Syria’s largest city was home to more than two million people before the war. Now most of its residents have left, and the city is divided between pro-government forces and rebels — NYT
The rest of the buildings came naturally, if gradually. The idea of having a slew of small houses for different activities, moods and seasons, complemented by decorative 'follies,' was Johnson’s conception for the site from early on. He called it a 'diary of an eccentric architect," but it was also a sketchbook, an homage to architects past and present — NYT - T Magazine
Alexandra Lange explores the 49 acre grounds and architectural neighbors of Glass House. Ranging from; the "bunkerlike Brick House" and "postmodern Library" to the more historic structures of Calluna Farms and Grainger.
Nicholas Korody recapped Michael Maltzan’s recent talk at the A+D Architecture and Design Museum in Los Angeles, in which Maltzan explained "the relationship his projects hold to their infrastructural, urban and social contexts". Justine Testado reported in from the WUHO Gallery in Hollywood...
Frank Gehry's Winton Guest House must be sold! Completed in 1987 for Mike and Penny Winton, the Winton Guest House in Owatonna, Minnesota is one of Gehry's few residential projects that contributed to his rising fame during the 1990s. According to the University of St. Thomas in St. Paul -- the...
Dubai continues to treat city planning like a simulation game with the cheats turned on, unveiling its latest architectural wonder: the Museum of the Future. The building is set to open in 2017, and while we're not quite sure how to describe its shape (a lopsided torus? An aerodynamic donut?) it serves an interesting dual purpose as both museum and research lab. — theverge.com
Yesterday, legislators in Orange County, New York failed to stave off the demolition of Paul Rudolph's Orange County Government Center. In January, county executive Steven M. Neuhaus vetoed a proposal that would entertain outside bids like Manhattan architect Gene Kaufman's, to purchase, restore, and repurpose the structure. Kaufman also proposed designing a new government center next door, with a proposed budget less than that of the county's current plan [...]. — curbed.com
Previously:Michael Kimmelman on why Paul Rudolph's brutalist Orange County building is worth savingFuture of Paul Rudolph's brutalist Orange County building still uncertainPaul Rudolph's brutalist Orange County gem to be repurposed as "arts hub"Gwathmey Siegel's Kaufman wants to buy Paul Rudolph's...
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.(Tip: use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect...
Chicago’s Willis Tower, once the world’s tallest building and one of the city’s top tourist attractions, is up for sale. [...]
The 1,450-foot (442-meter) building, formerly known as the Sears Tower, is the second-tallest in the U.S., and was the world’s highest from its completion in the early 1970s until 1998 [...]
“It’s iconic in the size and how it dominates the skyline, [...] As an office building, however, it’s 1970s construction.” — bloomberg.com
As buildings from the postmodern eon continue to age with their residents, questions about historic significance and aesthetic relevance start to surface, leading to often heated debates whether the structures we used to love so much already merit magisterial protection or should give way for the...
Michael Kimmelman’s column this week, about the debate over plans to demolish a midcentury Paul Rudolph building in Goshen, N.Y., makes the case for why it should be saved. It is only one example of his taking up a cause. As The Times’s architecture critic, he has not been shy about advocacy.
Here, he describes why he’s been outspoken in supporting this building, which doesn’t have the profile of other fights he has taken up. — nytimes.com
UPDATE: Orange County legislators fail to save Paul Rudolph's Government CenterPreviously:Future of Paul Rudolph's brutalist Orange County building still uncertainPaul Rudolph's brutalist Orange County gem to be repurposed as "arts hub"Rethinking a Spurned LandmarkGwathmey Siegel's Kaufman wants...
Six years after the project was first announced, Delft's new railway station hall opened its doors to the public this past Saturday. Designed by native Dutch firm Mecanoo, the new building purposefully nods to its cultural roots so that visitors arriving at the station will know from the get-go...
Let me share a secret with you. Even those who love the Gothic extravagance that is the Victorian Palace of Westminster know that great swaths of it are out of date. [...]
In 2015 the urgent question is again what to do about it. [...] options ranging from staggering on as usual with make-do-and-mending to a new 21st-century building on a new site, possibly far from London. — theguardian.com
A wooden skyscraper that Austrian architects say will be the tallest of its kind in the world is to be built in Vienna next year. The 84-metre (276ft) HoHo project in the Seestadt Aspern area, one of Europe’s largest urban development sites, will house a hotel, apartments, restaurant, wellness centre and offices, and is expected to cost about €60m (£44m).
Designed by Rüdiger Lainer and Partner, the skyscraper would consist of 76% wood. The material choice, according to project developer Caroline Palfy of Kerbler, is largely ecological. While wood requires hewing down trees, its net environmental impact is far lower than concrete: construction...
“There was an intense flowering of experimental and futuristic architecture in the 1960s and 70s, which the young African countries used to express their national identities,” says [Swiss architect Manuel] Herz, who has curated an exhibition of more than 80 buildings from sub-Saharan Africa, showing at the Vitra Design Museum in Weil am Rhein, Germany, until May. “But we simply don’t know about it... we wanted to show this incredible cultural wealth that also exists.” — The Guardian
Usually the projects of African "big man" leaders, the modernist buildings were often constructed for propagandistic purpose and tended to be designed by European architects. Noted architectural photographer Iwan Baan took many of the photographs in Herz's exhibit.
Built largely in secret and under decidedly unorthodox circumstances, the Whitney [Plantation] had been turned into a museum dedicated to telling the story of slavery — the first of its kind in the United States.
Located on land where slaves worked for more than a century, in a state where the sight of the Confederate flag is not uncommon, the results are both educational and visceral. — nytimes.com
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