Archinect - News 2014-11-27T19:15:54-05:00 http://archinect.com/news/article/114577899/architecture-won-t-save-the-world-tactical-urbanisms-at-moma-or-will-it Architecture Won’t Save the World: “Tactical Urbanisms” at MoMA (...or will it?) Alexander Walter 2014-11-26T14:18:00-05:00 >2014-11-26T18:18:14-05:00 <img src="http://cdn.archinect.net/images/514x/4f/4f0896fb30058dfad40d32753ae70267.jpg" width="514" height="305" border="0" title="" alt="" /><em><p>&ldquo;Uneven Growth: Tactical Urbanisms for Expanding Megacities&rdquo; is, at least nominally, about urbanism and architecture. [...] The problems, not the solutions, presented in &ldquo;Uneven Growth&rdquo; are very real. Before Gadanho and his teams of architects, planners, and researchers can suggest productive solutions, they would do well to acknowledge that their fellow practitioners hold responsibility for the very state of urban affairs they seek to remedy.</p></em><br /><br /><p>Previously:&nbsp;<a href="http://archinect.com/news/article/113571377/moma-s-uneven-growth-case-studies-conclude-with-exhibition-this-month" rel="nofollow" target="_blank">MoMA's &ldquo;Uneven Growth&rdquo; case studies conclude with exhibition this month</a></p> http://archinect.com/news/article/113571377/moma-s-uneven-growth-case-studies-conclude-with-exhibition-this-month MoMA's “Uneven Growth” case studies conclude with exhibition this month Justine Testado 2014-11-13T13:03:00-05:00 >2014-11-26T14:22:44-05:00 <img src="http://cdn.archinect.net/images/514x/ns/nsuzdoq1ilt7iso4.jpg" width="514" height="257" border="0" title="" alt="" /><em><p>MoMA began its "Uneven Growth: Tactical Urbanisms for Expanding Megacities" initiative last year aiming to advance international discussion on disproportionate urban development and its potential consequences. To address this issue, six interdisciplinary teams spent 14 months in workshops designing proposals that investigate new architectural possibilities for six metropolises. Each case study will be exhibited to the public at MoMA starting on November 22.</p></em><br /><br /><p>But the discussion doesn't end there. MoMA also created a user-generated <a href="http://uneven-growth.moma.org/" rel="nofollow" target="_blank">Tumblr</a> that collects examples of emerging modes of tactical urbanism taking place in the six cities.</p><p>Here's a glimpse:</p><p><strong>LAGOS</strong><br>By NL&Eacute; (Lagos, Nigeria and Amsterdam, Netherlands)<br>Zoohaus/Inteligencias Colectivas (Madrid, Spain)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/0o/0ons4nm5za66uq8d.jpg"></p><p><strong>HONG KONG</strong><br>By MAP Office (Hong Kong, China)<br>Network Architecture Lab (Columbia University, New York, U.S.)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/s7/s7and5psdjvpi2kc.jpg"></p><p><strong>ISTANBUL</strong><br>By Superpool (Istanbul, Turkey)<br>Atelier d&rsquo;Architecture Autog&eacute;r&eacute;e (Paris, France)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/m3/m37c1xfs7kyexzfw.jpg"></p><p><strong>MUMBAI</strong><br>By URBZ: user-generated cities (Mumbai, India)<br>Ensamble Studio/MIT-POPlab (Madrid, Spain and Cambridge, U.S.)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/18/18hxwgs39hw2eswn.jpg"></p><p><strong>RIO DE JANEIRO</strong><br>By RUA Arquitetos (Rio de Janeiro, Brazil)<br>MAS Urban Design at ETH (Zurich, Switzerland)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/jh/jhveryk6ljc91i7n.jpg"></p><p><strong>NEW YORK</strong><br>By SITU Studio (New York, U.S.)<br>Cohabitation Strategies (CohStra) (Rotterdam, Netherlands AND New York, U.S.)</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ll/ll9izqxg6cri2hqq.jpg"></p><p>For further details and images from each case study, head over to <a href="http://www.bustler.net/index.php/article/moma_concludes_uneven_growth_workshops_case_studies_to_be_exhibited_this_mo/" rel="nofollow" target="_blank">Bustler</a>.</p> http://archinect.com/news/article/113422684/international-architecture-star-shigeru-ban-is-a-prospect-3-no-show International architecture star Shigeru Ban is a Prospect.3 no show Alexander Walter 2014-11-11T14:40:00-05:00 >2014-11-11T14:42:06-05:00 <img src="http://cdn.archinect.net/images/514x/ca/caa7bbd4e87f1587319b01a17b9acf86.jpg" width="493" height="450" border="0" title="" alt="" /><em><p>Internationally renowned Japanese architect Shigeru Ban is one of the biggest names on the roster of New Orleans' international art festival, Prospect.3. But his exhibit at Longue Vue House and Gardens is a non-starter. [...] Unfortunately, whatever plans Ban had for presenting a structure or artwork at Prospect.3 must have fallen through, because the exhibit at Longue Vue is comprised of nothing more than a sleepy selection of miniature architectural models and photos.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/113335061/architecture-and-the-unspeakable-at-pinkcomma-gallery Architecture and the Unspeakable at Pinkcomma Gallery johnszot 2014-11-10T11:41:00-05:00 >2014-11-12T23:08:22-05:00 <img src="http://cdn.archinect.net/images/514x/bk/bk0bqn214ogtgsxm.jpg" width="514" height="514" border="0" title="" alt="" /><p>Join us at Pinkcomma Gallery on Thursday, November 13, at 6pm for the opening of&nbsp;<em>Architecture and the Unspeakable</em>&nbsp;- a collection of videos, drawings, and models related to the Architecture and the Unspeakable project by John Szot Studio. Details:</p><p>pinkcomma gallery<br>46 Waltham Street,&nbsp;Courtyard One<br>Boston, Massachusetts 02118</p><p>directions here:&nbsp;<a href="https://www.google.com/maps/place/Pinkcomma+Gallery/@42.342131,-71.069452,841m/data=!3m1!1e3!4m2!3m1!1s0x89e37a6c4c09c6c3:0xaf023d23183444d0?hl=en" rel="nofollow" target="_blank">https://www.google.com/maps/place/Pinkcomma+Gallery/@42.342131,-71.069452,841m/data=!3m1!1e3!4m2!3m1!1s0x89e37a6c4c09c6c3:0xaf023d23183444d0?hl=en</a></p><p>The show will be on display at the gallery from November 13 to mid December.</p> http://archinect.com/news/article/113055877/ten-top-images-on-archinect-s-installations-pinterest-board Ten Top Images on Archinect's "Installations" Pinterest Board Archinect 2014-11-06T21:13:00-05:00 >2014-11-13T19:32:58-05:00 <img src="http://cdn.archinect.net/images/514x/4v/4vuf1wz1b6hhzh30.jpg" width="514" height="685" border="0" title="" alt="" /><p>In case you haven't checked out <a href="http://pinterest.com/archinect/" rel="nofollow" target="_blank">Archinect's Pinterest</a> boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect <a href="http://archinect.com/firms" rel="nofollow" target="_blank">Firm</a> and <a href="http://archinect.com/people" rel="nofollow" target="_blank">People</a> profiles.</p><p>(<strong>Tip:</strong> use the handy <a href="http://archinect.com/news/article/69075090/7-reasons-why-you-need-to-be-using-archinect-s-follow-feature" rel="nofollow" target="_blank">FOLLOW feature</a> to easily keep up-to-date with all your favorite Archinect profiles!)</p><p>Today's top images (in no particular order) are from the board <a href="http://pinterest.com/archinect/installations/" rel="nofollow" target="_blank"><em>Installations</em></a>.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/m6/m6rg47egypcj8030.jpg"></p><p>&uarr; <a href="http://archinect.com/firms/project/87445735/12-8-tower/105869820" rel="nofollow" target="_blank">12/8 Tower</a> in Pasadena, CA by <a href="http://archinect.com/TimDurfee" rel="nofollow" target="_blank">Tim Durfee Studio</a> and Andrew Kragness, amp at Media Design Practices / <a href="http://archinect.com/schools/cover/1893/art-center-college-of-design" rel="nofollow" target="_blank">Art Center College of Design</a>; Photo: QiYuan Li "Oscar"</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/qe/qe89skrlz6s6rvmm.jpg"></p><p>&uarr; <a href="http://archinect.com/people/project/18284198/pink-punch/88401257" rel="nofollow" target="_blank">Pink Punch</a> in&nbsp;Jardin de Metis, Canada by <a href="http://archinect.com/people/cover/18284198/michaela-macleod" rel="nofollow" target="_blank">Michaela MacLeod</a> with Nicholas Croft</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ut/utv70c0blgwfr6bk.jpg"></p><p>&uarr; <a href="http://archinect.com/firms/project/16718209/wunderbugs-interactive-architecture-for-insects-and-humans/111186840" rel="nofollow" target="_blank">Wunderbugs - Interactive architecture for insects and humans</a> in Rome, Italy by <a href="http://archinect.com/ofl-architecture" rel="nofollow" target="_blank">OFL Architecture</a></p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ft/ftun91338aena2yu.jpg"></p><p>&uarr; <a href="http://archinect.com/firms/project/33935687/domestic-hats/111432135" rel="nofollow" target="_blank">Domestic Hats</a> in Atlanta, GA by <a href="http://archinect.com/studiobonner" rel="nofollow" target="_blank">Studio Bonner</a>; Photography: Patrick Heagney &amp; Caitlin Peterson</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/3t/3trataj50qlso79x.jpg"></p><p>&uarr; <a href="http://archinect.com/formationassociation/project/amazing-corrugation" rel="nofollow" target="_blank">aMazing Corrugation</a> in Los Angeles, CA by&nbsp;<a href="http://archinect.com/formationassociation" rel="nofollow" target="_blank">Formation Association</a> in collaboration with Los Angeles artists, Edgar Arceneaux and Nery Gabriel Lemus; Photography: Hammer Museum</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/rk/rk3kmqc6kjponyj5.jpg"></p><p>&uarr; <a href="http://archinect.com/firms/project/59896870/shell-pavilion/101711126" rel="nofollow" target="_blank">Shell Pavilion</a> by <a href="http://archinect.com/theprincipals" rel="nofollow" target="_blank">The...</a></p> http://archinect.com/news/article/112957036/peter-marino-exhibition-to-open-at-the-bass-museum Peter Marino Exhibition to Open at the Bass Museum Alexander Walter 2014-11-05T13:24:00-05:00 >2014-11-05T13:29:08-05:00 <img src="http://cdn.archinect.net/images/514x/d7/d72366a9b0fcab6d14174960cd57155b.jpg" width="514" height="305" border="0" title="" alt="" /><em><p>As the recipient of Design Miami/&rsquo;s inaugural Design Visionary award this month, Marino has been celebrated for decades for forward-thinking designs that are the perfect blend of art, fashion and architectural design. &ldquo;He is a true modernist character [...]&rdquo; internationally renowned curator J&eacute;r&ocirc;me Sans tells BLOUIN Lifestyle. Sans is curating &ldquo;One Way: Peter Marino,&rdquo; an exhibition at the Bass Museum of Art that explores the renowned American architect&rsquo;s multifaceted relationship with art.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/112880680/constructing-worlds-exhibit-at-barbican-explores-buildings-as-neighbors 'Constructing Worlds' exhibit at Barbican explores buildings as neighbors Alexander Walter 2014-11-04T13:31:00-05:00 >2014-11-05T18:02:55-05:00 <img src="http://cdn.archinect.net/images/514x/9f/9fab6b8f7563f3f31f6cbd03a0f88779.jpg" width="514" height="289" border="0" title="" alt="" /><em><p>Thirty years ago, the Italian photographer Luigi Ghirri complained that pictures of well-known buildings were often as conventional and flat as mediocre still-life paintings "but executed out of doors." [...] The new architectural photography exhibition at the Barbican, "Constructing Worlds," sets out, as Ghirri himself did in shooting buildings by the architect Aldo Rossi, to explore another approach [...]. Something very different, in other words, from "maximum clarity."</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/112517112/choral-fields-1-6-of-mirrorcity-in-london-ponders-the-urban-city-s-rhythmic-flow ‘Choral Fields 1-6’ of MIRRORCITY in London ponders the urban city’s rhythmic flow Justine Testado 2014-10-30T23:18:00-04:00 >2014-11-05T18:47:21-05:00 <img src="http://cdn.archinect.net/images/514x/m0/m0yxzw07rvbgvyuk.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>For as long as digital technology continues to creep into every part of our daily lives, so will the discussion regarding its impact on everyday reality. Over at London's Hayward Gallery, the MIRRORCITY exhibition features the multimedia works of London-based emerging and established artists that address the dilemmas, consequences, and experiences of living in the digital revolution. MIRRORCITY will be at the Hayward Gallery until January 4, 2015.</p></em><br /><br /><p>One of the MIRRORCITY artists is Emma McNally whose Choral Fields (1-6) graphite drawings are featured in the exhibition. If McNally's name sounds familiar, she exhibited her beautiful <a href="http://archinect.com/news/article/84998562/drawing-space-by-emma-mcnally-to-show-at-abstract-drawing-exhibition-in-london-s-drawing-room" rel="nofollow" target="_blank">cosmos-inspired <em>drawing/space</em></a> body of work in the Drawing Room's "Abstract Drawing" last year. Similar to <em>drawing/space</em>, McNally's Choral Fields offers a metaphysical, cartographic perspective to contemporary urbanism.</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/5n/5nxlkvfbjqrlu989.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/rf/rf3zj66eqb41baaa.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/1x/1x4iwso10ieallwv.jpg"></p><p>Read more about it on <a href="http://www.bustler.net/index.php/article/choral_fields_1-6_of_mirrorcity_in_london_ponders_the_urban_citys_rhythmic_/" rel="nofollow" target="_blank">Bustler</a>.</p><p>Related:&nbsp;<a href="http://archinect.com/news/article/84998562/drawing-space-by-emma-mcnally-to-show-at-abstract-drawing-exhibition-in-london-s-drawing-room" rel="nofollow" target="_blank">"drawing/space" by Emma McNally to show at &ldquo;Abstract Drawing&rdquo; exhibition in London&rsquo;s Drawing Room </a></p> http://archinect.com/news/article/112493007/arctic-adaptations-inuit-architecture-showcased-in-venice-biennale Arctic Adaptations: Inuit Architecture Showcased in Venice Biennale Alexander Walter 2014-10-30T13:55:00-04:00 >2014-11-05T18:50:53-05:00 <img src="http://cdn.archinect.net/images/514x/a4/a4793015cf82380a26b3dfaae02becb7.jpg" width="514" height="342" border="0" title="" alt="" /><em><p>For the first time in the 14-year history of the International Venice Biennale of Architecture, the Nunavut flag flew at the entrance to the Canadian Pavilion, an Inukshuk floating at the entrance of &ldquo;Arctic Adaptations: Nunavut at 15.&rdquo; The exhibit, curated by architects Lola Sheppard and Mason White, from Toronto-based design firm Lateral Office, coincides with the 15th anniversary of the territory&rsquo;s creation.</p></em><br /><br /><p>Previously: <a href="http://archinect.com/news/article/100239685/arctic-adaptations-nunavut-at-15-to-represent-canadian-pavilion-at-2014-venice-biennale" rel="nofollow" target="_blank">&ldquo;Arctic Adaptations: Nunavut at 15&rdquo; to represent Canadian Pavilion at 2014 Venice Biennale</a></p> http://archinect.com/news/article/111953344/a-preview-of-the-future-is-not-what-it-used-to-be-the-2nd-istanbul-design-biennial A preview of “The Future Is Not What It Used To Be”, the 2nd Istanbul Design Biennial Justine Testado 2014-10-23T13:58:00-04:00 >2014-10-29T20:03:05-04:00 <img src="http://cdn.archinect.net/images/514x/4z/4z5n15j1kfpm9bp3.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>In the upcoming 2nd Istanbul Design Biennial, "The Future Is Not What It Used To Be" questions the role of design, its relationship to society, and how it can potentially bring change. Curated by Zo&euml; Ryan and spanning all five floors of the Galata Greek Primary School from Nov. 1 to Dec.14, the biennial will showcase a designers' exhibition of over 50 projects that ask who defines the future and how it is defined. But the crucial aspect it explores is whose future could be affected.</p></em><br /><br /><p>In an area of approximately 2,300 square meters at the Galata Greek Primary School, the exhibition will feature more than 50 projects by designers worldwide. The event will also host various creative academic workshops, panels, and film screenings.</p><p>N&deg;40 Workoutcomputer by Desireee Heiss and Ines Kaag.<br><img title="" alt="" src="http://cdn.archinect.net/images/514x/9f/9fmqdbsdb7t6rgfk.jpg"></p><p>Fruit of the Polish Turkish culinary workshops<br><img title="" alt="" src="http://cdn.archinect.net/images/514x/ir/ir5sn48ztu3xxsqw.jpg"></p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/as/as38ayekd9c5r8j5.jpg"></p><p>Learn more about the event on <a href="http://www.bustler.net/index.php/article/a_preview_of_the_future_is_not_what_it_used_to_be_the_2nd_istanbul_design_b/" rel="nofollow" target="_blank">Bustler</a>!</p> http://archinect.com/news/article/111797408/an-architect-s-big-parisian-moment An Architect’s Big Parisian Moment Alexander Walter 2014-10-21T13:31:00-04:00 >2014-10-21T21:07:28-04:00 <img src="http://cdn.archinect.net/images/514x/b1/b1c87e26352d2acec2040ff4bc37064d.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>In a cultural twofer that makes it Frank Gehry week here, the Louis Vuitton Foundation, a private cultural center and contemporary-art museum designed by Mr. Gehry, had its official inaugural ceremony on Monday, attended by the French president, Fran&ccedil;ois Hollande. At the same time, the Pompidou Center across town is giving Mr. Gehry, based in Los Angeles, a major career retrospective, his first in Europe.</p></em><br /><br /><p>Previously: <a href="http://archinect.com/news/article/102640738/gehry-designed-fondation-louis-vuitton-to-open-this-october" rel="nofollow" target="_blank">Gehry-designed Fondation Louis Vuitton to open this October</a></p> http://archinect.com/news/article/111354100/the-boolean-created-situation-room-at-the-storefront-for-art-architecture The boolean-created “Situation Room” at the Storefront for Art + Architecture Justine Testado 2014-10-15T19:44:00-04:00 >2014-10-22T21:45:15-04:00 <img src="http://cdn.archinect.net/images/514x/k8/k8edcyl4ko5kl2ri.jpg" width="514" height="342" border="0" title="" alt="" /><em><p>Immersed in a neon bubblegum pink shell, walking through the Situation Room gives viewers a fascinating perspective of the digital and physical environments. Designed by MARC FORNES / THEVERYMANY in collaboration with sound artist Jana Winderen, the installation was created by 20 spheres of various sizes fused by boolean operations. Storefront for Art and Architecture NYC commissioned the project for the WorldWide Storefront initiative launch.</p></em><br /><br /><p>Here's a sneak peek of the installation:</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/rf/rfl29kl4qwo32ltb.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/nv/nvnurkijsyn1j9nw.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/ql/qlati1armgr97rws.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/ky/ky5wiwlxob67ffeq.jpg"></p><p>Read more about it on <a href="http://www.bustler.net/index.php/article/the_boolean-created_situation_room_at_the_storefront_for_art_architecture/" rel="nofollow" target="_blank">Bustler</a>.</p> http://archinect.com/news/article/111300176/artist-vhils-dissects-the-city-by-by-taking-apart-and-reassembling-found-objects Artist VHILS dissects the city by by taking apart and reassembling found objects Metropolitan Monk 2014-10-15T11:37:00-04:00 >2014-10-30T12:38:16-04:00 <img src="http://cdn.archinect.net/images/514x/3x/3xl7kwntyswxjc9m.jpg" width="514" height="335" border="0" title="" alt="" /><p>Throughout the past decade, Portuguese artist <a title="VHILS | website" href="http://alexandrefarto.com/" rel="nofollow" target="_blank">VHILS</a> &ndash; born Alexandre Farto [Lisbon, 1987]&nbsp;&ndash; has been making a name for himself by taking apart and reassembling found objects. He uses a multitude of materials and formats to voice his stance on the city, which he bases on his experience of living and working in <a title="Shanghai | MovingCities tags" href="http://movingcities.org/tag/shanghai/" rel="nofollow" target="_blank">Shanghai</a> &#19978;&#28023;, <a title="Moscow | MovingCities tags" href="http://movingcities.org/tag/moscow/" rel="nofollow" target="_blank">Moscow</a>, New York, Madrid, Rio de Janeiro and Paris. VHILS&nbsp;now condenses his findings in his home town <a title="Lisbon | MovingCities tags" href="http://movingcities.org/tag/lisbon/" rel="nofollow" target="_blank">Lisbon - </a>in an exhibition at Lisbon&rsquo;s <a title="Electricity Museum | EDP | website" href="http://movingcities.org/interviews/vhils-lisbon-mark-magazine-2014/www.edp.pt/en/sustentabilidade/fundacoes/fundacaoedp/museudaelectricidade" rel="nofollow" target="_blank">Electricity Museum</a> &ndash; curated by Jo&atilde;o Pinharanda and aptly named &lsquo;<a title="Dissection | VHILS | website" href="http://www.alexandrefarto.com/index.php?page=news&amp;news=29" rel="nofollow" target="_blank">Dissection</a>&rsquo; &ndash; drawing from his work to produce a collective memory of the city. It is the artist&rsquo;s first big solo show. <a title="MovingCities | website" href="http://movingcities.org/" rel="nofollow" target="_blank">MovingCities</a> published, in the October-November 2014 issue of <a title="MARK Magazine #52 Oct-Nove-14 | Frameweb" href="http://www.frameweb.com/magazines/mark/mark-52" rel="nofollow" target="_blank">Mark magazine #52</a>, an interview with Portuguese street artist:&nbsp;read <a title="Mark Magazine#52 | VHILS | MovingCities" href="http://movingcities.org/interviews/vhils-lisbon-mark-magazine-2014/" rel="nofollow" target="_blank">VHILS | Dissecting the City</a>.</p><p>Extract from <a title="Mark Magazine#52 | VHILS | MovingCities" href="http://movingcities.org/interviews/vhils-lisbon-mark-magazine-2014/" rel="nofollow" target="_blank">VHILS | Dissecting the City</a>:</p><p><em>'Debris is a prime material for me,</em>&rsquo; he says. &lsquo;<em>I like to use material that has been expelled from the city. I think this comes from my background in ...</em></p> http://archinect.com/news/article/111194897/museum-directors-hated-bilbao ‘Museum directors hated Bilbao’ Alexander Walter 2014-10-13T18:00:00-04:00 >2014-10-15T23:18:38-04:00 <img src="http://cdn.archinect.net/images/514x/b3/b3b2b3bf00eca92c38b33ed61dc7368e.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>At 85, the architect Frank Gehry has neither stopped building nor started repeating himself and this month offers plenty of proof. Besides the unveiling of the Fondation Louis Vuitton in Paris, which he designed for the billionaire Bernard Arnault, the explosively coloured Biomuseo in Panama opened on 2 October followed by a retrospective at the Centre Pompidou, which opened on Wednesday, 8 October (until 26 January 2015). Gehry dispels some common misconceptions about his museum designs.</p></em><br /><br /><p>Related: <a href="http://archinect.com/news/article/102640738/gehry-designed-fondation-louis-vuitton-to-open-this-october" rel="nofollow" target="_blank">Gehry-designed Fondation Louis Vuitton to open this October</a></p> http://archinect.com/news/article/109663689/hacking-rem-koolhaas-2014-venice-biennale-with-project-source-code "Hacking" Rem Koolhaas' 2014 Venice Biennale with Project Source Code Justine Testado 2014-09-24T15:33:00-04:00 >2014-10-01T21:59:01-04:00 <img src="http://cdn.archinect.net/images/514x/vy/vyippqf09u94mzp3.jpg" width="514" height="342" border="0" title="" alt="" /><p>Hacking an architecture exhibition through augmented reality? Yes, there's an app for that. "Project Source Code" is a digital guerrilla-style exhibition created by architect/artist/researcher <a href="http://ozeloffice.com" rel="nofollow" target="_blank">G&uuml;ven&ccedil; &Ouml;zel</a> that lets mobile-device users "hack" key works in Rem Koolhaas' "Elements of Architecture" exhibit currently at the 2014 Venice Biennale. Blending digital and physical space, the project is deemed to be the first to use augmented reality on a live exhibition and also the first time that raw 3D architectural models are treated as exhibition pieces.</p><p>Ozel's selection includes 6 pioneering works he directly acquired (with prior approval) from contemporary architects and designers known for their use of digital design techniques. This includes Asymptote Architecture, Greg Lynn FORM, Neil M. Denari Architects, and Oosterhuis_L&eacute;n&aacute;rd.</p><p>Ozel fully explains his project in the info he provided below:</p><p><strong>PROJECT SOURCE CODE</strong></p><p>"In the field of computer science, SOURCE CODE refers to a set of instructions...</p> http://archinect.com/news/article/109717512/wild-architecture-makes-german-cinema-come-alive-at-lacma Wild architecture makes German cinema come alive at LACMA Alexander Walter 2014-09-24T14:05:00-04:00 >2014-09-24T14:05:57-04:00 <img src="http://cdn.archinect.net/images/514x/fa/fa30a6fa1e80710db955a65ccaf39198.jpg" width="514" height="289" border="0" title="" alt="" /><em><p>Movies can be great. Art can be great. But put them together in a museum exhibition, and the combination can be not-so-great. [...] A new exhibition of early 20th-century cinema at the L.A. County Museum of Art (LACMA), however, rethinks that equation. [...] Designed by Amy Murphy, a professor of architecture at USC, and Michael Maltzan of Michael Maltzan Architecture, the exhibition design is the antithesis of the traditional framed-stuff-on-a-wall model.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/109714290/large-ai-weiwei-takes-over-alcatraz-with-lego-carpets-and-a-hippie-dragon @Large: Ai Weiwei takes over Alcatraz with Lego carpets and a hippie dragon Alexander Walter 2014-09-24T13:00:00-04:00 >2014-10-01T21:59:27-04:00 <img src="http://cdn.archinect.net/images/514x/12/124531be4366ad75d2c0371cc144d0ed.jpg" width="460" height="276" border="0" title="" alt="" /><em><p>Welcome to prison, and a celebration of liberty. Ai Weiwei, the big man of Beijing, has spent years discovering pockets of freedom in the most straitened circumstances, resisting every effort by the Chinese government to shut him down. This week he opens a major new exhibition in a place that makes that resistance literal: on Alcatraz [...]. The United States has the highest incarceration rate on the planet. But this prison is decommissioned, and Ai is using it to extraordinary effect.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/108715365/articulating-space-the-architecture-of-the-s-o-paulo-biennial Articulating Space: The Architecture of the São Paulo Biennial Alexander Walter 2014-09-11T13:59:00-04:00 >2014-09-11T14:01:32-04:00 <img src="http://cdn.archinect.net/images/514x/b9/b9eb1bd65343bed480b23786b8bf8ee2.jpg" width="514" height="305" border="0" title="" alt="" /><em><p>The S&atilde;o Paulo Biennial, which opened on September 6, is traditionally a contemporary art festival, but this year&rsquo;s event puts new emphasis on architecture. Chief curator Charles Esche commissioned nearly 70 percent of the exhibition&rsquo;s artworks, collaborating with a five-person curatorial team that included an architect for the first time in the biennial&rsquo;s 63-year history (fun fact: it&rsquo;s the world&rsquo;s second-oldest contemporary art biennial).</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/107640149/alvar-aalto-gets-a-close-look-from-google-s-cultural-institute Alvar Aalto gets a close look from Google's Cultural Institute Amelia Taylor-Hochberg 2014-08-28T15:53:00-04:00 >2014-09-03T19:39:26-04:00 <img src="http://cdn.archinect.net/images/514x/a4/a4g2cod81x1tz6nw.jpg" width="514" height="307" border="0" title="" alt="" /><p>Google's satellite imaging allows us to virtually tour remote or inaccessible locales the world over, and with <a href="http://archinect.com/news/article/106578172/new-google-satellites-could-be-able-to-see-your-face-from-the-sky" rel="nofollow" target="_blank">recently improved resolutions</a> and initiatives from the <a href="http://archinect.com/news/tag/463876/google-cultural-institute" rel="nofollow" target="_blank">Google Cultural Institute</a>, our gaze can go farther and more intimately into places we may never physically visit. Google's interest in maintaining this visual resource has implications as far-reaching as its imagery, but it's also a boon for architecture education, where access to imagery and certain spaces can be highly exclusive, and retaining a global (and historical) perspective is exceedingly important.</p><p>To this end, <a href="http://www.finnisharchitecture.fi/2014/08/alvar-aalto-goes-virtual/" rel="nofollow" target="_blank">Google's Cultural Institute has partnered with the Alvar Aalto Foundation</a> in order to make the famous Finnish architect's spaces (and of course <a href="https://www.google.com/culturalinstitute/exhibit/a-stool-makes-history/QRQs-mBx" rel="nofollow" target="_blank">his&nbsp;famous stool</a><a href="http://www.google.com/culturalinstitute/exhibit/a-stool-makes-history/QRQs-mBx" rel="nofollow" target="_blank">&nbsp;no. 60</a>) available online in 360-degree panoramas, detailing every surface. The partnership's collection focuses on eight sites, including Aalto's studio, S&auml;yn&auml;tsalo Town Hall, and the&nbsp;House Kantola, as well as an exhibition at the Aalto Museum in...</p> http://archinect.com/news/article/107406006/an-exhibit-as-vast-as-the-world An Exhibit as Vast as the World Alexander Walter 2014-08-25T14:31:00-04:00 >2014-08-27T18:13:46-04:00 <img src="http://cdn.archinect.net/images/514x/59/5955fccc45c537361d9d080c93cc5947.jpg" width="514" height="340" border="0" title="" alt="" /><em><p>I can&rsquo;t think of a more fitting a place for an exhibition of art and representation that aims to capture the breadth of the world than the Queens Museum. [...] The title of Bringing the World into the World, on view through October 12th, is inspired by Italian artist Alighiero Boetti&rsquo;s assertion that art and the world contain and are contained by each other. As conceived, the exhibition couldn&rsquo;t happen properly anywhere else.</p></em><br /><br /><p>Related: <a href="http://archinect.com/news/article/87131874/the-queens-museum-has-reopened-after-a-69-million-renovation" rel="nofollow" target="_blank">The Queens Museum has reopened after a $69 million renovation</a></p> http://archinect.com/news/article/107040762/lawsuits-legos-and-landmarks-weekly-news-round-up-for-august-18-2014 Lawsuits, Legos and landmarks: Weekly News Round-Up for August 18, 2014 Amelia Taylor-Hochberg 2014-08-25T13:13:00-04:00 >2014-11-17T19:32:41-05:00 <img src="http://cdn.archinect.net/images/514x/l9/l9vl7n242h9ujwrt.jpg" width="514" height="323" border="0" title="" alt="" /><p><strong>Friday, August 22:</strong></p><ul><li><strong><a title="Zaha Hadid sues architecture critic Martin Filler over book review" href="http://archinect.com/news/article/107169286/zaha-hadid-sues-architecture-critic-martin-filler-over-book-review" rel="nofollow" target="_blank">Zaha Hadid sues architecture critic Martin Filler over book review</a></strong>: <a href="http://archinect.com/zaha-hadid" rel="nofollow" target="_blank">Hadid</a> is responding to allegedly defamatory comments made by Filler regarding her <a href="http://archinect.com/news/tag/134029/2022-world-cup-in-qatar" rel="nofollow" target="_blank">2022 World Cup stadium in Qatar</a>.</li><li><strong><a title="The Demolition of 5 Pointz Has Begun" href="http://archinect.com/news/article/107170089/the-demolition-of-5-pointz-has-begun" rel="nofollow" target="_blank">The Demolition of 5 Pointz Has Begun</a></strong>: The "Graffiti Mecca" was <a href="http://archinect.com/news/article/86311570/5-pointz-graffiti-mecca-in-long-island-city-faces-imminent-destruction" rel="nofollow" target="_blank">slated for demolition last November</a>, when the property owners' "broken window" theory justification beat out the artists' protests. <a href="http://archinect.com/news/article/105478813/new-renderings-of-what-will-replace-grafitti-art-mecca-5pointz-emerge" rel="nofollow" target="_blank">Two residential towers will be built in 5 Pointz's place</a>.</li><li><strong><a title="Study confirms LA is least affordable city for rentals in US" href="http://archinect.com/news/article/107185375/study-confirms-la-is-least-affordable-city-for-rentals-in-us" rel="nofollow" target="_blank">Study confirms LA is least affordable city for rentals in US</a></strong>: Depressing <a href="http://archinect.com/ucla" rel="nofollow" target="_blank">UCLA</a> study confirms that in the city with the highest proportion of renters in the country, the average renter spends nearly 47% of their income on rent. The news is part of&nbsp;a nearly fifty year old trend in the renting market.</li></ul><p><strong>Thursday, August 21:</strong></p><ul><li><strong><a title="Lego House in Billund, Denmark, begins construction by laying giant Lego brick&ndash;shaped foundation stones" href="http://archinect.com/news/article/107096998/lego-house-in-billund-denmark-begins-construction-by-laying-giant-lego-brick-shaped-foundation-stones" rel="nofollow" target="_blank">Lego House in Billund, Denmark, begins construction by laying giant Lego brick&ndash;shaped foundation stones</a></strong>: Even if <a href="http://archinect.com/firms/cover/39902/big-bjarke-ingels-group" rel="nofollow" target="_blank">BIG</a> hadn't designed it, Bjarke would have laid the first brick.</li><li><strong><a title="Istanbul's 'illegal' towers to be demolished after landmark court ruling" href="http://archinect.com/news/article/107097802/istanbul-s-illegal-towers-to-be-demolished-after-landmark-court-ruling" rel="nofollow" target="_blank">Istanbul's 'illegal' towers to be demolished after...</a></strong></li></ul> http://archinect.com/news/article/107170893/midtown-manhattan-wouldn-t-be-the-same Midtown Manhattan Wouldn't Be the Same Alexander Walter 2014-08-22T13:04:00-04:00 >2014-08-28T10:08:53-04:00 <img src="http://cdn.archinect.net/images/514x/99/99ed53b97ae176cbeba856b988122bdb.jpg" width="514" height="670" border="0" title="" alt="" /><em><p>The hardworking Skyscraper Museum, in the belly of a condo complex on Battery Place, doesn&rsquo;t have much space or much of a budget, but with admirable frequency its director, Carol Willis, stages smart shows that uncover telling moments of New York skyscraper lore and architecture history. The museum has just opened &ldquo;Times Square, 1984: The Postmodern Moment,&rdquo; about the battle 30 years ago for the soul of Times Square and the profession.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/106942694/olafur-eliasson-turns-louisiana-moma-into-a-riverbed Olafur Eliasson turns Louisiana MoMA into a 'Riverbed' Alexander Walter 2014-08-19T14:04:00-04:00 >2014-08-28T10:18:49-04:00 <img src="http://cdn.archinect.net/images/514x/rt/rtsuuy4dsr6bm0tv.jpg" width="514" height="323" border="0" title="" alt="" /><em><p>Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed &ndash; a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...].</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/106870325/exhibition-explores-the-design-of-protest-movements Exhibition Explores the Design of Protest Movements Nicholas Korody 2014-08-18T15:26:00-04:00 >2014-08-28T10:16:23-04:00 <img src="http://cdn.archinect.net/images/514x/qa/qa209ehk87bl41og.jpg" width="514" height="343" border="0" title="" alt="" /><p>In late May of 2012, my friends and I travelled up to Montreal from upstate New York for the first time, only vaguely aware of the escalating student demonstrations there. When we arrived, we found ourselves in a sea of red. The students we stayed with all had little red felt squares pinned to their shirts and gave us some. Their apartment overflowed with red pamphlets and posters. Plastered beneath overpasses and on bus stops, Paris &rsquo;68-inspired silk-screened posters &ndash; some by the collective<a href="http://ecolemontagnerouge.com/" rel="nofollow" target="_blank"> &Eacute;cole de la Montagne Rouge</a> &ndash; served as a backdrop for the massive daily protests that shut down major arteries and overpasses. Students in the streets and their parents on porches loudly banged pots and pans, a chaotic orchestra playing the deafening <em><a href="http://en.wikipedia.org/wiki/Cacerolazo" rel="nofollow" target="_blank">casserole</a>. </em>It felt as if there was not a single square inch of the city that was not red: even the lights of traffic signals took on a revolutionary hue.&nbsp;</p><p>The students were protesting a planned gradual tuition raise of over one thousand dollars. As ...</p> http://archinect.com/news/article/106337230/drawing-ambience-alvin-boyarsky-and-the-architectural-association ‘Drawing Ambience: Alvin Boyarsky and the Architectural Association’ Liam Otten 2014-08-12T13:09:00-04:00 >2014-08-18T21:46:55-04:00 <img src="http://cdn.archinect.net/images/514x/zj/zjb5wewi7i86m78b.jpg" width="514" height="360" border="0" title="" alt="" /><p>Is architecture a trade or an art?</p><p>For Alvin Boyarsky, the answer was clear. As longtime chair of the <a href="http://www.aaschool.ac.uk/" rel="nofollow" target="_blank">Architectural Association</a> (AA) in London, and one of the most influential figures in 20th-century design education, Boyarsky argued that architecture was not only a profession but also an artistic venture &mdash; an open, wide-ranging practice that comprises drawing and publication as much as it engages design and construction.</p><p>This fall, the <a href="http://www.kemperartmuseum.wustl.edu/" rel="nofollow" target="_blank">Mildred Lane Kemper Art Museum</a> at Washington University in St. Louis will present <a href="http://www.kemperartmuseum.wustl.edu/exhibitions/9926" rel="nofollow" target="_blank">&ldquo;Drawing Ambience: Alvin Boyarsky and the Architectural Association,&rdquo;</a> the first public museum exhibition of drawings from Boyarsky&rsquo;s private collection.</p><p>Featuring early formative works on paper by a generation of prominent architects &mdash; including Frank Gehry, Zaha Hadid, Daniel Libeskind, Rem Koolhaas and Bernard Tschumi &mdash; &ldquo;Drawing Ambience&rdquo; explores Boyarsky&rsquo;s role as a collector of drawings and also, metaphorically speaking, of the ideas and people that have come to defin...</p> http://archinect.com/news/article/105803115/the-tall-dc-new-monumentalism-exhibit-questions-washington-d-c-s-building-height-restrictions The TALL DC: New Monumentalism exhibit questions Washington D.C.‘s building height restrictions Justine Testado 2014-08-04T19:10:00-04:00 >2014-08-13T19:27:40-04:00 <img src="http://cdn.archinect.net/images/514x/y9/y925l12zs8l7smr0.jpg" width="514" height="428" border="0" title="" alt="" /><em><p>The recent "TALL DC: New Monumentalism" exhibition took a critical approach to how outdated urban building standards -- specifically in D.C. -- can affect the built environment and the field of architecture, even as social demands and technology progress. Graduate students of Emerging Technologies and Media at The Catholic University of America proposed three skyscrapers among D.C.'s historical monuments to further encourage the questioning of this notion and the definition of "a monument".</p></em><br /><br /><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/ic/icv1idr2u2l16gs4.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/tj/tjdfo3f9mcp8wmck.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/k8/k8r6t4i6dae1df1d.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/g4/g45kxlelwxu167n1.jpg"></p><p>More photos and other details on <a href="http://www.bustler.net/index.php/article/the_talldc_new_monumentalism_exhibit_questions_washington_dcs_building_heig/" rel="nofollow" target="_blank">Bustler</a>.</p> http://archinect.com/news/article/105788632/build-it-and-they-will-come-princeton-architecture-at-the-venice-biennale Build it and they will come: Princeton architecture at the Venice Biennale Alexander Walter 2014-08-04T14:39:00-04:00 >2014-08-04T15:03:43-04:00 <img src="http://cdn.archinect.net/images/514x/7b/7be236e5f864b77336cdb6d7792b06ae.jpg" width="514" height="348" border="0" title="" alt="" /><em><p>This year's Venice Architecture Biennale, an international showcase of trends and research, showcases the work of a number of Princeton faculty and students. It marks the greatest number of invitations Princeton has received to participate in the Biennale, reflecting the University's strength in pioneering research. "Much like other art biennales, its purpose is to present the current panorama of the discipline," said Alejandro Zaera-Polo, dean of Princeton's School of Architecture.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/105246556/beyond-the-supersquare-looks-at-south-american-modernism ‘Beyond the Supersquare’ Looks at South American Modernism Alexander Walter 2014-07-28T13:52:00-04:00 >2014-08-04T21:57:39-04:00 <img src="http://cdn.archinect.net/images/514x/a1/a16e15686986b0aae37c77589a5ffd39.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow. Then the momentum broke.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html> http://archinect.com/news/article/104501144/critical-irony-in-russia-s-special-mention-fair-enough-pavilion-in-2014-venice-biennale Critical irony in Russia’s special mention “Fair Enough” pavilion in 2014 Venice Biennale Justine Testado 2014-07-18T20:59:00-04:00 >2014-07-21T12:21:49-04:00 <img src="http://cdn.archinect.net/images/514x/7p/7pr4n22ghklghbty.jpg" width="514" height="343" border="0" title="" alt="" /><em><p>The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony.</p></em><br /><br /><p>"The Russian pavilion's 'Fair Enough' exhibition responds to Koolhaas&rsquo; curatorial theme by the concept itself: 20 Russian architectural ideas are presented, using the universal language of the international trade fair...'Fair Enough' is not a fair of products, but an Expo of ideas."</p><p><img title="" alt="" src="http://cdn.archinect.net/images/514x/0a/0ahf43pc7dzo0pah.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/0g/0gstehuy5w15sz5q.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/cw/cw822mcti8nknhcs.jpg"><img title="" alt="" src="http://cdn.archinect.net/images/514x/1p/1p6x4pwyco6qk357.jpg"></p><p>Read more about it on <a href="http://www.bustler.net/index.php/article/critical_irony_in_russias_special_mention_fair_enough_pavilion_in_2014_veni/" rel="nofollow" target="_blank">Bustler</a>.</p> http://archinect.com/news/article/104480216/how-much-are-curators-really-paid How much are curators really paid? Alexander Walter 2014-07-18T14:30:00-04:00 >2014-07-22T18:03:12-04:00 <img src="http://cdn.archinect.net/images/514x/c4/c44e32df778961ca671cd9c910619b9d.jpg" width="514" height="347" border="0" title="" alt="" /><em><p>Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid &euro;750,000 to organise a pavilion for the Milan Expo 2015. Celant&rsquo;s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions. The Art Newspaper surveyed around 40 international curators and biennial organisers [...].</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><head><meta></head></html>