Archinect - Features 2024-05-05T04:18:57-04:00 https://archinect.com/features/article/150087109/archinectmeets-sssscavvvv #ArchinectMeets @sssscavvvv Shane Reiner-Roth 2018-09-25T10:00:00-04:00 >2018-10-09T11:16:04-04:00 <img src="https://archinect.gumlet.io/uploads/3d/3d2566b8c4eeadab03f8edc1ec0961aa.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p><a href="https://archinect.com/features/tag/1198457/archinectmeets" target="_blank">#ArchinectMeets</a>&nbsp;is a series of interviews with members of the architecture community that use Instagram as a creative medium. With the series, we ask some of Instagram&rsquo;s architectural photographers, producers and curators about their relationship to the social media platform and how it has affected their practice.</p> <p>Social media has undeniably affected the way we perceive, interpret and share opinions about architecture today. While we use our own account,&nbsp;<a href="https://www.instagram.com/archinect/" target="_blank">@Archinect</a>, as a site for image curation and news content, we wanted to ask fellow Instagram users how they navigated the platform. </p> <p>We spoke to Ryan Scavnicky, the meme extraordinaire behind <a href="https://www.instagram.com/sssscavvvv/?hl=en" target="_blank">@sssscavvvv</a>. Marshall Mcluhan's maxim, "the medium is the message," is nowhere more tested than with his class-bending Instagram posts, where a cryptic essay on Object Oriented Ontology can be interrogated by a forcefully skewed image under Clip Art text. &nbsp;Between his Instagram and his teaching fellowship at&nbsp;the <a href="https://archinect.com/schools/cover/16352595/the-school-of-architecture-at-taliesin" target="_blank">School of Architecture at Talies...</a></p> https://archinect.com/features/article/150085546/based-on-true-events-copied-from-past-ones Based on True Events. Copied from Past Ones. Brendan Shea 2018-09-12T12:28:00-04:00 >2018-09-12T16:15:23-04:00 <img src="https://archinect.gumlet.io/uploads/f8/f894137eb8468258a34e9a1687a1d5d3.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>The role of Archinect&rsquo;s series&nbsp;<strong><a href="https://archinect.com/features/tag/944588/cross-talk" target="_blank">Cross-Talk</a></strong>&nbsp;is to bring forward the positive aspects of the polemic and allow for the resulting conflict to bring to life an otherwise still and comfortable climate of creativity&mdash;if there can be one.&nbsp;<strong>Cross-Talk</strong>&nbsp;attempts&mdash;if to only say that it did&mdash;to allow text the freedom that the image has accepted and embraced.&nbsp;<strong>Cross-Talk</strong>&nbsp;attempts to force the&nbsp;<em>no</em>, to contradict itself, to anger, to please and then anger again, if only to force a stance, to pull out the position of the&nbsp;<em>self</em>, of the discipline and of the hour as a means to begin and maintain conversations moving forward.&nbsp;</p> <p>In this installment we hear from Brendan Shea&nbsp;on the topic of&nbsp;<a href="https://archinect.com/features/article/150085239/cross-talk-6-creative-rights-intellectual-property-introduction" target="_blank">Creative Rights &amp; Intellectual Property</a>. Brendan is a Los Angeles based designer, educator and maker.&nbsp;</p> https://archinect.com/features/article/150085454/mutant-authorship-agency-capitalism-and-memes Mutant Authorship. Agency, Capitalism and Memes. Ryan Scavnicky 2018-09-11T09:00:00-04:00 >2018-11-27T13:21:09-05:00 <img src="https://archinect.gumlet.io/uploads/b7/b7177e90f88247dfb83fc4f8357c7e58.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>The role of Archinect&rsquo;s series&nbsp;<strong><a href="https://archinect.com/features/tag/944588/cross-talk" target="_blank">Cross-Talk</a></strong>&nbsp;is to bring forward the positive aspects of the polemic and allow for the resulting conflict to bring to life an otherwise still and comfortable climate of creativity&mdash;if there can be one.&nbsp;<strong>Cross-Talk</strong>&nbsp;attempts&mdash;if to only say that it did&mdash;to allow text the freedom that the image has accepted and embraced.&nbsp;<strong>Cross-Talk</strong>&nbsp;attempts to force the&nbsp;<em>no</em>, to contradict itself, to anger, to please and then anger again, if only to force a stance, to pull out the position of the&nbsp;<em>self</em>, of the discipline and of the hour as a means to begin and maintain conversations moving forward.&nbsp;</p> <p>In this installment we hear from <a href="https://archinect.com/people/cover/150060586/ryan-scavnicky" target="_blank">Ryan Scavnicky</a> on the topic of <a href="https://archinect.com/features/article/150085239/cross-talk-6-creative-rights-intellectual-property-introduction" target="_blank">Creative Rights &amp; Intellectual Property</a>. Ryan is the Visiting Fellow at the School of Architecture at <a href="https://archinect.com/schools/cover/16352595/the-school-of-architecture-at-taliesin" target="_blank">Taliesin</a>, a producer of theory films with SCI-Arc Channel, and a practicing Architectural Designer with studio TECHNE.</p> https://archinect.com/features/article/150002511/never-meant-to-copy-only-to-surpass-plagiarism-versus-innovation-in-architectural-imitation Never Meant to Copy, Only to Surpass: Plagiarism Versus Innovation in Architectural Imitation Hannah Wood 2017-04-13T12:15:00-04:00 >2019-03-04T12:32:00-05:00 <img src="https://archinect.gumlet.io/uploads/7b/7bccebhombipbezv.gif" border="0" /><p>Wangjing SOHO, a three tower complex in Beijing penned by <a href="http://archinect.com/zaha-hadid" target="_blank">Zaha Hadid</a>, became a worldwide sensation when it was revealed that the scheme was being <a href="http://archinect.com/news/tag/86159/plagiarism" target="_blank">allegedly plagiarized</a> by a construction team in Chongqing, southern China. Despite the subsequent outcry from the professional design world, Hadid responded that if the &lsquo;copy-cat&rsquo; designs displayed innovative mutations, &ldquo;that would be exciting&rdquo;. While many architectural icons are commissioned precisely for their artistic originality, the design response is often non-site specific, which raises interesting questions when such icons are reproduced around the globe. What does it mean for architectural originality and innovation, when a &lsquo;copy-paste&rsquo; strategy is normalized?</p>