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A Massachusetts architect is drawing crowds with impressive Halloween installations in his driveway

2023-10-31T17:57:00-04:00

The haunting Halloween decorations created by Tom Saltsman, a CalArts and Harvard GSD graduate and the Principal of Boston-based firm SaltsmanBrenzel, are taking the spotlight once again in the architect's own driveway.

Saltsman says the inspiration for his crowd-pleasing designs stems from a desire to create perspective illusions of the home he and his fellow architect wife own in Marblehead, Massachusetts. He has been harkening his background in fine arts to create designs for trolls, a shipwreck, and other sculptural decor. He also told WBUR it takes the family and their fleet of volunteer builders months to plan and complete. Some have been realized at costs under $200.

View this post on Instagram A post shared by Saltsman Brenzel (@saltsmanbrenzel)

Visitors from as far away as China have been flocking to see the annual display, which the Saltsman family started 15 years ago. His high school-aged daughter and their neighbor both plan on studying architecture a...

Is Tim Burton's Beetlejuice the best Halloween movie for design students to watch?

2022-10-29T09:00:00-04:00

Every season has its own set of iconic movies, and within that set, there are those that stick out for their portrayal and elevation of architectural issues. Tim Burton’s 1988 classic, Beetlejuice, is perhaps the fall’s best example — an ever-trendy classic Halloween tale that showcases and offers some critique of the period’s salient design trends. Even the scale model of the town has some architectural qualities, and its central star — a shopworn Victorian-style home — has become an inspiration to aspiring designers around the world.

The conceit of Beetlejuice has essential elements that design students would be well-served to evaluate. Two families fighting for the creative control of a structure with radically different agendas. Its conflict is based on a disagreement about preferences in residential architecture: The “good, sturdy country craftsmanship” of a rural Victorian run up against a vacuous amalgam of 80s high design.

Opening title sequence from the film. Image courtes...

The winners of this year's Critical Halloween at the Storefront for Art and Architecture

2015-11-04T19:49:00-05:00

Each year, Critical Halloween celebrates a feared ghost of art and architectural production. This year, we explore DEMO, which operates simultaneously as an abbreviation, a prefix, a verb, and a noun. From acts of collective will (DEMOnstration) to institutional erasure (DEMOlition), DEMO invites guests to intellectually examine ideas, issues, and objects in art, architecture, and design with a focus on those that should get a dose of DEMO.

Critical Halloween, an annual event hosted by the Storefront for Art and Architecture, is a hybrid party, critical debate, and costume contest. Each year, the organizers announce a "spooky" architectural issue or concept, which is then interpreted by design aficionados and practitioners from around the city. Then an esteemed jury selects the winners of a series of theme-appropriate categories.

This year, the theme was "DEMO" – as in demonstration, but also demolition, demon, demos, democracy, demography, etc. The jury comprised Keller Easterling, author of Extrastatecraft and other notable titles, Winka Dubbeldam of Archi-Tectonics, Andres Jacque of the Office for Political Innovation, and Beatrice Galilee, the architecture and design curator at the Met.

The Storefront has also teamed up with the art website Hyperallergic to host a "Democratic People's Choice Award" and you can vote here.

So, without any further ado, the winners of the 2015 Critical Halloween costume contest...

Best Ove...

Evil Architecture: When Buildings Kill

2013-10-30T17:36:00-04:00

We’ve seen the movies, read the books, toured the spooky attractions. This we know: haunted houses are dangerous places. They’re built on evil ground, or on sites where bad things happened, or above the graves of people who don’t want company. ... But that’s not what I want to talk about here. Sometimes buildings are born bad.

Just in time for Halloween, Eggener takes us on a tour of evil architecture in books and movies.

“'Organic architecture must come from the ground up into the light by gradual growth,'" he writes. "So said Frank Lloyd Wright, though none of his buildings ever murdered a client."