Walk into the Great Hall of Washington D.C.'s National Building Museum right now and you'll find a glacial landscape of geometric "icebergs" floating before you. Landscape architect James Corner worked alongside the NBM to design the chilling scene, as part of the museum's 2016 Summer Block Party...
I’m no longer a boater, and when I took a walk around the canal recently, I discovered that London’s canals have hundreds more boats than before, many in temporary moorings – constant cruisers that have to move every two weeks. Twenty years ago, you could walk from Little Venice to the Sainsbury’s at Kensal Green and barely see a moored boat. Now, they are two abreast almost the entire way, on both sides of the canal. — citymetric.com
In a surprising new study, Stanford researchers have found that drought-ravaged California is sitting on top of a vast and previously unrecognized water resource, in the form of deep groundwater, residing at depths between 1,000 and nearly 10,000 feet below the surface of the state’s always thirsty Central Valley.
[...] new research could prove controversial among scientists trying to interpret what it means for a state that has battled over water, and its distribution, going back many decades. — washingtonpost.com
All the progress we have made will now be put on hold and the government’s attention will be diverted while we try and work out how to deal with Brexit. - Rob Naybour, Weston Williamson + Partners
It was revealed earlier this month that declassified U.S. spy satellite photographs taken above the Antarctic have inadvertently also documented how that continent has been affected by climate change. In this case, deep in the archives of national intelligence agencies are satellite photos half a century old in which scientifically useful data has been hiding in plain sight. These now-outdated spy photographs have thus found an unexpected second life as important tools of planetary science... — the Atlantic
When we first visited Bankside Power Station for the original Tate Modern competition in 1994, it seemed like the castle in Sleeping Beauty – an enormous urban mountain that was completely overgrown, surrounded by barbed wire and prickly roses, as if protecting the hidden beauty inside. It seemed dangerous. It is totally unimaginable now, but this was a huge chunk of the city that was totally excluded from public life, set back behind high walls. — theguardian.com
River LA is less interested in giving a clear picture of what Gehry’s plan eventually may include than in tamping down charges that it has been born of secrecy — and worries that it may operate as a Trojan horse, a kind of high-design architectural cover, for rampant real-estate speculation [...]
A central goal of this master plan... will be to strike an effective balance between maintaining flood-control measures while opening up the river to new kinds of public access.
Mr. Margolies, who died on May 26, at 76, was considered the country’s foremost photographer of vernacular architecture — the coffee shops shaped like coffeepots; the gas station shaped like a teapot (the Teapot Dome Service Station in Zillah, Wash.); and the motels shaped like all manner of things, from wigwams to zeppelins to railroad cars — that once stood as proud totems along America’s blue highways. — The New York Times
"Climate change is happening so fast and on such a huge scale that it's forcing us to change the borders of a country," said head of the mapping expedition, Marco Ferrari... The borders of a country are "something we always consider as stable, as a political device, the foundation of the modern state, the most sacred thing, but this huge natural transformation makes clear how disruptive and alarming these changes are," he said. — Vice
When is a garden bridge not a garden bridge? When it’s a bridge garden, according to Allies and Morrison, the Southwark-based architects who have come up with a cheap and cheerful alternative to the eye-wateringly expensive, contractually dubious proposal by Thomas Heatherwick and Joanna Lumley for a floating forest across the Thames. — theguardian.com
The show, curated by the V&A’s Maria Nicanor and Zofia Trafas White, is a fascinating exploration of the 20th century engineer’s life and work, and how it has influenced today’s practices in his field. Arup, fittingly argue the curators, was a true pioneer, championing real collaboration with architects, using a computer for the first time during the Sydney Opera House project in the 1960s – a hefty but fascinating machine called 'Pegasus', on display at the show. — wallpaper.com
The diversity of landscapes is fascinating. The northern edge is a meadow with wild grass, nut trees, poplars and elms, but venture deeper into the park, towards the three interconnected lakes at its heart, and the vegetation becomes denser and more characteristic of wetlands: various types of willow, Johnson grass and water lilies. — the guardian
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