Archinect - Features 2015-12-01T09:47:28-05:00 Screen/Print #3: BI's "Free" Amelia Taylor-Hochberg 2013-12-19T15:02:00-05:00 >2014-01-14T22:04:54-05:00 <img src="" width="514" height="819" border="0" title="" alt="" /><p> <a href="" target="_blank"><em><strong>Screen/Print</strong></em></a> is an experimentation in translation across media, featuring a close-up digital look at printed architectural writing. Divorcing content from the physical page, the series lends a new perspective to nuanced architectural thought.</p> <p> For this issue, we&rsquo;re featuring <strong>BI</strong>'s inaugural&nbsp;publication, "FREE<em>"</em>.</p> <p> Do you run an architectural publication? If you&rsquo;d like to submit a piece of writing to <em><strong>Screen/Print</strong></em>, please <a href="" target="_blank">send us a message</a>.</p> ARCHIPELAGOS: Ungers vs. Rowe Alex Maymind 2012-10-09T16:58:00-04:00 >2015-07-07T17:25:49-04:00 <img src="" width="514" height="206" border="0" title="" alt="" /><!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" ""> <html><head><meta></head></html> Manhattanisms : RAM(s) vs. REM Alex Maymind 2012-08-14T20:00:00-04:00 >2015-03-20T11:10:44-04:00 <img src="" width="514" height="328" border="0" title="" alt="" /><p><em>by Alex Maymind &amp; Matthew Persinger</em></p><p><em>(published in </em><a href="" target="_blank">Pidgin Magazine</a>: Issue 11<em>, Princeton University School of Architecture, p. 208-219.)</em></p><p>&ldquo;In other words, it&rsquo;s Stern&rsquo;s commonness as opposed to his rarity, that makes his work so significant.&rdquo; - Mark Jarzombek [1]</p><p>&ldquo;Pretending histories left and right, its contents are dynamic yet stagnant, recycled or multiplied as in cloning: forms search for function like hermit crabs looking for a vacant shell . . .&rdquo; - Rem Koolhaas, Junkspace [2]</p>