Archinect - News 2015-04-02T00:34:16-04:00 Inga Saffron: It's not just architecture, it's city life criticism Alexander Walter 2014-04-21T14:29:00-04:00 >2014-04-23T09:58:42-04:00 <img src="" width="514" height="289" border="0" title="" alt="" /><em><p>Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week. She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities.</p></em><br /><br /><p>Previously: <a href="" rel="nofollow" target="_blank">Inquirer's architecture critic Inga Saffron wins Pulitzer Prize for criticism</a></p> Inquirer's architecture critic Inga Saffron wins Pulitzer Prize for criticism Alexander Walter 2014-04-14T18:01:00-04:00 >2014-04-17T10:57:39-04:00 <img src="" width="514" height="386" border="0" title="" alt="" /><em><p>Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism. In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise."</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> NYT Architecture Critic Michael Kimmelman to Receive the 2014 Brendan Gill Prize Archinect 2014-03-11T18:00:00-04:00 >2014-03-12T10:42:29-04:00 <img src="" width="514" height="346" border="0" title="" alt="" /><em><p>MAS is proud to announce that Michael Kimmelman, architecture critic of The New York Times, has been named the winner of the 2014 Brendan Gill Prize. [...] The jury singled out Kimmelman&rsquo;s exceptional coverage of the challenges posed by an overstressed Penn Station, challenging New Yorkers and their regional neighbors to no longer settle for anything less than planning and design excellence that befits the busiest transportation hub in North America.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> How We Hate on Architecture Now Alexander Walter 2013-12-05T14:52:00-05:00 >2013-12-06T12:30:06-05:00 <img src="" width="514" height="394" border="0" title="" alt="" /><em><p>Thankfully, the vagina stadium controversy appears to have faded from the news cycle already. [...] It all also reminded me of how architecture is so routinely pilloried, and with such imaginative comparisons, delicious takedowns, and clever labels. The nicknames come from comedians and critics, rivals and urban legend. [...] Mockery, of course, is nothing new. It&rsquo;s just been on a steady incline throughout the 20th century.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> The Future of Architectural Discourse Nam Henderson 2013-10-28T16:56:00-04:00 >2013-10-28T22:30:01-04:00 <img src="" width="514" height="202" border="0" title="" alt="" /><em><p>In this post I&rsquo;d like to take you through the reasoning for why I chose to publish my thesis online, and what this might tell us about the future direction of architectural discourse.</p></em><br /><br /><p> Important thoughts regarding the future of architectural discourse. Mr. Davis compares the old concept of &nbsp;"<em>publish or perish</em>" to the new methods of digital publishing and discourse.</p> <p> h/t <a href="" rel="nofollow" target="_blank">eatingbark</a></p> A Critique of Social Practice Art/Design Quilian Riano 2013-10-17T19:01:00-04:00 >2013-10-18T20:29:42-04:00 <img src="" width="400" height="317" border="0" title="" alt="" /><em><p>The best approach, it seems to me, is to say that the genre of &ldquo;social practice&rdquo; art raises questions that it cannot by itself answer. But it would be missing an opportunity not to join the debate, even if the goal is to take it in a completely different direction.</p></em><br /><br /><p> Nuanced critique of an art movement that is increasingly affecting discourse in architecture, design and urban practices.&nbsp;</p> Editor's Picks #334 Nam Henderson 2013-09-24T11:28:00-04:00 >2013-09-24T13:44:49-04:00 <img src="" width="514" height="303" border="0" title="" alt="" /><p> In the latest <strong>Showcase</strong>&nbsp;feature Archinect highlighted, the <a href="" rel="nofollow" target="_blank">Louisiana State Museum and Sports Hall of Fame by Trahan Architects</a>.&nbsp;The building which opened this past June, is located in the oldest settlement in the Louisiana Purchase on the banks of the Cane River Lake.</p> <p> The project engendered lots of commentary. <strong>vado retro</strong> stopped by to say "<em>i'm planning on taking a drive down to check this out in the not too distant future. what impressed me most about this project is that some civic leaders had the vision to design this type of building in a historic district of the state's oldest city rather than a historicist pastiche</em>".</p> <p> <img alt="" src="" title=""></p> <p> While&nbsp;<strong>afrdzak</strong>&nbsp;was a little torn "<em>As an object it's beautiful and I would love to walk through those spaces and touch the stone.&nbsp; By what I see in the photos it&nbsp; looks to be well crafted it really exemplifies good utilization and potential of technology while at the same taking stone to a new level of design (even though it's not structural. Yes I like struc...</em></p> Galaxy Soho accused of damaging 'old Beijing' Archinect 2013-08-05T15:02:00-04:00 >2013-08-08T06:13:52-04:00 <img src="" width="514" height="284" border="0" title="" alt="" /><em><p>The Beijing Cultural Heritage Protection Center (CHP) is a philanthropic body, dedicated to preserving local culture. It recently wrote to RIBA after the architectural body awarded Zaha Hadid Architects' Galaxy Soho complex a 2013 International Award for architectural excellence, chastising RIBA's choice of winner.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Editor's Picks #323 Nam Henderson 2013-07-09T12:56:00-04:00 >2013-07-09T13:42:16-04:00 <img src="" width="514" height="303" border="0" title="" alt="" /><p> <strong>News</strong></p> <p> <br><a href="" rel="nofollow" target="_blank">Benjamin Paulker interviewed Frank Gehry for Foreign Policy</a>&nbsp;regarding his first project in the Arab World.&nbsp;<strong>sameolddoctor</strong> was amused "<em>It is funny that Gehry thinks of himself as a humanitarian</em>"&nbsp;but <strong>pvbeeber</strong> wondered "<em>Not sure why everyone is giving him such a hard time.&nbsp; What other architects working in the Middle East would hire a human rights lawyer to make sure that workers are treated fairly?&nbsp; Gehry's also one of the few starchitects who bothers to pay his interns</em>".</p> <p> <strong>citizen</strong> took exception to the "<em>Epiphanies from Frank Gehry</em>" title "<em>I'm not giving FOG a hard time.&nbsp; Bully for him...I'm giving the Archinect editors --with whom I generally concur, but who often title these little pieces ridiculously-- the hard time</em>". However as <a href="" rel="nofollow" target="_blank">Ryan Griffin</a>&nbsp;noted "<em>citizen.... the title given to this page is the title of the article to which it is referring...</em>"</p> <p> <a href="" rel="nofollow" target="_blank">Christopher Hawthorne&nbsp;</a><a href="" rel="nofollow" target="_blank">reviewed the new architecture exhibition at the Museum of Contemporary Art</a> - concluding "<em>When architects de...</em></p> Better technology does not equal better architecture Nam Henderson 2013-01-23T18:05:00-05:00 >2013-01-29T09:50:11-05:00 <img src="" width="514" height="343" border="0" title="" alt="" /><em><p>How can we let geriatrics design the future? There is a creeping conservatism in old age, Rogers and Piano&rsquo;s Pompidou was genuinely revolutionary, but that was in 1977, ever since then they've been riffing off the same ideas, with decreasing vitality...They are past retirement age and yet they march on, pulling out the same ideas over and over again, while the planet fawns obsequiously at their feet.</p></em><br /><br /><p> As part of Vice Future Week, Eddie Blake pens a critique of the current geriatric state of architecture. He believes that we must move beyond the tired designs of the past and embrace a new emerging architecture. The future of architecture is more co-operative, varied, often temporary and emphasizes "<em>the evolution of a building, rather than how it looks as a finished piece</em>".</p> <p> H/T <a href="" rel="nofollow" target="_blank">sevensixfive</a></p> Editor's Picks #276 Nam Henderson 2012-08-07T12:18:00-04:00 >2012-08-09T17:39:53-04:00 <img src="" width="514" height="409" border="0" title="" alt="" /><em><p> posted a list of the 2012 Recipients of the AIA Small Project Awards. Reacting to the Saint Nicholas Antiochian Orthodox Christian Church; Springdale, AR by Marlon Blackwell Architect Orhan Ayy&uuml;ce posted an image of Fire Station No. 4, Columbus, Indiana, 1967, by Venturi and Rauch asking "Do you think so too? As a student FS 4 was a big deal for me and still is."</p></em><br /><br /><p> <strong>News</strong><br> Janelle Zara wrote about <a href="" rel="nofollow" target="_blank">The New Architectural Wisdom of Airports: Ikea, iPads, And Ice Skating Rinks</a>&nbsp;for Art Info. <strong>aml</strong> pointed us to her "<em>more skeptical take on contemporary airports</em>" and airport urbanism over at her <a href="" rel="nofollow" target="_blank">blog</a>.&nbsp;Therein she argued "<em>my main point is that airports are and should be treated as public infrastructure, and as such it&rsquo;s time to demand improvements. running them like places of consumption and following retail models is unimaginative, irresponsible, and ultimately results in deteriorated service</em>".</p> <p> <a href="" rel="nofollow" target="_blank">Steven Heller recently had a chance to talk with Alice Twemlow about What determines a solid piece of critical writing</a>.&nbsp;<a href="" rel="nofollow" target="_blank">eric chavkin</a>&nbsp;felt it was a "<em>Decent short interview</em>" then shared "<em>I agree there should be more discussion about design - all design, and not just the 'I like' , 'I dont like' responses typical in design blogs. Alice should read Archinect</em>".</p> <p> <a href="" rel="nofollow" target="_blank"> posted a list of the 2012 Recipients of the AIA Small Project Awards</a>.&nbsp;Reacting to the Saint...</p> What determines a solid piece of critical writing? Nam Henderson 2012-08-01T21:46:00-04:00 >2012-08-10T10:09:47-04:00 <img src="" width="514" height="155" border="0" title="" alt="" /><em><p>But I'm not sure if I want all critical writing to be "solid" however. I'm also interested in more experimental, imaginative approaches to writing that take risks with form and language.</p></em><br /><br /><p> Steven Heller recently had a chance to talk with Alice Twemlow, co-founder of the MFA Design Criticism program at the School of Visual Arts. They touched on the benefits that come from learning to write critically about design and her belief that there is a need more and better writing by experts in the field.</p> An urban affairs position that coincides with architectural criticism.... Nam Henderson 2012-07-18T10:45:00-04:00 >2012-07-18T10:50:03-04:00 <img src="" width="190" height="240" border="0" title="" alt="" /><em><p>Mr. Landman views these attempts at defining the critic&rsquo;s frame of reference &mdash; Kimmelman-style and Scott-style &mdash; as entirely appropriate. Critics, he said, are not supposed to be objective; they are free to champion certain kinds of work. They are &ldquo;free to like or dislike anyone or anything.&rdquo;</p></em><br /><br /><p> Arthur S. Brisbane, (the Public Editor) provides some insight into the workings of the NYT&nbsp;Arts section. He spoke with Jonathan Landman, The Times&rsquo;s culture editor, in an effort to better understand the rules that The Times plays by. Specifically, when it comes to the New York Times&rsquo;s many cultural critics. They discuss the purpose of reviews and how Michael Kimmelman, The Times&rsquo;s recently minted architecture critic has been given "<strong>perhaps the widest latitude</strong>" with regards to coverage.</p> (Architectural) Komplaint Dept Nam Henderson 2012-05-21T11:35:00-04:00 >2012-05-31T13:55:33-04:00 <img src="" width="514" height="343" border="0" title="" alt="" /><em><p>I remember Poly Styrene, the singer from X-Ray Spex, and all her prophetic songs from the late 70s: "I Am A Poser," "Germ-Free Adolescents," "Prefabricated Icon," "Genetic Engineering." Take a look at architecture and people today and you realize that it all came true.</p></em><br /><br /><p> A candid conversation on the horrendous state of new construction in New York, with the crankiest of architecture critics, Ivana Force-Majeure, and Vice Magazine's Bob Nickas.</p> Lebbeus Woods on Zaha Hadid’s Aquatic Center Archinect 2012-02-16T23:40:00-05:00 >2012-02-20T23:25:44-05:00 <img src="" width="514" height="255" border="0" title="" alt="" /><em><p>... one the most gifted architects of my time has been reduced to wrapping such conventional programs of use in merely expressionistic forms, without letting a single ray of her genius illuminate the human condition. Am I being pretentious and overly demanding? Of course. But that&rsquo;s the way disappointed lovers behave. Exaggerated emotions. Absurd demands. Anger that transgresses all reason. She has let me down, and what makes it worse is that she apparently couldn&rsquo;t care less.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Jonathan Glancey's final article for the Guardian Nam Henderson 2012-02-13T10:38:00-05:00 >2012-02-16T10:16:03-05:00 <img src="" width="400" height="554" border="0" title="" alt="" /><em><p>In 2002, Tony Blair decided to invade Iraq &ndash; not a decision that, on the face of it, has a lot to do with architecture; but one of the articles I am most proud to have written for this paper was the story of a journey I made from one end of Iraq to the other, with Stuart Freedman, an unflappable press photographer.</p></em><br /><br /><p> Jonathan Glancey has been the Guardian's architecture and design correspondent for &nbsp;the past 15 years. On the&nbsp;occasion&nbsp;of his last article for the paper he looks back at some of the projects &ndash; ancient and modern &ndash; that have enchanted him over the past 15 years.</p> Editor's Picks #250 Nam Henderson 2012-02-12T23:32:00-05:00 >2012-02-20T16:30:20-05:00 <img src="" width="514" height="365" border="0" title="" alt="" /><em><p>Jeanne Gang and Greg Lindsay suggested some ways of Designing a Fix for Housing, beginning with rethinking our historic commitment to detached, single-family homes and segregated Euclidean zoning. Louis Arleo agreed that we need to redesign suburbia but argued "however suburbia will never be improved until architects embrace the idea of a developers business model."</p></em><br /><br /><p> <a href="" rel="nofollow" target="_blank">Anthony Carfello</a>,&nbsp;analyzed Los Angeles media&rsquo;s failings in their role as "<em>the de facto voice</em>" of AEG&rsquo;s development plans for Farmers Field&nbsp;in <a href="" rel="nofollow" target="_blank">Farmers Field: Bringing Football Back on a Need-to-Know Basis</a>.&nbsp;Carfello contended "<em>The existing biases, the assumptions in play, the prized status of CEQA exemption, the traffic, the legitimate fiscal drawbacks weighed against any foreseeable benefits (to the non-AEG public), and greater questions of diversity of primary uses in downtown&rsquo;s future buildings all beg for further dialogue.</em>"and then offered up <a href="" rel="nofollow" target="_blank">(323) Projects</a>&nbsp;as an alternative model of citizen discourse.</p> <p> In the latest addition to the <strong>CONTOURS</strong>: series <a href="" rel="nofollow" target="_blank">Sherin Wing</a>&nbsp;touched on some of the ways various changes taking place in architecture firms with regards to compensation and valuatization, are a result of the "<em>realization that employees are people, not just &lsquo;workers&rsquo; or &lsquo;laborers&rsquo;.</em>"&nbsp;in <a href="" rel="nofollow" target="_blank">On Business and Bosses</a>.</p> <p> <a href="" rel="nofollow" target="_blank">Gregory Walker</a> commented he would like Sherin to "<em>come on here and enga...</em></p> Alien, Immigrant, Refugee: The Architecture of Hospitality Places Journal 2012-01-30T18:52:00-05:00 >2012-01-30T19:32:51-05:00 <img src="" width="514" height="343" border="0" title="" alt="" /><em><p>Passage across a border wrenches us from a space of citizenship &mdash; where our individual being is cloaked in layers of legal protection &mdash; to a space where we experience at once freedom and nothingness. As architects and planners, we lack the language for describing this shift in the perception and socio-political dimension of place; for distinguishing between the place of the citizen and the place of the stranger within the space of the state.</p></em><br /><br /><p> In an essay on Places titled "Hospitality Begins at Home," architect and Pratt Institute professor Deborah Gans explores the spatial and political dimensions of being a stranger, particularly an immigrant or refugee. She reviews Maya Zack's Living Room exhibition at the Jewish Museum in New York and the In-House Festival at the Jerusalem Season of Culture.</p> The Evil, Evil Grain Elevator Places Journal 2011-12-12T14:49:35-05:00 >2011-12-13T19:23:30-05:00 <img src="" width="514" height="514" border="0" title="" alt="" /><em><p>In landscape, legible intent is different for forms we perceive to be buildings than for forms we perceive to be sculptures, since in most cases (Gehry is the exception) before we ask, what is the architect&rsquo;s purpose, we ask, what is the building&rsquo;s purpose? This may be the single most profound difference between architectural and sculptural presence in landscape.</p></em><br /><br /><p> David Heymann analyzes the very different ways in which works of sculpture and works of architecture occupy the landscape. And he looks closely at a grain elevator, and shows how a form which we usually experience as a familiar and even neighborly presence can come to seem evil.</p> <p> The final installment in a series of three essays on Places,&nbsp;following "<a href="" rel="nofollow" target="_blank">Landscape Is Our Sex</a>" and "<a href="" rel="nofollow" target="_blank">A Mound in the Wood</a>."</p> Architecture criticism needs that kind of bold reinvention Nam Henderson 2011-12-08T19:17:00-05:00 >2012-12-06T16:06:50-05:00 <img src="" width="514" height="475" border="0" title="" alt="" /><em><p>The underwater mortgages and overleveraged loans that underlie this latest great contraction result in significant part from valuing both residential and commercial buildings merely as investment vehicles rather than as complex and consequential things-in-the-world. And on this urgent issue, which places buildings at the very center of key political and economic debates, architecture critics have been mostly missing in action.</p></em><br /><br /><p> Thomas Fisher dean of the College of Design at the <a href="" rel="nofollow" target="_blank">University of Minnesota</a>, reviews the state of architectural criticism. Are the days of a professional critic who writes for a major newspaper over? Has architectural criticism been weakened by the globalization and commodification of the architectural profession? Dean Fisher goes on to argue that aspiring critics "<em>can take at least three lessons from Chuck Close's nervy reinvention of portraiture</em>". His suggestions then draw&nbsp;parallels&nbsp;to the work of three historically important critics: Lewis Mumford, Ada Louise Huxtable and Jane Jacobs. In the comments and discussion that follows <a href="" rel="nofollow" target="_blank">John Thackara</a> &nbsp;argues "<strong>The addition of two words would transform architecture criticism profoundly: 'and energy'.</strong>"</p> Why DC's Architecture Is So Boring Archinect 2011-11-09T12:02:08-05:00 >2011-11-24T09:05:52-05:00 <img src="" width="300" height="224" border="0" title="" alt="" /><em><p>Architects innovate through design, but developers also innovate by selecting architects and making decisions to invest in new neighborhoods or provide housing forms that they think other developers are neglecting. Although what developers do is not as obvious as architecture, that doesn&rsquo;t mean there aren&rsquo;t consequences to liming competition among them.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Tell Me a Story, 'Urbanized' Archinect 2011-11-07T18:59:37-05:00 >2011-11-24T09:05:52-05:00 <img src="" width="514" height="289" border="0" title="" alt="" /><em><p>As he has moved through the design professions, Hustwit has scaled up from a single typeface (Helvetica) through industrial design (Objectified) and now to cities. Each one has followed essentially the same structure, talking heads interspersed with images, one person and one idea leading to the next. No voiceover. No narrative. No critique. And not a lot of style. As Hustwit told Adam Harrison Levy, that&rsquo;s the way he wants it.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Architecture Review: West Hollywood Library among top works Archinect 2011-09-30T19:28:08-04:00 >2011-11-24T09:05:52-05:00 <img src="" width="514" height="362" border="0" title="" alt="" /><em><p>The new library across from the Pacific Design Center strikes an appealingly upbeat tone, borrowing from various architectural influences to become one of the most impressive public pieces in the region in a decade.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> How Michael Kimmelman's First Architecture Review Made the Front Page of The Times HotSoup 2011-09-26T10:24:03-04:00 >2011-11-24T09:05:52-05:00 <img src="" width="514" height="399" border="0" title="" alt="" /><em><p>Times Culture Editor Jonathan Landman: In this case, Michael had some things to say about the approach he will take to this beat that I and my bosses thought were worth amplifying. The old-writer-new-mantle thing played a part, but there&rsquo;s certainly no guarantee that a writer gets a Page 1 story when he or she switches beats.</p></em><br /><br /><p> In his first review, <a href="" rel="nofollow" target="_blank">MIchael Kimmelman goes to the South Bronx</a> of all places, sending a message that he may just be up to the task of replacing, even besting, Nicolai Ourossoff.</p> New York Times names Michael Kimmelman to be new architecture critic Paul Petrunia 2011-07-06T00:04:49-04:00 >2011-11-24T09:05:52-05:00 <img src="" width="292" height="290" border="0" title="" alt="" /><em><p>New York Times&nbsp;art critic and "Abroad" columnist&nbsp;Michael Kimmelman will become the paper's&nbsp;new&nbsp;architecture critic, the Times&nbsp;is announcing today.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Guardian young arts critic competition 2011: Our critics' picks Paul Petrunia 2011-06-21T17:28:35-04:00 >2011-06-21T17:28:47-04:00 <img src="" width="460" height="276" border="0" title="" alt="" /><em><p>For as long as I can remember, right back to when I was a teenager trying to piece together the story of architecture, the ziggurat at Eridu had been a presence in my life. I was haunted by the thought that somewhere in deepest Mesopotamia, today's southern Iraq, there lay, in ruins and largely hidden under sand, what might be the world's first monumental building: the mother of all architecture in the world's first metropolis.</p></em><br /><br /><p> Critics at the Guardian newspaper share the most inspirational moments within their fields.</p> Calling all young arts critics Paul Petrunia 2011-05-23T13:16:22-04:00 >2011-05-23T13:16:23-04:00 <img src="" width="460" height="276" border="0" title="" alt="" /><em><p>Next month sees the launch of the Guardian's fourth annual young arts critics competition, open to all readers aged 18 and under. To help us get it under way, we want to put your questions to our team of critics.</p></em><br /><br /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> What is architecture? What ever it is, it's not this. J. James R. 2011-04-13T16:54:31-04:00 >2011-11-24T09:05:52-05:00 <img src="" width="514" height="328" border="0" title="" alt="" /><em><p>"Architecture is inherently a political act, be it in the public or private sector. As a process it begins long before actual design work, and it is difficult to do by oneself. Art can be political, but the work of art only has to be itself and can be done by oneself. Architecture is not Art."</p></em><br /><br /><p>The new issue of Art Lies is out on shelves. And its primary focus this issue is a proverbial bitch slap&ndash; "architecture is not art." <br><br>"The positions maintained in and by this issue upend the seemingly quaint flaccidity of Picasso&rsquo;s moral argument that &ldquo;Art is not truth,&rdquo; and that &ldquo;Art is a lie that makes us realize the truth&rdquo; and shifts to Nietzsche&rsquo;s enigmatic statement from <i>The Gay Science</i> that &ldquo;we need art, and the other kind of art, an art for artists.&rdquo;&nbsp; While I have always appreciated <i>Art Lies</i>, I have never agreed with its name." &ndash;Mary Ellen Carroll and Peter Noever<br><br>Mary Ellen Carroll, a conceptual artist, is known for her previous works involving architecture. A recent project, Prototype 180, involved <a href="" target="_blank">rotating a house 180 degrees</a> and then reconfiguring the lot based on the change envisioning the structure and its surroundings as an intertwined system. In this issue, she takes the reigns as guest editorial contributor.<br><br>Other points in the issue? Tehran's Azadi Tower framed by a ...</p>