This project began as a massing study. In particular, I was interested in systems of stacking, systems of grids, and the spaces they can suggest. The urban fabric of Depot Town consists primarily of the strong axis of Cross Street with smaller perpendicular axes spurring from it. These spurs, both the masses of buildings and the voids of alleys and streets, generally remain fixed in a strict orthogonal composition. This occurs as grids of varying scale and density. Exceptions to this are rare and in many cases indicate important changes in program and experience. The Urban Book and Film House calls attention to itself by employing a subtle formal shift. Perpendicular vectors of movement and view branch outward from Cross, to the pedestrian passageway, to the exterior courtyard, to the entry, etc. Symmetries and self-similar forms balance and unify the composition, while differences in light and spatial qualities prevent stagnant repetition. A subtle deviation from the urban grid, or slightly misaligned axis can create an impactful moment within Depot Town for this highly public project.