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Patrik Schumacher: The term ‘Parametricism’ implies that all elements of architecture are becoming parametrically malleable and thus adaptive to each other and to the context.
Luhmann refers to architecture within his The Art of Society where he theorizes art as a self-referential social system. He subsumes architecture within the art system. This treatment of architecture has to be rejected today. It reflects the traditional classification of architecture among the arts. It is one of the central, historical theses of the theory of architectural autopoiesis that this treatment of architecture under the umbrella concept of 'the arts' is long since an anachronism--at least since the refoundation of the discipline of Modern architecture during the 1920s.Patrik Schumacher, The Autopoiesis of Architecture, p. 146.
Modernism: Modernist architecture was faced with a veritable explosion of the problem domain as full blown industrialization was followed by social revolution which--for the first time--introduced the masses as new clients for architecture. This explosive expansion of design tasks was paralled by new solution spaces: the ready availability of new construction methods (steel and reinforced concrete), as well as the emergence of the new design resources that were delivered by abstract art opening up a hitherto unimagined realm of creative formal invention.Patrik Schumacher, The Autopoiesis of Architecture, pp. 291-2.
I can't tell yet if The Autopoiesis of Architecture is written parametrically, but it is certainly worthwhile when read parametrically.