Neighborhoods of contemporary New York are primarily defined by the choices and actions of the people who call them home. They are collages fashioned from layer upon layer of small accretions that we plaster and paint onto our environments. Sometimes, this paint is literal [...] rich diversity of murals in memoriam found throughout Bedford-Stuyvesant, Brooklyn — public artworks that reflect a particular history of violence, racial prejudice, and, in some cases, the mixture of the two. — urbanomnibus.net
Diller Scofidio + Renfro was announced as part of the winning team who will design and build the new U.S. Olympic and Paralympic Museum and Hall of Fame in Colorado Springs, Colorado...the $60 million project will display artifacts, media, technology, tell the stories of American Olympic and Paralympic athletes, and share the historical significance and national pride spurred by the Olympic Games. — bustler.net
The winning team includes:Diller Scofidio + Renfro from New York (design architects)Anderson Mason Dale Architects of Denver (architect of record)Gallagher and Associates from Washington, D.C. (exhibit designers)Pacific Studio of Portland, Oregon (exhibit fabricators)GE Johnson of Colorado Springs...
Cartoonist and journalist Eleri Mai Harris tells the story of Canberra's creation by architects Walter Burley Griffin and Marion Mahoney Griffin (who also happened to be married to one another, and worked with Frank Lloyd Wright).Read the piece in full, gorgeous watercolor on Medium: The Utopian...
“The first thing is to find the identity of Seoul,” he says. “Seoul was created very differently from western cities, with special theories of feng shui and Confucianism, and we kept that for 600 years. We didn’t change anything – even under Japanese colonialism, that was kept. But since the 1960s, under American influence, it has changed very much.”
If Seung has his way, the days of skyscrapers springing up in central Seoul would come to an end. — ft.com
The story of Boyle Heights reminds us that urban highway teardowns don't always end in victory. [...]
"What we don't know, however, is the story of the losers, the urban men and women who fought the freeway, unsuccessfully, on the conventional terms of political struggle, who weren't able to pack up and move on, and who channeled expressive cultural traditions to register their grievances against the presence of unwanted infrastructure." — citylab.com
We have our book giveaway winner for Adolf Loos, A Private Portrait and Escape Home, Rebuilding a Life After the Anschluss! The two memoirs were each written by family members of Austrian architect Adolf Loos.Adolf Loos, A Private Portrait is the first English translation of the 140-page...
Time for another book giveaway! We've got two great titles from DoppelHouse Press. The first is the first English edition of Adolf Loos, A Private Portrait by Claire Beck Loos, who was the last wife of Austrian modern architect Adolf Loos. The 140-page biography was originally published in German...
The Spanish pavilion "Interior" at the 2014 Venice Biennale conveys its multi-layered concept with an enticing labyrinth-like design. Visitors can formulate their own experience as they walk through the open maze, which is "guided" by large images of contemporary and traditional Spanish architecture. — bustler.net
The pavilion is set up as an interactive exploration of Spanish modernism throughout the last century, mixed in with other main points like the influence of digital technology, or comparing traditional Spanish architecture with the contemporary. Sio2 Arch (formerly F451arquitectura) designed the...
Family-owned Swiss luxury watchmaker Audemars Piguet have chosen BIG, HG Merz, Luchinger & Meyer, and Muller Illien as having the winning design for a new expansion of their headquarters in La Vallée de Joux, La Brassus, Switzerland. Adding quite the literal twist to the timeline concept, BIG's proposal -- titled Maison des Fondateurs -- dons a 25,000 ft. spiral-shaped museum that tells the centuries-long history of Audemars Piguet. — bustler.net
Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
"Time Space Existence" tells the story behind La Fabrica, the well-known headquarters of Ricardo Bofill Taller de Arquitectura that is located in a repurposed cement factory in Barcelona...By reimagining La Fabrica in new locations -- particularly in Venice -- the exhibition serves as a case study that goes beyond the structure's physical presence and explores its timelessness throughout the last century. — bustler.net
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
Check out the projects in their current and original states.(Pictured above) Dom RevolucijeArchitect: Marko Mušić Kayak Club “Galeb” Architect: Vukota Tupa Vukotić Hotel FjordArchitect: Zlatko Ugljen Spomen Dom Architect: Marko Mušić To learn more, head over to Bustler.
For Catalonia's second year exhibiting at the 2014 Venice Biennale as a Collateral Event, they will showcase the evolving state of local contemporary Catalan architecture in "Grafting Architecture: Catalonia at Venice." The proposal won in a juried competition hosted by the Institut Ramon Llull. The exhibition examines pivotal projects that blend the traditional and the contemporary throughout the last century of Catalonia's architectural history. — bustler.net
Cyprus took an allegorical approach with their 2014 Venice Biennale pavilion, titled the "Anatomy of the Wallpaper". Curated by architects Michael Hadjistyllis and Stefanos Roimpas, the Wallpaper symbolizes the reconstruction of the island's complex national identity that has been affected by outside influences throughout its history. To convey Cyprus' multi-layered history, the pavilion will be covered in the timeless and appropriate medium of collages. — bustler.net
In the Korean Peninsula's response to the 2014 Venice Biennale theme of rediscovering national identity through architecture, the "Crow's Eye View" pavilion explores the divided state of North and South Korea, and extends that discussion to the global state of architecture itself. The multi-themed pavilion uses architecture as a key to discovering new narratives of the peninsula's complex past, present, and future in an architectural and social perspective. — bustler.net
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