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    Responce from Phil

    By Erik Schonsett
    Feb 1, '07 9:04 AM EST

    WE WERE SMEARING LITERALLY BY TAKING THE SURFACE RESIDUE IN THE MOTION OF ONE PIECE TO SMEAR ON THE SURFACE OF THE OTHER ALTERING ITS FORM SURFACE TOPOGRAPHY EACH TIME ALTERING ITS SPEED AND CENTRE OF FORM..INSIDE THE MODEL THERE SHOULD BE A HIGHLY DETAILED PIECE THAT TRANSLATES THE MOMENT THROUGH LIGHT AND A MICROPHONE THE MOMENT IN THE EXCHANGES ..AS AN ARCHITECTURE ITS ABOUT THE RHIZOMATIC..OSCILLATIONS REVERBERATION AND CHANGE ..DELUZE 1000 PLATEAUS..AS SOMETHING BECOMES OTHER..THE TRACE OF GREASE COULD EVENTUALLY FIND ITSELF IN A CONTAINER IN ANOTHER SYSTEM..AND SO THE MOMENT IS BEING CONSTANTLY RELOCATED AND REFORMED

    P

    Bartlett Unit 19

    Smearing Architectures

    HERE MOTION IS BUILT INTO THE SYSTEM THAT IS REFINED TO THE IDEA OF WAITING..IE THE RESULT OF MOTION/DELIVERY , THIS INVOLVES DEIGNING FOR DURATION DELAY UNDER TERMS OF TIME AND DELAY..TRANSMISSION AND THE RESULTS OF THE EXPERIENCE OF THE OBJECT IN THE SYSTEM ON ITS JOURNEY..WHAT IT IS THAT THE DESIGN OF THE SYSTEM EXPECTS TO RECEIVE

    P

    Transmit Diversity





     
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    • the silent observer

      Feel like you've learned their language yet?

      Feb 3, 07 9:10 am  · 
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