences throughout its history. To convey Cyprus' multi-layered history, the pavilion will be covered in the timeless and appropriate medium of collages. — bustler.net
In the Korean Peninsula's response to the 2014 Venice Biennale theme of rediscovering national identity through architecture, the "Crow's Eye View" pavilion explores the divided state of North and South Korea, and extends that discussion to the global state of architecture itself. The multi-themed pavilion uses architecture as a key to discovering new narratives of the peninsula's complex past, present, and future in an architectural and social perspective. — bustler.net
After being selected in a juried national competition back in March, the Arctic Adaptations: Nunavut at 15 exhibition will represent the Canadian Pavilion in the upcoming 2014 Venice Biennale. The timely exhibition will also mark the 15th anniversary of Nunavut, Canada's youngest territory. — bustler.net
Curated by Lateral Office of Toronto, "Arctic Adaptations" will examine the complex relationship that modernism has had with Nunavut's indigenous communities throughout the last century, and the innovative ways they have responded to those changes.The exhibition will also showcase five themed...
... the Labor Department established a six-point test for circumstances in which aspiring workers in need of skills, like trainees and interns, don't have to be paid.
Must be similar to training you'd get at a school
Must be for the intern's benefit
Must not take the place of other, paid, employees
Must provide the employer "no immediate advantage"
Must not necessarily be entitled a job after the internship
Must be understood by both the employer and intern to be unpaid — vox.com
It was 75 years ago—the year Gone With the Wind and The Wizard of Oz were released and World War II began—that Los Angeles's lovely Union Station first opened for business. There was a big Downtown celebration on May 3, 1939 to mark the opening of what is viewed as the nation's last great rail station, and Ward Kimball, an award-winning Disney animator and part-time rail nerd (one of Disney's Nine Old Men and the man who created Tweedledee/Tweedledum and Jiminy Cricket), filmed the occasion. — la.curbed.com
Unfinished Spaces by Alysa Nahmias and Benjamin Murray continues to gain recognition since its initial release in 2011. In addition to previous grants and awards, the documentary film recently won the 2014 Society of Architectural Historians (SAH) Award for Film and Video at the 2014 Annual Conference in Austin, Texas. Established in 2013, the annual award is given to the most distinguished international work of film or video on the history of the built environment. — bustler.net
Reflective of its Cuban Revolution setting in 1961, Unfinished Spaces tells the complex tale of Cuba's historic National Art Schools project commissioned by Fidel Castro and Che Guevara to visionary architects Ricardo Porro, Vittorio Garatti, and Roberto Gottardi. Construction of the school...
Last night, the University of Southern California's School of Architecture hosted a panel discussion with four former deans dating back to 1961, in celebration of the school's upcoming centennial anniversary. Moderated by current dean Qingyun Ma, the deans included (in chronological order): Samuel...
In keeping with the designer's forest-themed interior motif, a pair of homesteader cabins from the late 1800s are being installed in Twitter's new digs in the historic Western Furniture Exchange and Merchandise Mart building, a 1937 art deco landmark on Market Street. [...]
In this spirit of reuse and reclamation, Lundberg saw the cabins as a novel way of breaking up the wide open spaces of a gutted floor in the old furniture mart that will become a casual dining area. — Marin Independent Journal
Taking architectural anachronism to a whole new level, Twitter turns the open-plan office on its head by installing original one-room wood cabins from Montana as lunching spaces. Designers for Twitter's offices feel the choice is coherent with the company values of reuse and reclamation, while...
Contrary to what you may have read lately, the Museum of Modern Art is intent on carefully preserving the former American Folk Art Museum next door.
At least, the part of it that is most recognizable to the public: an 82-foot-high sculptural ensemble of 63 panels, cast in a gorgeous copper-bronze alloy [...]
“We will take the facade down, piece by piece, and we will store it,” Glenn D. Lowry, the director of the Museum of Modern Art, said in an interview last week. — nytimes.com
The Paris Métro, opened in 1900, extends over more than 200 kilometers of track, serving more than 300 individual stops. But there are 11 more stations that, though once built, now stand nearly abandoned. Many of these "ghost" or "phantom" stations shuttered after the occupation during WWII. [...]
Parisian mayoral candidate Nathalie Kosciusko-Morizet has a bold plan for these phantom stations ... these abandoned spaces should be reclaimed for the city's residents. — The Atlantic Cities
Working alongside mayoral candidate Kosciusko-Morizet, architect Manal Rachdi and urban planner Nicolas Laisné composed a few renderings of what the stations could become under the proposal. Featuring Arsenal, one of the stations closed since 1939, here are a few potential uses:Night...
What a National Register [of Historic Places] listing really means is a 20% federal tax credit for structural investing, along with any state tax incentives, but that's often not enough to make preservation a more appealing option over razing and starting over. [...]
Listing on the National Register certainly gives something of an economic incentive for preservation, as well as a national profile for these sites [...]
However, what historic sites ultimately need is sustainable funding. — Atlas Obscura
SUBMIT NEWS: submit in 60 seconds!