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Marcelo Gardinetti

tecnne | arquitectura y contextos

  • Roman Colosseum

    Marcelo Gardinetti
    Oct 21, '23 12:16 PM EST

    The Roman Colosseum, built in the 1st century AD, is one of the iconic monuments of ancient Rome. It was designed to host public events such as gladiatorial contests, mock naval battles and theatrical performances. With a capacity of between 50,000 and 80,000 people, its monumentality is reflected in its name, 'Colosseum', which means 'colossal' or 'giant'. Built by the emperors Vespasian and Titus, it was inaugurated in 80 AD with a series of spectacular games and celebrations that lasted for 100 days.

    History of the Colosseum - Flavian Amphitheatre

    The first great amphitheatre to be built in Rome was in the Field of Mars, built in 29 BC by the Roman consul Statilius Taurus. However, this building was destroyed by the Great Fire of Rome in 64 AD, which reduced the amphitheatre to ashes. After the fire, Emperor Nero appropriated much of the land to build his residence, the Domus Aurea. An artificial lagoon was also built and the aqueduct Aqua Claudia was extended to reach this area. A huge bronze statue known as the Colossus of Nero was placed at the entrance to the Domus Aurea, and the amphitheatre was named the Colosseum in honour of the statue.

    When Vespasian came to power in 69 AD, he decided to give the people a new amphitheatre. Work on the Colosseum began between 70 and 72 AD. The site chosen was the same as that of the previous amphitheatre, a plain between the hills of Celio, Esquilino and Palatino, crossed by a canalised stream. Vespasian completely transformed the area, preserving the Colosseum but demolishing an important part of the Domus Aurea and filling in the lake to build the amphitheatre. To pay for the Colosseum, Vespasian used money looted from the Temple of Jerusalem.

    When Vespasian died in 79, the Colosseum was completed to the third level. His son Titus completed the upper level in 80 AD and opened the amphitheatre to the public with gladiatorial fights that lasted 100 days. According to the historian Dion Cassius, it is estimated that more than 9,000 wild animals were killed during the opening games of the Colosseum. Later, Emperor Domitian, Titus' brother, oversaw some additional works and improvements to the Colosseum during his reign, such as the construction of the Velarium and the organisation of various events and games.

    Pope Benedict XIV played a decisive role in the restoration of the Colosseum in the 1750s. He ordered the structure to be repaired and stabilised, removing structures added during the Middle Ages. Stabilisation and restoration works were carried out, as well as archaeological excavations to better understand the amphitheatre. In the 19th century, important excavation, restoration and conservation works were carried out to preserve the Colosseum. In the 20th century, further conservation and restoration work was carried out, including major stabilisation of the structure. During the Second World War, the Colosseum suffered some damage, but was generally well preserved thanks to the protective measures taken by the Italian authorities. After the war, restoration work was carried out to repair minor damage. It was declared a UNESCO World Heritage Site in 1980.

    Marcelo Gardinetti

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  • Festina Lente

    Marcelo Gardinetti
    Sep 19, '23 11:35 AM EST

    Festina Lente, Adnan Alagic, Bojan Kanlić y Amila Hrustic Festina Lente is a Latin expression that gives its name to this bridge over the Miljacka River in the city of Sarajevo. It means 'to hurry slowly' and suggests proceeding with a sense of urgency, but also with careful and deliberate... View full entry



  • Le Corbusier Curutchet House: the beginnings

    Marcelo Gardinetti
    Sep 14, '23 5:44 PM EST

    Doctor Pedro Curutchet wrote to an architect living in the city of Buenos Aires to design his future home/office, but the architect did not respond to his request. The architect's lack of interest and his desire to create a work that would incorporate the spatial qualities of the unique enclave... View full entry



  • Kazimir Malevich, supremacy of sensibility

    Marcelo Gardinetti
    Sep 14, '23 11:49 AM EST

    After passing through Impressionism and the figurative arts, Kazimir Malevich set out in search of a new representation of pictorial art, far removed from any historical reference. Influenced by the geometric fragmentation of Cubism and the dynamics of the image proposed by Futurism, Malevich... View full entry



  • Eye Bank Foundation, Emilio Ambasz

    Marcelo Gardinetti
    Aug 26, '23 4:37 PM EST

    Banca degli occhi foundation The Fondazione Banca degli Occhi carries out various activities related to eye research and transplantation. The 5,000 square metre medical centre houses surgical facilities, stem cell research laboratories, an eye treatment centre, the EIDON Foundation's educational... View full entry



  • Herzog & de Meuron Elbphilharmonie

    Marcelo Gardinetti
    Aug 19, '23 4:04 PM EST

    Una característica llamativa de la arquitectura de la nueva Filarmónica de Elba es la fusión de dos edificios atemporales. El antiguo edificio, originalmente destinado a almacén, ha sido reforzado, sin desconocer que su mala calidad constructiva podría dar lugar a su demolición. La nueva... View full entry



  • Marcel Breuer, Ariston Club

    Marcelo Gardinetti
    Apr 17, '23 12:24 PM EST

    En 1947, el arquitecto húngaro Marcel Breuer visitó Argentina invitado por la Universidad de Buenos Aires. Su estadía apareció ocho semanas, durante las cuales el maestro de la Bauhaus dictó un curso de arquitectura y diseño y participó en un proyecto de urbanización con estudiantes de la... View full entry



  • Coop Himmelblau, the explosion of the functionalist box

    Marcelo Gardinetti
    Sep 15, '21 6:36 PM EST

    A principios de 1990, Frans Haks, director del Museo Groninger, le pidió a Alessandro Mendini que diseñara la ampliación del museo en el canal en el borde del sitio del edificio histórico. Mendini podrá atomizar el programa en tres partes, con el fin de diluir el impacto del edificio en su... View full entry



  • The distensions of space in Zaha Hadid

    Marcelo Gardinetti
    Sep 15, '21 6:22 PM EST

    En términos de investigación metodológica, el trabajo inicial de Zaha Hadid fue el más fructífero. En ellos explora y reformula búsquedas de las vanguardias de principios del siglo XX abortadas por las condiciones políticas de esos años. Las raíces genéticas de estos trabajos se... View full entry



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About this Blog

Entendemos la arquitectura como un hecho cultural que se expresa mediante operaciones de representación formal. Por tal motivo, encarna un tipo de producción que no necesariamente requiere de la técnica constructiva, sino que expresa su intención a través de ideas y símbolos.

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