David Boyle did not build his house out of shipping containers to be hip, though he does live in Williamsburg, Brooklyn. He left the water pipes exposed not in pursuit of an industrial chic aesthetic, but to make them easier to fix. [...]
Their goal, he said, was not style, but a place immune to the neighborhood’s rising rents, built out of materials cheap enough that it could inspire other urban homesteaders to do the same. — nytimes.com
In a new exhibition, Michael Pawlyn lays out his vision for architecture inspired by the natural world – including biorock buildings grown entirely underwater and whole office blocks being lit by learning from the blind sea star. [...]
“All my work is driven by a frustration with the word ‘sustainable’,” he says. “It suggests something that is just about good enough, but we need to be looking at truly restorative solutions. — theguardian.com
Form per our fragmented cultures can follow the function of materials proved to work through our fragmented physics and building sciences. We rely highly on statistics in building sciences. In interpreting culture and evolution of culture, we have little to no consensus. — toskovic.com
I attempt to create a roster for building design of construction under plural sciences, plural cultures with the mission of completeness of expression from and to person, building, town, metropolis, the national arena, and larger hubs of human connection.
For a Modernist house designed and built by his firm Tonic Design + Tonic ConstructionFebruary 17, 2014 (Raleigh, NC) -- Vincent Petrarca, an adjunct faculty member in the Department of Architecture at North Carolina State University’s College of Design and a founding partner of...
His work is badly constructed, ravey-balls hair metal, a C.C. DeVille guitar solo that cannot—will not—end until the billionaire clients who keep paying for this shit can be stopped. — gizmodo.com
Last night on the bucolic hilltop campus of Occidental College, Los Angeles Mayor Eric Garcetti spoke with the Los Angeles Times architecture critic, Christopher Hawthorne, about the state of L.A. urbanism. This broad topical platform positioned Hawthorne's interview not as a political...
It was mocked and misunderstood. But it produced some of the most sublime, awe-inspiring buildings on the planet. Jonathan Meades, maker of a new TV series about brutalism, gives his A-Z — theguardian.com
The latest addition to the Los Angeles skyline — the New Wilshire Grand, the tallest structure to be built west of the Mississippi — takes a major step forward Saturday when more than 2,000 truckloads of concrete are driven through downtown for what is being billed as the world's largest continuous concrete pour.
The slurry-fest begins at 5 p.m. and is expected to last nearly 20 hours. — latimes.com
Our task — and we should well speak as architects — must be making the invisible visible, uncovering and retracing the concealed limits of the city. We must construct barriers and counter-spaces within and against the processes that tame and dissolve the crucial loci of democracy. — Places Journal
Within a few years, rapidly growing Istanbul will overtake London and Moscow as Europe’s largest metropolis. Not coincidentally, Turkey is undergoing a profound shift toward privatization, as seen in the government's plan to redevelop Taksim Gezi Park into a shopping mall with a nostalgic...
Inspired by the engineering, intricate choreography, and impromptu interactions of your daily commute? Wish there was an open mic night for historians and urbanists? A show-and-tell for your creative musings on mass transit? Looking for a public platform to present your ideas to a captive audience?
Us, too. That’s why we are excited to announce PLATFORM, a new series of cross-disciplinary programs created by the public for the public. Have an idea? We’ll give you a platform. — NY Transit Museum
The New York Transit Museum is launching an open exhibition program, accepting proposals for projects devoted to any and all aspects of public transportation. The aptly named Platform program will exhibit the first winning proposal in its subway station home in downtown Brooklyn, on Thursday...
Communities can transform underused areas of L.A.’s largest public asset—our 7,500 miles of city streets—into active, vibrant, and accessible public space with People St, a program of the City of Los Angeles Department of Transportation (LADOT). Eligible Community Partners can apply for approval to create projects that enhance the quality of life in this city. Three innovative types of projects are available: Plazas, Parklets, and Bicycle Corrals. — People St.
Los Angeles began piloting its "People St." program in 2011, developing spaces designed to reclaim sections of streetspace for public recreation and use, rather than car traffic. The projects were few but popular, including the Sunset Triangle (designed by Rios Clementi Hale Studios) plaza in...
Many of the world’s displaced live in conditions striking for their wretchedness, but what is startling about Kilis is how little it resembles the refugee camp of our imagination. It is orderly, incongruously so. Residents scan a card with their fingerprints for entry [...]. Inside, it’s stark: 2,053 identical containers spread out in neat rows. No tents. None of the smells — rotting garbage, raw sewage — usually associated with human crush and lack of infrastructure. — nytimes.com
To make housing affordable again, we need to catch up to decades-worth of unmet demand, over the next few years. In many cities, this means goals measured in the tens of thousands of new homes; in the fastest-growing cities, it means hundreds of thousands. Build enough housing and (economists and experience both tell us) prices should at least stabilise. Want social justice? Build a lot more housing. — theguardian.com
Contrary to what you may have read lately, the Museum of Modern Art is intent on carefully preserving the former American Folk Art Museum next door.
At least, the part of it that is most recognizable to the public: an 82-foot-high sculptural ensemble of 63 panels, cast in a gorgeous copper-bronze alloy [...]
“We will take the facade down, piece by piece, and we will store it,” Glenn D. Lowry, the director of the Museum of Modern Art, said in an interview last week. — nytimes.com
In 1968, artist Billy Al Bengston enlisted the help of Frank Gehry to design the LACMA exhibition’s scenography [...] East of Borneo publishes a conversation between the two:
FG: I was a hanger-on to the art scene because the architects that I was collegiate with at the time thought I was nuts. Even my friends at the time and those who are still my friends thought I was weird, but I didn’t know I was weird. And when the art guys embraced me, I was declared weird by association probably. — east of borneo
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