NL Architects recently completed the project NS Station, a major office interior revamp over 9 stories right on top of Central Station in Utrecht, the Netherlands. The project resulted from a 2011 competition win where NL Architects made the Thick Walls™ system the conceptual core: big shelves absorb the clutter that normally spreads trough the office - wardrobes, bookshelves, flip boards, archive, bulletin boards. And sometimes even the stairs. — bustler.net
Can we start by exploring your process of developing an initial idea for a project? You all have very different backgrounds, specialising in metalwork, industrial design and architecture. How do these backgrounds integrate? Can this culmination of different abilities become challenging?
It is extremely challenging integrating our different perspectives – based on our specialties, you can encounter all phases and scales of project development simultaneously — Modern Matter
Now is the time stop starting with "in the future" in relationship to digital technology. This show will tell, "in the past digital technology did this." It is time to write its history. — CCA
SDR complained "The Saratoga Community Center is ‘traditional’ ? Really ? Brickwork with masonry or ceramic trim is no longer a viable architectural material ? What'll be declared dead, next -- the rectangle ?...I don't defend the example above as a work of architecture. I know nothing about it. But it's a surprising contender for 'traditional'--- isn't it ?)".
...even for a big gun like Koolhaas, the global depression has had an impact. Thus his new furniture line for Knoll called “Tools for Life.” It’s a pretty standard track for any architect when the commissions start to dry up; have some interns fart out designs for a furniture line, ship it off to China for production, then slap a price tag on it with no less that 4 zeros and BOOM! you’re back makin’ Bentley payments and wearing Prada suits in no time. — The World's Best Ever
Back in January, we had published the shortlisted nominees in the Architecture category of the sixth annual Designs of the Year Awards, hosted by London's Design Museum. Today now the final winners across the seven categories—Architecture, Digital, Fashion, Furniture, Graphics, Product, Transport—were announced, too. — bustler.net
“brave new color, for a brave new world.” — The LACMA Blog
The staging was called the Ideal House, and it was a fully furnished modern home, but one with an audience, a runway wrapped around it, and “windows” projected on the walls with scenes of the outside world. It was the latest in many intricate and avant-garde pairings between Prada and OMA...
The 12-piece furniture collection, designed by OMA for Knoll, will debut at the Salon Internazionale del Mobile in Milan in April. — blogs.artinfo.com
The budding industrial designer also gave his top picks from the fair, which unsurprisingly all feature bright swaths of primary colors: a Charlotte Perriand bookshelf from Galerie Downtown accented with yellow squares; a Pierre Guariche chair from Demisch Danant, a Riteveld chair from Galerie Vivid; and a desk from Galleria Rossella Colombari by Gio Ponti, whom he was so delighted to have discovered: “He tried to make the office fun!” — blogs.artinfo.com
The Rotterdam-based Bureau of Architecture, Research, and Design (BOARD) won the Second Prize with its entry entitled “Het hergebruikte appartement” (“The Recycled Apartment”) in the open competition for “Sustainable Krajicek Playgrounds”. — http://b-o-a-r-d.nl
With a growing understanding between the correlation between space and productivity, designers and major companies are now working together to maximise the potential of office spaces and make the daily grind a little more palatable to workers. — DesignBuild Source
In the lecture series “Context and Collaboration” given by Paul Makovsky of Metropolis Magazine, Pullman and architect Jane Thompson of the Thompson Design Group, Nelson was described as rejecting the Howard Roark paradigm of the “hero architect” due to his socially conscious approach and his choice to work on interiors during the mid-20th century when furniture design was considered “feminine.” — yaledailynews.com
Some of L.A.’s best known architecture firms and artists have designed one-of-a-kind lamps to be auctioned Nov. 2 at a fund-raiser for the MAK Center in West Hollywood.
Among those who designed, produced and donated their work for the event, dubbed “Light My Way, Stranger”: Ball-Nogues Studio, Cory Buckner, Ehrlich Architects, Hodgetts & Fung, Eric Owen Moss, Barbara Bestor, Dewey Ambrosino, Liz Larner and Sam Durant. — latimes.com
SUBMIT NEWS: submit in 60 seconds!