Archinect - Features 2014-12-18T05:35:19-05:00 http://archinect.com/features/article/115115397/material-witness-finale-what-apocalypse-is-made-of Material Witness Finale: What Apocalypse Is Made Of Julia Ingalls 2014-12-04T17:27:00-05:00 >2014-12-10T21:08:39-05:00 <img src="http://cdn.archinect.net/images/514x/if/ifmvgsruxp7yg2y7.jpg" width="514" height="287" border="0" title="" alt="" /><p>Western civilization has never been particularly adept at dealing with death, which is perhaps why its own eventual collapse is such a source of cinematic fascination.&nbsp;</p> http://archinect.com/features/article/114130154/art-architecture-refik-anadol-at-walt-disney-concert-hall Art + Architecture: Refik Anadol at Walt Disney Concert Hall Nicholas Korody 2014-11-21T18:16:00-05:00 >2014-11-25T21:47:54-05:00 <img src="http://cdn.archinect.net/images/514x/xe/xelb3fbkyiq3sok2.jpg" width="514" height="343" border="0" title="" alt="" /><p>The billowing wood panels of the concert hall imploded before my eyes, as if physically ripped apart by the thundering crescendos of&nbsp;<a href="http://en.wikipedia.org/wiki/Edgard_Var%C3%A8se" target="_blank">Edgard Var&egrave;se</a>&rsquo;s <em>Am&eacute;riques. </em>One moment the massive organ was radically disfigured to the point of unrecognizability; the next, its forms re-emerged beneath the luminous, moving mesh mapped onto the structure by the artist Refik Anadol. For less than a half hour, the Walt Disney Concert Hall was transformed in an exhilarating synthesis of architecture, music and digital art: the first iteration of <a href="http://www.laphil.com/insight" target="_blank"><em>in/SIGHT</em></a>, a series of ongoing collaborations between video artists and the Los Angeles Philharmonic.</p> http://archinect.com/features/article/112362105/material-witness-6-the-interstitial-blues Material Witness #6: The Interstitial Blues Julia Ingalls 2014-10-29T15:19:00-04:00 >2014-11-08T01:35:40-05:00 <img src="http://cdn.archinect.net/images/514x/gq/gqsoh19lcjual3yz.jpg" width="514" height="386" border="0" title="" alt="" /><p>So you've spent the last few decades ducking who you are, or what you do for a living. Nobody's perfect. But try to steer clear of the interstitial spaces, because that's where fate is gonna getcha.&nbsp;</p> http://archinect.com/features/article/111194896/art-architecture-felix-melia-and-josh-bitelli-in-the-gaps-between-buildings Art + Architecture: Felix Melia and Josh Bitelli in the Gaps Between Buildings Nicholas Korody 2014-10-17T12:44:00-04:00 >2014-10-20T21:49:49-04:00 <img src="http://cdn.archinect.net/images/514x/do/do487cwz833ycai0.jpg" width="514" height="381" border="0" title="" alt="" /><p><a href="http://felixmelia.com/" target="_blank">Felix Melia</a> and <a href="http://www.joshbitelli.co.uk/" target="_blank">Josh Bitelli</a> are artists who live and work in London. We met last year and have remained in contact through email since then, exchanging periodic updates and continuing our fragmentary, rambling conversations over shared interests (and confusions) regarding the contemporary urban experience. Threads of continuity arise between individual emails with each of them, unsurprising since the two are old friends, share a new studio space, and often collaborate. Our conversations are inescapably informed by the digital media that allows them but at the same time bears traces of a perhaps nostalgic notion of letter exchanges. Both Melia and Bitelli investigate the city through the (often unnoticed) infrastructure and industrial processes that support it, while also grappling with the shifts in phenomenological experience produced by the internet &ndash; all of which is often tinged with an undeniable romanticism.</p> http://archinect.com/features/article/110346994/material-witness-5-cultural-gerrymandering Material Witness #5: Cultural Gerrymandering Julia Ingalls 2014-10-03T11:36:00-04:00 >2014-10-10T16:06:23-04:00 <img src="http://cdn.archinect.net/images/514x/r1/r1pbwkhpobbwgftl.jpg" width="514" height="386" border="0" title="" alt="" /><p>We are hemmed in as much by the physical as the psychological.</p> http://archinect.com/features/article/109023596/material-witness-4-writing-on-the-wall Material Witness #4: Writing on the Wall Julia Ingalls 2014-09-16T11:15:00-04:00 >2014-09-22T18:30:03-04:00 <img src="http://cdn.archinect.net/images/514x/vj/vj78en1pweq4fqe4.jpg" width="514" height="343" border="0" title="" alt="" /><p>In cinema, signage plays a duplicitous role. Like a cartoon thought bubble, signage is a tangible manifestation of how a character feels, yet it also encourages the audience to read between the etched lines.</p> http://archinect.com/features/article/108112212/cutting-room-joseph-kosinski-talks-to-archinect-about-his-transition-from-architecture-to-hollywood Cutting Room: Joseph Kosinski talks to Archinect about his transition from architecture to Hollywood Paul Petrunia 2014-09-05T11:12:00-04:00 >2014-09-13T07:59:24-04:00 <img src="http://cdn.archinect.net/images/514x/nj/njfgla8slmomxfhq.jpg" width="514" height="342" border="0" title="" alt="" /><p>As we've seen throughout our <a href="http://archinect.com/features/tag/445980/cutting-room" target="_blank">Cutting Room</a> series, there's a clear relationship between architecture and filmmaking. Architecture is inspired by film as often as film is inspired by architecture, so it's not uncommon for architects to experiment with film, or even transition into a film career. <a href="http://www.josephkosinski.com/" target="_blank">Joseph Kosinski</a> is one such individual, but his path to filmmaking is a little different than normal. His full-length directorial debut was for 2010's <a href="http://www.imdb.com/title/tt1104001?ref_=nm" target="_blank">TRON: Legacy</a>, a blockbuster sequel to the early 80's classic. Three years later, he followed that with the visually stunning <a href="http://www.imdb.com/title/tt1483013?ref_=nm" target="_blank">Oblivion</a>, starring Tom Cruise.</p> http://archinect.com/features/article/107417277/la-s-grand-central-the-gentrification-of-the-people-s-market-interview-with-director-dylan-valley "LA's Grand Central : The Gentrification of the People's Market": Interview with director Dylan Valley Anthony Carfello 2014-08-27T17:47:00-04:00 >2014-10-14T18:30:02-04:00 <img src="http://cdn.archinect.net/images/514x/6x/6xi2unxtrremndoi.jpg" width="514" height="289" border="0" title="" alt="" /><p>Dylan Valley is a filmmaker from Cape Town who recently completed a master&rsquo;s degree at the University of Southern California. While in Los Angeles, Valley produced a short documentary film about downtown&rsquo;s <a href="http://www.grandcentralmarket.com/" target="_blank">Grand Central Market</a>, and its continuing <a href="http://articles.latimes.com/2013/jul/10/news/la-dd-another-hot-addition-to-the-grand-central-market-egg-slut-is-coming-20130710" target="_blank">transformation</a>.&nbsp;</p> http://archinect.com/features/article/107106663/material-witness-3-windows-to-the-soul-less Material Witness #3: Windows to the Soul(less) Julia Ingalls 2014-08-22T11:25:00-04:00 >2014-08-22T12:35:34-04:00 <img src="http://cdn.archinect.net/images/514x/h4/h47tjdxo78oy4ox0.jpg" width="514" height="336" border="0" title="" alt="" /><p>Love is the universal tether that binds kings to paupers and geniuses to fools. Perhaps this is why audiences are endlessly fascinated by psychopaths, serial killers, and other characters who seemingly live without love.</p> http://archinect.com/features/article/106655266/art-architecture-bruno-zhu-in-a-symphony-of-objects Art + Architecture: Bruno Zhu in a Symphony of Objects Nicholas Korody 2014-08-19T19:01:00-04:00 >2014-08-20T20:10:24-04:00 <img src="http://cdn.archinect.net/images/514x/sh/sh9kvg18hkxjvd48.jpg" width="514" height="386" border="0" title="" alt="" /><p>Bruno Zhu&rsquo;s work, contained in self-published books but also posted on social media sites like Tumblr and Instagram, captures accidental sculptures and fleeting moments as he wanders cities. Instead of vast landscapes, urban environments are portrayed through intimate encounters with objects. Zhu also investigates the lives of his images as they become dispersed across various networks, excavating nonfictional narratives centered around the ghostly protagonist of the image itself in his book,&nbsp;<a href="http://www.bzbooks.org/facsimile/" target="_blank">Facsimile</a>.</p> http://archinect.com/features/article/105419359/material-witness-2-lighting-the-path-of-self-destruction-in-mad-men-and-suits Material Witness #2: Lighting the path of self-destruction in "Mad Men" and "Suits" Julia Ingalls 2014-08-01T11:05:00-04:00 >2014-08-04T18:26:11-04:00 <img src="http://cdn.archinect.net/images/514x/do/do20ejq3amsvxuek.jpg" width="514" height="362" border="0" title="" alt="" /><p>In an era when corporations are people, people are increasingly the figureheads of corporate emotion.</p> http://archinect.com/features/article/103938664/art-architecture-an-interview-with-lagos-documentary-filmmaker-bregtje-van-der-haak Art + Architecture: an interview with Lagos documentary filmmaker Bregtje van der Haak Nicholas Korody 2014-07-16T18:29:00-04:00 >2014-07-21T16:35:42-04:00 <img src="http://cdn.archinect.net/images/514x/e5/e5yj30he2m5islm6.jpg" width="514" height="366" border="0" title="" alt="" /><p>Several weeks ago,&nbsp;<a href="http://archinect.com/news/article/102646363/koolhaas-guides-viewers-through-bustling-lagos-in-this-interactive-documentary" target="_blank">we featured</a>&nbsp;Bregtje van der Haak's interactive documentary,&nbsp;<em>Lagos Close and Wide: an Interactive Journey into an Exploding City</em>, originally released as a DVD in 2004 and now available&nbsp;<a href="http://lagos.submarinechannel.com/" target="_blank">online</a>.&nbsp;The project emerged from van der Haak's 2001 trip to Lagos, Nigeria with the architect Rem Koolhaas and their attempt to capture the city at a crucial moment in its emergence as the fastest growing city on the continent. ("Every hour, fifty new people start their lives in Lagos" states the film's description). The documentary utilizes a novel and innovative format in which the information is organized by distance &ndash; close-up, through the perspective of bus driver Olawole Busayo, and the more distant perspective typical of many urban studies.&nbsp;Users choose between these visual perspectives as well as various audio by Koolhaas and Lagosians. We recently touched base with van der Haak to better understand her motivations behind the project and experiences of making it.</p>... http://archinect.com/features/article/103867146/material-witness-insanity-in-the-walls-of-true-detective-and-twin-peaks Material Witness: Insanity in the walls of "True Detective" and "Twin Peaks" Julia Ingalls 2014-07-11T11:10:00-04:00 >2014-07-21T19:37:44-04:00 <img src="http://cdn.archinect.net/images/514x/kj/kjnxqt8vv3pludsy.jpg" width="514" height="386" border="0" title="" alt="" /><p>What is the line between sanity and insanity? Specifically, what is the material?</p> http://archinect.com/features/article/102872267/the-trouble-with-a-bird-s-eye-view-la-forum-s-exhibition-looks-at-los-angeles-from-afar The Trouble with a Bird’s Eye View: LA Forum's exhibition looks at Los Angeles from afar Nicholas Korody 2014-06-27T19:10:00-04:00 >2014-07-14T16:28:36-04:00 <img src="http://cdn.archinect.net/images/514x/vc/vcljl3erng7b5sh3.jpg" width="514" height="339" border="0" title="" alt="" /><p>No single image can contain a city, particularly one as large as Los Angeles. But through the accumulation of many, it may be possible that the irreducible complexity of a city can become slightly more legible. Pairing aerial photographs by Los Angeles-based <a href="http://www.lanebarden.com/en/" target="_blank">Lane Barden</a> with a geo-mapping project by the German-American duo <a href="http://benedikt-gross.de/log/" target="_blank">Benedikt Gro&szlig;</a> and <a href="http://jk-lee.com/" target="_blank">Joseph K. Lee</a>, the summer exhibition of the <a href="http://laforum.org/" target="_blank">Los Angeles Forum for Architecture and Design</a> presents two distinct perspectives with which to view the city.&nbsp;</p> http://archinect.com/features/article/102327403/cutting-room-interiors-takes-classic-films-back-to-the-drawing-board Cutting Room: "Interiors" takes classic films back to the drawing board Amelia Taylor-Hochberg 2014-06-23T12:44:00-04:00 >2014-06-27T09:31:11-04:00 <img src="http://cdn.archinect.net/images/514x/cb/cbzsi9nqqc1aaou3.jpg" width="514" height="343" border="0" title="" alt="" /><p>Filmmaking is a labor of love that shares architecture&rsquo;s compulsion: to model a stratum of life down to the most precise detail, creating entire worlds that do not (yet) exist. It seems natural then that an architect and filmmaker would combine forces to create <strong><a href="http://intjournal.com/" target="_blank"><em>Interiors</em></a></strong>, a journal of reconstructed sections taken from famous scenes in classic films.</p> http://archinect.com/features/article/101642075/this-incredible-derogatory-racialized-way-people-talk-about-the-space-director-kelly-anderson-s-cutting-room-interview-on-gentrification-and-activism-in-her-doc-my-brooklyn "This incredible, derogatory, racialized way people talk about the space": director Kelly Anderson's Cutting Room interview on gentrification and activism in her doc, "My Brooklyn" Amelia Taylor-Hochberg 2014-06-12T11:53:00-04:00 >2014-06-16T22:32:44-04:00 <img src="http://cdn.archinect.net/images/514x/4v/4v4wec99qc4nzj57.jpg" width="514" height="356" border="0" title="" alt="" /><p><em><a href="http://www.mybrooklynmovie.com/" target="_blank">My Brooklyn</a></em> takes a close look at the guiding forces behind Brooklyn&rsquo;s gentrification, from the highly personal perspective of documentary filmmaker (and&nbsp;self-identifying gentrifier), Kelly Anderson. Pivoting around Anderson&rsquo;s and producer Allison Lirish Dean&rsquo;s investigation of redevelopment efforts for downtown Brooklyn&rsquo;s Fulton Mall, the documentary carefully considers both the personal and historical factors behind gentrification&rsquo;s economic shifts, outlining (if not simplifying) the complexity of the gentrification debate.</p> http://archinect.com/features/article/101037765/while-buildings-rot-film-preserves-architecture-s-memory-cutting-room-s-interview-with-malachi-connolly-director-of-built-on-narrow-land-documentary While buildings rot, film preserves architecture's memory: Cutting Room's interview with Malachi Connolly, director of "Built on Narrow Land" documentary Amelia Taylor-Hochberg 2014-06-05T10:03:00-04:00 >2014-06-15T23:02:14-04:00 <img src="http://cdn.archinect.net/images/514x/k0/k0ndnyba4z45ipl6.jpg" width="514" height="409" border="0" title="" alt="" /><p>Before the Cape Cod National Seashore was declared public land in 1959, the grassy dune landscape was already dotted with a handful of Bauhaus-inspired beach houses. Built by a strain of rogue bohemian architects, the houses served as beloved, experimental cottages until the land underneath them was seized by the federal government. Many of the houses were abandoned and left to slowly rot in the landscape, whether or not they were protected by historical status.</p> http://archinect.com/features/article/100286211/cutting-room-talking-architectural-dissent-and-climate-proof-buildings-with-eugene-tssui-subject-of-kyung-lee-s-telos-documentary Cutting Room: Talking architectural dissent and climate-proof buildings with Eugene Tssui, subject of Kyung Lee's "TELOS" documentary Amelia Taylor-Hochberg 2014-05-28T10:06:00-04:00 >2014-06-02T22:03:31-04:00 <img src="http://cdn.archinect.net/images/514x/qj/qjt5qm5exuyhznnz.jpg" width="514" height="580" border="0" title="" alt="" /><p><strong><em><a href="http://www.telosmovie.com/" target="_blank">TELOS: The Fantastic World of Eugene Tssui</a></em></strong>&nbsp;is a slice of the architect's uphill battle against the built environment&rsquo;s status quo, documenting his crusade for what he calls &ldquo;Evolutionary Architecture&rdquo;. Maligned for his off-beat sustainable design principles as a student and struggling to build as a professional, Tssui persists as a Renaissance Man -- an artist, athlete, teacher and designer, who just doesn&rsquo;t seem made for these times.</p> http://archinect.com/features/article/99380154/cutting-room-listen-to-john-szot-creator-of-architecture-and-the-unspeakable-discuss-cyber-architectural-realities-and-speculative-practice Cutting Room: Listen to John Szot, creator of "Architecture and the Unspeakable", discuss cyber-architectural realities and speculative practice Amelia Taylor-Hochberg 2014-05-19T11:08:00-04:00 >2014-05-27T22:36:31-04:00 <img src="http://cdn.archinect.net/images/514x/jr/jr91hmavy6raywi0.jpg" width="514" height="321" border="0" title="" alt="" /><p><a href="http://archinect.com/firms/cover/1556/john-szot" target="_blank">John Szot</a>, architect and creator of the&nbsp;<a href="http://johnszot.com/archandtheunspeakable/" target="_blank"><em>Architecture and the Unspeakable</em></a>&nbsp;film series, is a pioneer in film's unique architectural exploration, working with digital animation to&nbsp;investigate parts of the built environment that remain hidden at the street level. In our interview for <a href="http://archinect.com/features/tag/445980/cutting-room" target="_blank"><strong>Cutting Room</strong></a>, an audio series at the intersection of architecture and film, Szot spoke with me about his architectural background and how he started making films.</p> http://archinect.com/features/article/99663613/cutting-room-we-talk-with-patrick-creadon-director-of-if-you-build-it-about-the-documentary-and-the-power-of-design-education-in-post-recession-u-s Cutting Room: We talk with Patrick Creadon, director of "If You Build It", about the documentary and the power of design education in post-recession U.S. Amelia Taylor-Hochberg 2014-05-14T12:33:00-04:00 >2014-05-21T12:48:46-04:00 <img src="http://cdn.archinect.net/images/514x/at/ats1dpm17tp9d2xc.jpg" width="514" height="665" border="0" title="" alt="" /><p><a href="http://www.ifyoubuilditmovie.com/" target="_blank"><em>If You Build It </em></a>documents a year in the classroom of <a href="http://www.projecthdesign.org/" target="_blank">Project H</a>, an experimental design-build workshop for high school students in Windsor, North Carolina. Guided by designer Emily Pilloton and architect Matt Miller, the creators of Project H, ten high schoolers set out to design and build a farmers&rsquo; market hall for their town, in the hopes that it will help invigorate the local economy and inspire other community-minded projects.</p> http://archinect.com/features/article/97105527/interview-with-john-szot-of-architecture-and-the-unspeakable-film-series Interview with John Szot of "Architecture and the Unspeakable" film series Amelia Taylor-Hochberg 2014-04-04T17:45:00-04:00 >2014-04-07T23:19:48-04:00 <img src="http://cdn.archinect.net/images/514x/0j/0jjezgt975e02hay.jpg" width="514" height="284" border="0" title="" alt="" /><p><em>Architecture and the Unspeakable</em> is a triptych of short, magnificently animated films, each exploring a different symptom of architecture&rsquo;s vulnerabilities. Produced by <a href="http://archinect.com/brooklyndigitalfoundry" target="_blank">Brooklyn Digital Foundry</a> and directed by architect John Szot, the films feature architecture proposals from <a href="http://archinect.com/firms/cover/1556/john-szot" target="_blank">John Szot Studio</a>, imagining distinct fictional buildings in New York, Tokyo, and Detroit -- all animated in striking digital realities.</p> http://archinect.com/features/article/95633153/in-focus-agnese-sanvito In Focus: Agnese Sanvito Archinect 2014-03-19T14:52:00-04:00 >2014-03-24T21:12:26-04:00 <img src="http://cdn.archinect.net/images/514x/pk/pknhrqliyq4z86ay.jpg" width="514" height="388" border="0" title="" alt="" /><p><a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a>&nbsp;is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p><p>In this feature, we talk to London-based Italian photographer, <a href="http://agnesesanvito.com/" target="_blank">Agnese Sanvito</a>.</p> http://archinect.com/features/article/93316965/jason-pomeroy-the-city-time-traveller Jason Pomeroy, the "City Time Traveller" Amelia Taylor-Hochberg 2014-02-18T18:41:00-05:00 >2014-09-18T02:31:27-04:00 <img src="http://cdn.archinect.net/images/514x/7w/7w5y68r3c0pbasnk.jpg" width="514" height="289" border="0" title="" alt="" /><p><strong>City Time Traveller</strong>, a new travel show that spotlights architectural wonders throughout Asia, debuted earlier this month on Channel NewsAsia. Mixing city history and architectural heritage, the show is hosted by Jason Pomeroy, an architect, academic and urban planner based in Singapore. As an architect concerned primarily with ecological sustainability, Pomeroy focuses the show on places that have weathered time and conflict to persist and thrive today. Archinect spoke with Jason Pomeroy when the show just began airing, touching on his demanding filming schedule and work as an &ldquo;eco-architect&rdquo;.</p> http://archinect.com/features/article/93394904/in-focus-pygmalion-karatzas In Focus: Pygmalion Karatzas Amelia Taylor-Hochberg 2014-02-13T13:46:00-05:00 >2014-02-17T22:10:14-05:00 <img src="http://cdn.archinect.net/images/514x/x6/x62lpv91gw23nipc.jpg" width="514" height="514" border="0" title="" alt="" /><p><a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a>&nbsp;is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p><p>In this feature, we talk to Greece-based <a href="http://karatzas-architects.com/" target="_blank">architect</a> and <a href="http://karatzas.wix.com/photo" target="_blank">photographer</a>,&nbsp;Pygmalion Karatzas.</p> http://archinect.com/features/article/92472606/in-focus-peter-wegner In Focus: Peter Wegner Archinect 2014-02-03T20:43:00-05:00 >2014-03-04T19:01:10-05:00 <img src="http://cdn.archinect.net/images/514x/rw/rwdvu7lllrqexbm1.jpg" width="514" height="342" border="0" title="" alt="" /><p><a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a> is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p><p>In this feature, we talk to California-based photographer <a href="http://peterwegner.com/" target="_blank">Peter Wegner</a>.</p> http://archinect.com/features/article/88776771/in-focus-edward-neumann In Focus: Edward Neumann Archinect 2013-12-17T17:23:00-05:00 >2013-12-23T18:28:59-05:00 <img src="http://cdn.archinect.net/images/514x/y9/y9vbc8kcnwjykhqv.jpg" width="514" height="342" border="0" title="" alt="" /><p> <a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a> is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p> <p> In this feature, we talk to London-based photographer <a href="http://emcn.co.uk/" target="_blank">Edward Neumann</a>.</p> http://archinect.com/features/article/87542917/in-focus-andrew-prokos In Focus: Andrew Prokos Archinect 2013-11-29T14:29:00-05:00 >2013-12-02T18:19:33-05:00 <img src="http://cdn.archinect.net/images/514x/mh/mhrsxdx8y5j7gf8q.jpg" width="514" height="343" border="0" title="" alt="" /><p> <strong><a href="http://archinect.com/features/tag/7347/in-focus" target="_blank">In Focus</a></strong> is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p> <p> In this feature, we talk to New York-based photographer <a href="http://andrewprokos.com/" target="_blank">Andrew Prokos</a>.</p> http://archinect.com/features/article/84984077/in-focus-jade-doskow In Focus: Jade Doskow Archinect 2013-10-25T15:12:00-04:00 >2013-10-28T19:54:41-04:00 <img src="http://cdn.archinect.net/images/514x/wy/wygsa4spt6a0zgjt.jpg" width="514" height="407" border="0" title="" alt="" /><p> <a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a> is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p> <p> In this feature, we talk to Brooklyn-based photographer <a href="http://www.jadedoskowphotography.com/" target="_blank">Jade Doskow</a>.</p> http://archinect.com/features/article/84135149/shock-of-the-new-beyond-the-assignment-and-architectural-photography-s-future Shock of the new: "Beyond the Assignment" and architectural photography's future Amelia Taylor-Hochberg 2013-10-18T15:24:00-04:00 >2013-10-21T17:49:10-04:00 <img src="http://cdn.archinect.net/images/514x/yr/yr6en02n0ajdx5q1.jpg" width="514" height="757" border="0" title="" alt="" /><p> Smack in the middle of Hollywood, among costume shops, bars and a Scientology center, WUHO Gallery celebrated the opening of "Beyond the Assignment: Defining Photographs of Architecture and Design", an exhibition honoring the work of active architectural photographers from across the United States.</p> http://archinect.com/features/article/84219613/in-focus-robin-hayes In Focus: Robin Hayes Archinect 2013-10-15T15:58:00-04:00 >2013-10-21T17:50:46-04:00 <img src="http://cdn.archinect.net/images/514x/0v/0vuv9ov9b3p3s0gi.jpg" width="514" height="386" border="0" title="" alt="" /><p> <a href="http://archinect.com/features/tag/7347/in-focus" target="_blank"><strong>In Focus</strong></a> is Archinect's series of features dedicated to profiling the photographers who help make the work of architects look that much better. What has attracted them to architecture? How do they work? What type of equipment do they use? What do they think about seeing their work in blogs?</p> <p> In this feature, we talk to Stockholm-based English photographer <a href="http://www.robinhayes.co.uk/" target="_blank">Robin Hayes</a>.</p>